#211
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I have their 2017 E10 OM and 2022 E10P...few changes I'd like to see Eastman do...A little thicker neck and thicker tone on my OM and make an all mahogany model which they refuse to do. Need another setup on my Parlor as it's lacking in playability in different neck areas and start posting the dang neck depth on their specs as it does mean a LOT to some players!
The only way I could say they're as good or better than anything else is I would have had to owned and played every other brand and it would still be just my opinion. Last edited by Jaxon; 03-10-2024 at 12:42 PM. |
#212
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Allow me to paraphrase what the great author John Cheever said about opinions in one of his books I read along time ago and can't recall the title. He said opinions are like a part of the human anatomy, everybody has one and they all stink.
Opinions are basically all we have here so yours is as good as mine really. |
#213
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If anyone wants to play, like, and buy one, I'm not going to mind. If I had four or five large, walked into a store and bought a guitar, it would not be an Eastman. I had a mandolin that was good enough to get me hooked on playing, but lasted less than six months after I realized I had the habit. That is a very worthy purpose IMHO.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#214
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Quote:
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Jan |
#215
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I had an E1D recently which sounded great but I couldn't stand the rough open pore nearly-unfinished neck. My hands sweat and it felt really gross.
I also briefly had an AC222CE (ovangkol back and sides) which had a nicer, smoother neck, but sounded flat (very little resonance or overtones) so I sold that one too. I also had an E20 00 12 fret for a few years but didn't play much since I wasn't playing guitar as much when I had it. I think it was the best of the three though. Nicer neck and really nice sound. It had the kind of sound that I would enjoy just picking a few strings and listening to it ring. One thing about the Eastmans is the bracing inside always looks really pristine and well done, even on the low end models. They look nicer inside than Yamahas in the $300-1500 range that I've seen. |
#216
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For looks go for Eastman.
For tone I would go elsewhere. I owned a few Eastman guitars and when recording them. They could not even compare with my Blueridge BR-43. But they were looking way more authentic, Martin'ish, true to the guitar-religion and sometimes looks have more weight than music
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/Peter Visit my YouTube channel https://www.youtube.com/channel/UCwR...J_vozU3kGd_YUA |
#217
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For the price, Eastmans are very good. Are they for everyone? No.
I tried out a lot of Eastmans last year, 1 in particular I really liked but walked away. Went back to the store some time later and it was still there, and came home with me. Out of the 10 or so I tried, the AC308LTD and 1 of the E8OM's were stellar. The other ones were good too. I would choose them any day of week over a lot of other brands.
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2023 Boucher BG-151 (Adirondack / Figured Madagascar Rosewood) 2021 Boucher LE-SG-131 (Moon Adi / Master Grade Flamed Walnut) 2022 Eastman AC308CE Ltd (Sitka / Mahogany) 1980 Yamaha SJ-180 |
#218
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That is the opinion of the player. When I was looking at 000 guitars I played Taylor, Eastman and Martin. The sound of the Eastman to my ears was between the Taylor and the Martin. The playability for myself favored the Martin first and the Taylor last. The thin neck profile caused hand cramping for me. The workmanship of the Eastman I played was not as neat as the others. Each brand has individual guitars that are better than others in its group. As it's been said many times, you have to play them. Good luck.
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#219
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There are opinions here by players who post videos of their playing. The skill level should tell you something about their blanket statements concerning the quality of a guitar brand, Nuff said...
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#220
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Thin (or shallow) neck profiles do that to me too, so I'd be interested to know if you had this with only the Taylor or also with the Eastman.
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I'm always not thinking many more things than I'm thinking. I therefore ain't more than I am. Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?) Toon: Eastman Cabaret JB (China, 2022) Stanley: The Loar LH-650 (China, 2017) |
#221
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You are right, it says something about "their" opinion, but they are few, so what is the use of it...
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Jan |
#222
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Quote:
By the same logic, Martin owners (and a larger percentage too) are average or below-average players, including yours truly. Does that make Martin a lousy brand because they are mostly played by mediocre -- and below -- guitarists. You're presenting a logical fallacy. Does everyone who drives a Ferrari or a Porsche 911 Turbo Carrera having the driving skills to join an Formula One team? And if not, does that make them an inept driver? scott memmer |
#223
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I just got a new Eastman E2 OM.
In standard tuning played with a pick it has a very strong attack, very loud and in your face. Very resonant and shimmery. Kind of unpleasant so I had to tune it down 1.5 steps and now it sounds really great and is fun to play. Very balanced and it handles downtuning better than many other guitars. Fingerpicked it will sound great in any tuning. It's cedar top.. so I imagine the spruce top would be even brighter and more unpleasant when picked in standard tuning. |
#224
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I recently got a used E10-00.
I'd previously only played one other Eastman, an E10P. I really wanted to like it but it sounded thin and boxy imo. It could have been the strings, could have just been a bad one but it really didn't sound good. The E10-00 is different again. Loud and punchy with a nice big neck. The Adi top on this one really gives it some power. Last edited by jontewright; 04-05-2024 at 07:33 AM. |
#225
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I can’t remember what I may have posted on this thread… and I’m too lazy to go back and peruse!
But I do care enough to clarify my thinking now. 1) the Eastman E2D cedar and Om cedar are in my opinion fantastic. If you buy those, I’d also stay away from the special editions that have a gloss finish and stick to the less expensive satin. 2) the Eastman slopes pre TrueTone in my opinion are better than the current ones.they sound deeper with more 3D character. I base this on my experience owing the nitro versions, and the newer TrueTone versions. I played an E10SS/V for several days a month back. I paid $1500 or $1600? (And returned it). You can buy a Gibson J-50 60s Reissue right now that will much more likely steal your heart for $1700. That seems like an easy decision to me. I wish I had more experience with their OMs… because I do have Martin experience in that arena… I’d like to compare. But the E2OM-cd is fantastic.
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i got tired of updating my guitars. |