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#3
08-05-2003, 10:20 AM
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How 'bout D, or Am-D7? Ab13 maybe 4xx456
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#4
08-14-2003, 08:25 AM
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Timmypack,Im not ssure what its name is (maybe drickard covered it) but when I go from emaj or eminor to g I use 2xx2xx.I always think of it as the second chord in "a horse with no name"
I remain theoretically challenged  the bat....
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72 rickenbacker 330 88 fender strat 80's yasuma 250b martin d16 big baby(my wifes)   vox amp Epi ej200 Blueridge BR163 Blueridge BR73
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#5
08-14-2003, 08:43 AM
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T transition from E to G, I'd use a D7...
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#6
08-14-2003, 02:19 PM
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Hi Tim: How much room do you have to do the modulation; one measure? two? That will make a difference in the chords you choose. If you have two measures, it is easy to make a smooth change. If you have only one, you can still squeeze in two transition chords. If you have to change in the middle of a measure, it won't be as smooth, but it won't be there as long, either, so it won't be so noticeable.
Bob
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#7
08-14-2003, 06:34 PM
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ok I can't resist, to go from the key of E to the key of G you can use the five chord of G which is a D , but put an F# in the Bass as that is the passing chord from E to B . Let me go see if it works.
be right back. Ok it works for me but sounds like s***! LOL  That one does sound good with the G going down to the E. I mean it works both way just sounds better backward. Now I am going back to sleep . Later
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Ray Collings DS2H MhA "Bubba" Collings OM 2H "Colleen" Collings "Herb Special" Eastman AR610CE-CS " Jazz " Martin 000 28c MH "Merle" Dudley Classical Dudley" Baby Taylor "Baby Hoggy"
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