#16
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I think the OP is correct though his hypothesis was poorly worded. I think the majority of folks hear with a combination of their eyes and ears. It’s always interesting when someone posts a couple of video clips comparing different guitars and the range of responses that people give. Some can readily
identify Adi from Sitka, forward bracing from traditional bracing, plastic pins from bone pins and much more. The same folks seem to become strangely silent when someone post a guitar comparison sound clip without video or pictures that identify the guitars. |
#17
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Perhaps referring to a guitarist’s tendency to want to watch another guitarist’s hands?
__________________
2010 Larrivee LSV-11e 2002 Jose Ramirez 4e 1998 Seagull S6+folk, Mi-Si LR Baggs acoustic trio 1986 Charvel Model 3A electric 2001 Fender Jazz standard bass 1935 A-00 Gibson mandolin 1815 JG Hamm violin Kelii soprano ukulele |
#18
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Silly guitar players....only buying guitars for the flash....
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#19
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I find it interesting that so many people think the quote is gear related.
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#20
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So tell us...what else could guitarists be using their eyes for? |
#21
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When I read the quote, the first thing that I thought of was how dependent I was on looking at the fingerboard when I was first learning guitar. It really took me a while to break the habit even after I learned the chord positions and had them in my muscle memory. Over time, I stopped relying on my eyes and really began listening to what I was playing. Really asking myself if what I was playing sounded musical. I think that learning to play the guitar and to play music that is pleasing to the ears ultimately takes the eyes and the ears. And the hands, and the heart!
Best, Jayne Last edited by jaymarsch; 12-12-2017 at 10:06 AM. Reason: Fixed a typo |
#22
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Mind you, the visual nature of the guitar is not a bad thing--but it can become a crutch. |
#23
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__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#24
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Not even to mention new players of any instrument. Eyes will be a large part of the learning curve. So in reality what I'm hearing (seeing) is, professionals/masters use their ears and amateurs/newbies use their eyes. |
#25
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When I went to college I lived close to (but didn't go to) Berklee, which was close to Paul's Mall and The Jazz Workshop. Folks like Mahavishnu and Weather Report and Gary Burton and Chick Corea and Airto played at those places a lot.
That's when I learned that musicians listen with their arms crossed. |
#26
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Let's face the original post. Guitarists are being singled out as non-musicians. let's address that for a moment. Are guitarists musicians? Secondly, they play with their eyes....ok, so do many musicians. But wait, guitar players aren't musicians so it doesn't apply. See my point? |
#27
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When I was 14 what did I know about tone? Nothing, that's what; if the guitar looked great I wanted it-and the more bling it had, the better it sounded, obviously!
That said the OP had a point, and looks certainly matter to an extent when there are a myriad guitar shapes, sizes and finishes to consider. Grand pianos? Once you've seen one large black thing...
__________________
Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#28
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Does this mean that all of those billions of albums, records, CDs sold over the years have been purchased largely by non-musicians because of the pretty sleeve design and never listened to?
If that's the case then guitarists have to be musicians to be able to recreate those songs everyone else doesn't listen to. |
#29
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I love this post. In high school, I was pretty good in visual arts. I won some contests and convinced myself I wanted to be a Graphic Designer. I changed majors after the first year because I realized that artists do not appreciate other artists.
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#30
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