#46
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I've owned both and have always had annoying intonation issues with my Gibsons. They're also heavy... and expensive. I've never figured out why though. The binding/sanding/paint and finishing on several higher level models I've owned seemed really sloppy as compared to Fender. It's also been a challenge working them into more acoustic-based, ambient combos as the Les Paul is really more of a thick sounding rock guitar and meant to be cranked up, IMO.
A Strat, on the other hand, spans all genres and the quality level line between "low and high end" is almost non-exsistent anymore. They are easier to tweak, upgrade, customize and play and the price-point is much more assessable. The resale value on an average, newer model Les Paul is also pretty sad, so for shelling out so much, know you're not really making any kind of investment.
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Last edited by Fairlight; 06-13-2017 at 07:59 AM. |
#47
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Cannot the same be said for your Taylor 816...?? Some things just sound better on a Les Paul while others just sound better on a Strat...I have both and would never get rid of either of of em...
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#48
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Quote:
I don't know about using a Les Paul for "acoustic-based, ambient combos" but I'd suggest that you consider the name, Les Paul, before concluding that it's simply a thick sounding rock guitar. Sure, it (along with the Strat) is renowned as a rock guitar. But Les Paul and others have used it over the decades for jazz, country, and other non-rock forms. If I had to choose between a Les Paul and a Strat for jazz, or really for most non-rock music, my choice would be the Les Paul ... or a Telecaster. I play a Gibson ES339 and a G&L ASAT Bluesboy. For my use, either of these guitars is more versatile than a conventional (SSS) Strat. I'm also not sure that I agree with your observation that "the quality level line between 'low and high end' is almost non-existent anymore." Of course, it would help if low and high end were defined. Is the low end a Squier Affinity, a Squier Classic Vibe, or a Fender Standard (MIM)? Is the high end an American Professional or a Custom Shop? Even if its Fender Standard vs American Professional, there is a pretty substantial gap in component quality as well as finish and feel. The components of a Standard can be easily upgraded, but it still won't have the feel, particularly in the neck, of an American Professional. At least, that has been my experience. That's not to suggest that a Fender Standard is a poor guitar. Far from it. But I've recently played some of the new American Professional guitars that seemed to be several notches above the Standard. |
#49
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2015 Martin Grand Performance & 2016 Breedlove Pursuit Concert MH (Mahogany). YouTube Channel - Guitars, Gear, Unboxing https://www.youtube.com/channel/UC_w..._k-vCqoY7yPm1Q |
#50
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I don't think so. In the last two years I traded in a Tele Deluxe, a LP Standard and a Taylor 714-all at the same location. I was able to get a much higher return on the acoustic. The Tele was second and the LP was third... by a long shot. Not sure if it's that way across the board, but based on original cost and resale value, in my experience, LP's are overpriced.
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#51
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https://www.youtube.com/watch?v=OG__SwkV3wg
At the 3:35 mark, this guy has something to say about Strat vs Les Paul
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1956 Guild F-20 1979 Martin D-18 12-string 1983 Ovation Custom Legend 1986 Squire Fat Strat (Korean) 2004 Gibson Les Paul Classic 2007 Fender Standard Stratocaster (Mexican Strat) 2010 Guild F-47rc (Purchased in 2012) 2013 Home-made Stratocasters (x2) 2017 Martin GPCRSG |
#52
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short scale...long scale... humbuckers or single coils........2 totally different guitars and sounds why not both?
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#53
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Quote:
Strats, Teles, LPs, metal guitars, etc... Different tones for various music. I just love guitars! |
#54
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post deleted.
Last edited by Guest 429; 04-01-2019 at 06:10 PM. |
#55
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Les Pauls are more of a work of art visually, but in most other areas I think a strat wins. Much bigger tonal palette, much more comfortable sitting or standing, much less fragile, much cheaper.
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#56
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And people are still missing the point of the OP's post these weeks later.
Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#57
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is it just me, or does anyone else find it strange the Les Paul has a 1 piece top?
wasn't it standard to have a 2 piece slip matched (as opposed to book matched) top back then? |
#58
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It just goes to show many people don't read before posting!
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#59
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I read...I looked...posted...then researched...
that Les Paul is fake...a one piece top just doesn't add up...a 2 piece top with an off center seam is historically correct (intended as a gold, then made into a burst)...one piece????? solly Charley, no go... $395,000 for a counterfeit? caveat emptor! |
#60
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I'd be very surprised if a fake slipped by the appraisers at Rumble Seat. They're one of the few dealers that routinely deal with 50s Fenders and Gibsons, Dumble amps, and other rare gear.
I mean, I'm not saying it couldn't be, but it'd have to be an exceptionally good one.
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |