#16
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I thought I'd have a little hunt around to see where I had seen this before. The last time I saw it was in post 3 of this thread;
http://www.acousticguitarforum.com/f...d.php?t=355903 My first reaction was the same as yours but then I saw the difference between the GM6 and Em7. The idea does communicate although the M is somewhat redundant. Perhaps Howard could point us to it's origins. |
#17
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I've never named a dominant 7th chord with an M, or seen it done except by mistake.
It's redundant with the major 6th, but I added it to that post for clarity (and apparently achieved the opposite). The upper case letter M is always read as "major." The lower case m is always read as "minor."
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon |
#18
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Let's be perfectly clear. If you see M7, play bittersweet major seventh chord (major third major seventh); if you see plain ol' 7, play tangy, "I wanna resolve to the tonic", dominant seventh chord (major third, minor seventh).
Major seventh shorthand - maj7, M7, more rarely a triangle followed by 7 Minor seventh shorthand - min7, m7, more rarely -7 Dominant seventh shorthand: 7 or dom7 |
#19
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You are correct, typo on my part.
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