#16
|
|||
|
|||
Quote:
Depending on your musical background, for a beginner, it can take many days or even a few months to learn a long blues solo. +1 on sticking with a much more simple riff, just a couple measures long, get that one down, then move on to something that's four measures long but simple. Learning six cowboy chords and the simplest bass-strum quarter-note pattern is quite easy and might make us think at the beginning that this is an easy instrument. It is not. It takes more hours to become mediocre at it than non-guitarists could ever guess. |
#17
|
|||
|
|||
I was told some real good advice a few years back. Practice the song as slow as you need to stay in time and speed up slowly this will improve your the memory in your hand and less errors down the road. While this may seem hard at first it will make it to where it is more productive faster. Also try not to stop when you miss a note or strike a note incorrectly. It helped me progress to the next level and it might help you.
__________________
810ce 214ce yamaha LL6 yamaha CPX yamaha 720s 61 Silvertone |
#18
|
|||
|
|||
Quote:
__________________
"Out of all the sincere and well-intentioned attempts of politics, diplomacy, philosophy, religion, and education to get people to be peaceable together, ironically today, the last thing on earth that all seven billion of us agree on is that we like the steel string guitar." -Dan Crary |
#19
|
|||
|
|||
Hey Brantley nothing to worry about, it's all part of the learning process. There's already a lot of good advice here so all I'll say is this: give yourself time. Understand that learning these skills takes months and years of practice, not days and weeks. It might seem counterintuitive, but sometimes when I'm frustrated with my playing I'll put the guitar down for a couple days. This can help you regain your composure and patience. Be persistent and over the long run you'll see improvement.
|
#20
|
|||
|
|||
I've been playing for 5 years and I still have trouble playing songs through without blowing it here and there. I started late (46), which doesn't help, but nonetheless, I think the difficulty of guitar isn't appreciated.
Forgive the imperfections, because if you don't, frustration will inhibit the learning process. Tell us a little about what surprises you in your skill development. What are you grateful for?
__________________
Larrivee OO-05 Larrivee OM-03R Eastman AC308 Pono OO-20 Pono OP-30DC |
#21
|
|||
|
|||
Quote:
If not maybe that would help? Nobody's perfect! Maybe you are trying too hard? |
#22
|
|||
|
|||
Big + on this advice. I can't even remember if tabs were around when I started playing, so I prefer notation and my ears.
What song is this anyway? Jim
__________________
1980 Guild D50 (Westerly), Antique Sunburst 2010 Epiphone Masterbilt AJ500RE 2010 Taylor GS Mini 2011 Taylor 814ce 2015 Taylor 356ce (12 string) 1975 Carlo Robelli SG Custom (Sam Ash model) Fishman Loudbox Mini VOX AGA70 |
#23
|
||||
|
||||
There is some very good advice here that I won't repeat, but I disagree with Mr. Emmanuel's approach. If you feel that playing music is only a set of physical skills, then endless repetition with good technique will get you there. I don't feel that music is only in your hands. It's not a machine, it's a musical instrument. SRV said, "Some people think they're just pieces of wood." Don't be one of those people
If you repeat anything enough times, the life will disappear out of it and it will be reduced to a mechanical process with no soul at all. I don't think that's a good way to approach music. Do you have to practice something over and over? Sure! We all do that. But I don't think it's wise to take any single part of the collection of things that is music and work on only that one thing. My advice is to work on something else for a while. That could be an hour, or a day, or a week. Let your mind rest from this one single thing and then come back at it fresh. You might be surprised how much progress you can make during that break. Taking a break doesn't mean you're giving up. If you are determined to read TAB a lot, you will probably want to work on your sight reading skills so that you can make the connection in your brain between the numbers and your fingers. But like I tell all my students, to really make the music you must reach a point where you don't need to look at anything. Music is not a visual art, yet most of the musicians I meet act like their eyes are the only things they use to play it. Once you get a song memorized, your ears will guide you a lot more accurately than you may think is possible. A BIG +1 about using The Force. If you don't feel it, it's not music. Lastly, don't freak out about mistakes. If you make the same mistake over and over, obviously that's a spot you need to work on. But as Monk said, "The piano ain't got no wrong notes." We only say something is a mistake because it doesn't match what's written down. Doing something different can be the key to a whole new perspective on a phrase or a chord or the mood of a song. Always keep your ears and your mind open to whatever sounds are coming from your instrument while you play. I say that I don't write music, I discover it hiding in that place where my brain and guitar are on the same wavelength that I have nothing at all to do with It will get easier. Someday. At least that's what they keep telling me...
__________________
Jim Dorman - The Acoustic Pedestrian www.jimdorman.com "I'd think learning to play the guitar would be very confusing for sighted people." -- Doc Watson |
#24
|
|||
|
|||
Ditto on that advice . . .
|
#25
|
|||
|
|||
When I was learning, one thing that hung me up was that I was trying to play the tune up to speed - and I couldn't. I would make mistakes again and again and I erroneously thought that if I kept doing this, that eventually I would get it right.
What I didn't realize was that I was burning those mistakes into my muscle memory - doing them over and over again I was training my hands to make the mistakes. When I learned to practice in SLOW MOTION with my hands totally RELAXED, I made great strides in improving my playing. Play it SLOW and PERFECT and eventually you will be able to play it fast and perfect. If you can't play it slow, you certainly won't be able to play it fast. Keep it up - we all hit frustration when learning to play. |
#26
|
||||
|
||||
If you are having trouble the break it down into parts. Even a short intro can be practiced one measure at a time if need be. I usually learn something by dividing it up. I practice slow and fast, slow and fast as each tempo reveals things about the piece as to what is required (fingering, note durations, possible fatique levels, etc). Glue the parts together as you are able. Polishing a piece usually involves a few divisions and reassembles to get it right.
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |