#16
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Lots of stuff tfrom Hokum to what is often called "American Songbook" but songs written by many excellent writers/composers - but not "easy" compared to our 3 and 5 chord tricks. The time of the Crooners, and swing. Gershin, Porter, Richard Rogers, Irving Berlin etc., etc. Look up "Great American songbook" in Wikipedia, and see if the songs that are captivating you are on the list (they probably will be). Working out the progressions WILL be a challenge - don't let it beat you down!
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#17
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A couple of thoughts on chords in the 'music from the 20s, 30s, and 40s'. Apologies if you already get this. The kind of chords used and the way they were played has changed a lot between the 1920s and now. My take is that the big change came in the 1940s with the emergence of Bee Bop and modern jazz and after that both rhythm and harmony in jazz were a lot different. I've always associated the Mickey Baker book with music after that change. My personal preference is for music before that great divide when the chords were simpler and the rhythm was more gutsy. Jazz started of as good time music. It's not that now in it's mainstream. Sub genres, such as western swing and, in Europe, gypsy jazz still keep the old values and you should be able to find stuff on line that will interest you. Good luck in your search.
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#18
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Thought I'd post an update on this. After thinking it over a lot, I decided to tackle the jazz chord/rhythm project on the mandolin first rather than guitar (I probably play mandolin more anyway). The reason is two-fold: One, there are always more guitar players than mandolin players in any given setting, and I enjoy the less-traveled road; two, I have a feeling than when I get into swing on guitar, I will end up wanting an arch-top guitar. I don't want to get into GAS mode right now, so I think starting on mandolin might hold it off for a bit.
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#19
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Well, switching to mandolin pretty much eliminates the first piece of advice I had, which is to learn 4 note chords...
Here is the thing. Jazz comping is being a rhythm section player, like a drummer, AND being part of the underlying basic harmony of the song. A lot of books might have chords like m7b5, and b9 and 9-13, and that is because they are going up a step from basic harmony of the song to including the upper level of what the melody and the orchestration might be doing. To start, you need to basically learn all of the chords in a moveable form, but you really need to learn the major three note chords, the minor three note chords and the dominant 7 four note chords. If you see a m7b5, you just play a 2 note minor chord and leave out the 7b5 part. If the chart calls for a Maj7, you can just play a 3 note major chord and leave out the 7. You can add the other chord tones later, as you learn chord theory and the shapes that let to play those chords. To get back to Freddie Green, he often played one and two note chords, rarely three or more. What is a one note chord? He felt he was part of a rhythm section, with a bass player and a piano. Jazz bass players emphasis the root and the 5th of the chord, the piano player is usually playing the upper voices in the orchestration, so all the guitar usually needed to do was play the 3 or the 7 to make it full. In your case I would learn simple three note and four note moveable chords with the root on the bottom, with the root on the 6, 5 and 4 strings, and learn a basic 4/4 strum, and have at a few songs. It's OK to play the same chord for a full bar, or even a couple of bars, if that's what the song calls for.
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Brian Evans Around 15 archtops, electrics, resonators, a lap steel, a uke, a mandolin, some I made, some I bought, some kinda showed up and wouldn't leave. Tatamagouche Nova Scotia. |
#20
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Swing
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Last edited by Big Band Guitar; 04-18-2017 at 02:02 PM. Reason: add a link |
#21
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Look up Gerald Ross on YouTube.
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |