#1
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The effect of pick-ups on Acoustic Guitars
Hello,
I totally understand the benefits of acoustic guitar pick-ups for on stage performance. However, I have been asking myself the following two questions:
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Martin00028EC |
#2
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When it comes to recording there is no substitute for a high quality (interpretation: expensive) mic. That's just all there is to it. You'll never hear professional recording artists playing plugged in on studio recordings.
As far as pickups, I think it really depends. For example, with the exception of like the M80 and other soundhole pickups that have body sensors, soundhole pickups will make pretty much every guitar sound the same as the sound is purely produced from an electromagnetic field that's upset by the vibration of the strings. Likewise with USTs you're hearing the pickup rather than the guitar. Pickups that actually vibrate with the instrument (such as the K&K, for example) would probably sound different guitar to guitar.
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Lynn B. |
#3
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1) if your guitar has a pickup, there is no reason you can't bring that signal into your recording...along with a good mic signal. Then you have a true comparison and you can mix in both signals as you see fit.
2) 2 guitars will probably sound closer to one another if they had the same pickup...I've never experimented with that.
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'17 Waterloo Scissortail '17 David Newton 00 Rosewood '11 Homemade Strat Ibanez AS73 w/ Lollar P90s |
#4
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I agree with Fishstick -- recording on multiple tracks, one w/pickup and one or more with mics gives you good flexibility in the mix. You might want to add a bit of growl to your bass, for instance, or even a touch of distortion -- the pickup signal will come in handy.
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#5
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There are many methods of recording acoustic guitars, running the pickup DI-ed signal at the same time as miking is not uncommon. If you listen to enough music, you may be able to pick up on the recordings that HAVE used the pickup signal, rather than miking.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#6
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I think it depends on the sound you're going for. On a few of my albums I've plugged my guitar directly into one channel and had multiple mics set up around the room creating a variety of tracks to mix as I saw fit.
I disagree with piper_guitarist when he says that you'll never hear "professional recording artists playing plugged in on studio recordings." Many of them have done so.
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Fingerpicking Acoustic Blues/Rag/Folk/Slide Lessons https://www.tobywalkerslessons.com/ |
#7
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Quote:
Thin-line acoustic Fender... Ovation action for the purist... This may just be an awful guitar recorded with the wrong mic... but it does work...
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www.michaelwattsguitar.com Album Recording Diary Skype Lessons Luthier Stories YouTube iTunes Guitars by Jason Kostal, Strings by Elixir, Gefell Mics and a nail buffer. Last edited by Michael Watts; 09-08-2014 at 11:13 AM. |
#8
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Soundboard pickups like the K&K do sound different with different guitars. The better balance and overtones of my OM come through pretty well plugged in as compared to my dread, and they both have the same pickup system. IOW, they sound like different guitars.
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |