#16
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What is it precisely that you think you are missing at the moment? Where have you heard "that timbre" you are looking for? On a recording? Live show? Specific artists "sound"? Your perfect all rounder may not be the all rounder for someone else. But I bet that given your extensive musical experience you have the timbre in your head that you are chasing. You just need to identify its match in reality. I'll throw a J45 into the mix for you to consider trying. There's been an awful lot of classic tracks laid down on one of those over the years.
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#17
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If so, there is only one you need - a used 15-20 year old Martin EC! (000-28EC or higher end versions depending on wallet). BluesKing777. |
#18
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It sounds like you’re looking for a real nice J45 to my senses. They really do seem like they’ve earned their “workhorse” moniker. But I’m no pro, I just play at home to entertain myself. And the cats. And the dog. And my wife tolerates my playing too.
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#19
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Congratulations on the opportunities to play you have right now. Now on to your question.
You're you. You're experienced. You're likely to know or can estimate more than many (most? all?) of us what will work for you. Some of us would like to help, but by its nature your question is hard for us to answer for you. A great many stage and recording guitars use a great many models. As an experienced player, you likely know that, but I'll say this here for completeness. For the exacting player there's even the widespread belief that acoustic guitars are individual, so one person's "Model xxxx from Company YYYY" is just the thing -- but it might have qualities that another example of what is sold as the same model may not have. For stage playing in a wide range of roles including bluegrass* and recording the Martin D18 or a similar model is a classic solution chosen by many. There are a lot of them out there since it's been a standard model for some many years. You could spend more or less than what Martin charges for a current new model, but from my view that's a consensus choice that won't seem out of place in any of the contexts you're listed. *You mention bluegrass as one on the contexts you're being asked to play in.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#20
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I know a couple of guys that gig 15-20 gigs per month. One played a Taylor 814 the other played a higher-end Eastman. The one with the Taylor recently switched to a Yamaha AC series. He liked it so well that the guy who played the Eastman bought one as well. One has mahogany and the other has rosewood. They love them, they say they have really good electronics and is almost impossible to get feedback. I've never played one, they seem to be designed for performers.
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#21
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j45
Another plug for the J45. Mine has been taking me everywhere for more than 10 years now, and just keeps getting sweeter. One upgrade I would recommend is an easy, already footprinted switch over from the Baggs Element to the Anthem SL.
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#22
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For me it's my Martin D-28 Marquis.
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Proud member of OFC |
#23
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My immediate first thought was J-45, but a J-35 or Songwriter should also be on your list of Gibsons to try. All of them can cover a lot of ground, but each has its own flavor.
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#24
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Some great suggestions, some over the 3 grand mark. Boucher was one but if you get a chance to play one you might find it worth the extra coin. It would also be one of the louder unplugged guitars you might run across, if that’s important to you.
You might want to try a Furch vintage 2 or 3 or, better yet if you can find them, an older Stonebridge D33 Sr (Spruce /rosewood) or D 32 SM. (spruce/Mahogany). They would be a great working man’s guitar. And you can save some coin along the way. I see them listed around $1500 US. Not as loud unplugged as a Boucher but They’re a great reliable guitar for live gigs and recording. Good luck on your search.
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat Last edited by Mbroady; 03-04-2024 at 11:49 PM. |
#25
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I’d suggest checking out a Martin 000-18 Norman Blake Signature. A limited number of them were made and built to Mr. Blake’s specifications. You can occasionally find one used for around $3,000.
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Martin 000-18 Norman Blake 1997 Seagull Rosewood Custom Shop Model Brunner Basic Outdoor Guitar Eastman T386SB Aria Sinsonido AS-100C/SPL (customized to steel string) Mid 1930’s Kay Kraft Deluxe K2 archtop Seagull S12 converted to 6 string lap slide Takamine TF740FS 2008 Pono PGKC (flamed Hawaiian Koa 0 cutaway) |
#26
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Goodall, Martin, Wingert |
#27
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There is no one does all , but my favorite all around acoustic is my PRS Angelus private stock in Cocobolo and Euro spruce. Rich , clear , loud and gorgeous.
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#28
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My all-round is my Gibson J-45 Original 50s.
Give the J-45 a try, you won't regret it.
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A world where rats turn into stars |
#29
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My first choice would be a 000-42 Marquis, balanced tone and great for both fingerstyle and strumming. But they only made 155 of these, so if you can't find one a 000-28 is an excellent choice.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#30
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+1 on the J-45 pick. I love my Custom Shop J-45. Its just a killer all around guitar. Second choice would be my 000-18. Not as loud, but killer tone.
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Gibson and Fender Electrics Boutique Tube Amps Martin, Gibson, and Larrivee Acoustics |