#1
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Silky Oak Recycled guitar
This build is made from a combinations of recycled (re-purposed) timber form a couple of sources. The back and sides are from an old Australian Silky Oak sideboard from about 1910 that was far beyond saving. It had been "restored" so badly several times and had ended up in a junk shop as just that, "junk". When I found it I realised that the top was two pieces that were perfectly quarter sawn and large enough to get the back and sides so I thought this would be a good experiment.
The neck is made from recycled cedar that was destined for some replacement fence palings. It had originally been in an industrial fitout in a warehouse and the guy that grabbed in when the building was being demolished found out that the building was built in the late 1800's. The soundboard is Celery Top Pine which was given to me by a fellow lutiher to experiment with. He had a couple of billets and wanted a few different builds done to see how we felt it would perform. The bracing on the top is some of the recycled cedar too. The guitar is nice and responsive. The overall feel and sound of the guitar is good and it has started opening up after a day or so of playing. I hope to get some recordings done soon.
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Martin Taylor |
#2
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Nice looking guitar. My partner and I are using Ash that as the been killed my the ash bore for some of our electric acoustic guitars. Some of the wood has wild figure and is quite striking.
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#3
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Now these are the kind of post I really enjoy...thinking outside the box!!! Very very cool...
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#4
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Really nice oak!
Hard to find stuff like that anymore... |
#5
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Very beautiful wood, transformed into a beautiful instrument!
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#6
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Nice looking guitar for sure. It is a one of a kind guitar with history built in.
I have often looked at old mahogany and oak furniture in one local shop and wished I had skill to build a guitar. Some of the pieces would most likely yield backs and sides for three or four guitars. |
#7
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I have worked with silk oak, though not for instruments, and found it to be a very nice timber. Very fine grained, quite stable once dry, and it works pleasantly.
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#8
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Thanks everyone. I have a new recycled build on the go that is using a desk that was on a throw out pile. 1950's Tasmanian Oak. Will use that for the back and sides and I have an Australian Cedar top that was from an old shelf in a demolished house. I don't think it will be that pretty but I am really interested to see how it turns out. Will post some pics when I am a bit further in.
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Martin Taylor |
#9
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Cool stuff and nice looking Git!
I'm curious. What did you use for the bridge and fretboard?
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Brandon "Life has no limit, if you're not afraid to get in it"-Mason Jennings |
#10
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The bridge and Fretboard are Australian Mulga. It is a really nice hard wood and sands to a beautifully smooth finish. I use it regularly on my builds.
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Martin Taylor |
#11
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That fretboard is beautiful! If I was in Oz and had the cash I'd have some replacement work for you.
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Moon Master series BR-000 Gibson J-45 Diamond bottlenecks "The Beast" Ultimate slide |
#12
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What a wonderful act of redemption for the old oak sideboard. Looks beautiful as a guitar.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#13
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Silly Oak!
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Sakazo Nakade Flamenco 1964 Bourgeois D Adi Tasmanian Blackwood 2011 Tom Anderson Strat 1990s Schecter California Classic Strat 1990s |
#14
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How does it sound? I imagine oak to be similar to mahogany, but I really have no idea. Looking forward to the recording.
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#15
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I am liking the fret board! Good job!
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><(((º>·.¸.·´¯`·.¸ ><(((º> ·.¸.·´¯`·.¸ ><(((º> Happily playing with Parkinson's since 2002!! 1968 Martin D12-35 Brazilian 1985 Gibson J45 1996 Martin, D28 Indian 1975 Gibson Gospel, Maple 2009 Martin 0000 M-21 2014 Taylor HV GS Mini |