The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > PLAY and Write

Reply
 
Thread Tools
  #16  
Old 09-04-2014, 02:41 PM
amyFB amyFB is offline
Charter Member
 
Join Date: Jul 2014
Location: Lehigh Valley, Eastern PA
Posts: 4,599
Default

I like a 'thumb over' to grab that F# when playing a D/F# chord.

Often I find it is a passing chord and the F# can sound just ahead of, or just past the rest of the chord tones , without negative affect to the song.
__________________
amyFb

Huss & Dalton CM
McKnight MacNaught
Breedlove Custom 000
Albert & Mueller S
Martin LXE
Voyage-Air VM04
Eastman AR605CE
Reply With Quote
  #17  
Old 09-05-2014, 12:01 AM
Chin music Chin music is offline
Registered User
 
Join Date: Mar 2014
Location: Denver, CO
Posts: 124
Default

I suspect I would have the same problem if I attempted to play a D/F# that way. I have something similar going on in my right hand when picking between my index finger and middle finger.

Anywho... I play that chord (in open position) as:

F#, 6th string, index
A, 3rd string, middle
D, 2nd string, pinky

This leaves my ring finger free to walk up to the G on the 6th string for whatever I'm transitioning to next.

Hope that makes sense.
__________________
Guild D25 (1973)
Guild GAD m120e (2013)
Taylor 324 (2014)
Reply With Quote
  #18  
Old 09-05-2014, 10:43 AM
pgilmor pgilmor is offline
Registered User
 
Join Date: Jul 2010
Location: Watford City
Posts: 1,964
Default



You probably didn't practice this enough as a kid!
Reply With Quote
  #19  
Old 09-05-2014, 11:08 AM
Bingoccc Bingoccc is offline
Registered User
 
Join Date: Jan 2010
Location: Massachusetts
Posts: 7,048
Default

Quote:
Originally Posted by pgilmor View Post


You probably didn't practice this enough as a kid!

That got some practice with us but it was nothing compared to every boy in school running around, trying to render every other boy unconscious with a Vulcan neck pinch.

Last edited by Bingoccc; 09-05-2014 at 11:16 AM.
Reply With Quote
  #20  
Old 09-05-2014, 02:47 PM
Bern's Avatar
Bern Bern is offline
Registered User
 
Join Date: Jun 2005
Location: New York
Posts: 10,748
Default

For the time being you can fret the F# on the E string with your thumb.
As far as the fingering you describe, play a good approach chord before the trouble spot. Playing an open G type fingering (6str - middle finger 3rd fret / 3rd string - open / 2nd string - ring finger - 3rd fret). This might help because you're already spreading your middle and ring finger.
BTW, I've found that focusing too much on a particular fingering is not helpful in terms of your overall playing. It takes too much attention away from other fingerings and it'll start to imbed itself in your mind every time when you have to play a troubled chord.
__________________
There are still so many beautiful things to be said in C major...
Sergei Prokofiev
Reply With Quote
  #21  
Old 09-06-2014, 03:04 PM
Earwitness Earwitness is offline
Registered User
 
Join Date: Apr 2013
Location: Austin, Tx
Posts: 2,078
Default

Just thought I would post back to say I appreciate all the responses. I've tried all the ideas that were suggested. For a straight D/F#, one of the examples I gave, it does turn out to be pretty easy and natural for me to use the thumb. Whenever I used to try to use the thumb, it seemed I had difficulties--whatever they were, they're gone now. So, e.g., on a simple G to Em walkdown such as Don't Think Twice, I'm kind of amazed how simple the thumb makes the song compared to what I was doing.

For other places on the fretboard, I'm going to try to mix up a strategy of strengthening my natural way to do it (that is, the way that's hard for me?!); using my pinky instead of my ring--which really requires more a brain rewiring than anything; and the old stand-by, which is just leave out a bass note with that chord that gives you a problem (!).

One thing it seems is that most of you were doing something different from what I was doing, so my way must not be an easy fingering, despite how easy it looks.

Anyway, thanks!
__________________
2010 Allison D (German spruce/Honduran mahogany)
2014 Sage Rock "0" (sitka spruce/Honduran mahogany)
2016 Martin CEO-7 (Adi spruce/sipo)
1976 Ovation 1613-4 nylon--spruce top
1963 Guild Mark II nylon--spruce top
Reply With Quote
  #22  
Old 09-10-2014, 02:54 PM
creamburmese creamburmese is offline
Registered User
 
Join Date: May 2013
Location: Maryland, US
Posts: 506
Default

Fingers 2 and 3 have the same nerve so everyone has problems separating them. If you have to use 2 and 3 (and there are lots of alternative approaches already suggested) it becomes relatively easy if you move your hand/arm so it's reaching down from the nut end as opposed to perpendicular to the fingerboard - much as you would fret B7 for instance....
__________________
adultguitarjourney.blogspot.com
Taylor 712, a couple of nice classicals
Reply With Quote
  #23  
Old 09-11-2014, 01:29 AM
thiseas thiseas is offline
Registered User
 
Join Date: Apr 2011
Posts: 183
Default

Hi,

I think that this excersice will help you

Theo

p.s. It works well without the little characters too...
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > PLAY and Write






All times are GMT -6. The time now is 07:37 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=