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Live Sound Advice Needed
Hi Guys,
I need some advice on live sound. I plan to do small home concert for say 30 people. Guitar and a bunch of other (3-4) instruments. I need two speakers, two monitors, 4 mics, mic stands, a mixer. Should I go for those packages? Or should I buy individual items? http://www.guitarcenter.com/Gear-One...ors-Package.gc I get one of those 20% of guitar center coupons that can apply to a package which can be considered a single item. What do you guys advice?
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Raj |
#2
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For an audience of 30 people in (I assume) a relatively small space I wouldn't want to use any amplification at all.
Keith |
#3
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Rent......
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"We got both kinds of music, we got country and western" ~ from The Blues Brothers |
#4
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Rent a system, or use no system at all. 30 people is borderline for amplification unless they are very loud. A quality system is only a good investment if you have near future use for it. The cheap systems don't usually sound very good. And, once you add in costs for all the stands for the speakers and the mics, the mics, and the cables, you're really getting low quality electronics to go with it.
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"Lift your head and smile at trouble. You'll find happiness someday." |
#5
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If you must have amplification I would go for a mixer into something small on the ground, like a Roland AC60 or similar, just to boost the overall volume and ambiance a bit.
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#6
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It's needed
Amplification is needed not just to make it loud. It's needed to provide balance between instruments. Acoustic guitar would not be heard if you have an instrument like harmonium playing along with it. Also monitors are great for players.
I don't want to rent it. We do this often enough. So I want to buy. Any particular brand recommendations?
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Raj Last edited by Raj; 08-19-2017 at 03:09 PM. Reason: Adding more.. |
#7
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Quote:
I'm pretty flabbergasted at the posts saying that no system is needed for 30 people, without even knowing what kind of music you're going to be playing or what type of audience you'll have, because those are the two unknown, and yet most important points in determining whether you can play unamplified or not. Before any of the no-amps-needed jump to any conclusions about my perspective, I've played for as many as 50, unamplified down on the ocean beach many times, but context is what matters most. That established, it's also important to note if the OP is going to be doing lots of singing and how big of a voice he's got or if they're going to be a bluegrass band. The former situation will always benefit from miking, at very least for vocals, and the latter is the format that I personally think is most acceptable for straight acoustic performances. How much time do you have to get this thing together and will there be a set performance time and area, or will this just be in the background while people hang out and visit with you in the background? My present perspective makes me like the idea of a JBL Eon One system with a small mixer, which will offer quick setup, minimal space requirements, excellent area coverage and no need to mess around with monitors or speaker stands. As for the cheap microphones in the system you linked, nothing more annoying than cheap mics and if you could at least find some used Shure 58's, you'd be way ahead, or better yet, a group of the now ubiquitous, excellent and highly rated Sennheiser 835's.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#9
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I would not recommend the system you chose, you need to buy components individually IMO.
One high quality powered speaker for audience (JBL, EV, Yamaha), one powered wedge speaker for monitor, mixing board and mics. If you want a full, but small sized PA system, I would look at either Yamaha Stagepas or Samson. If you go this route, make sure you have enough inputs on the PA board. You will still need a monitor, cables etc. A low budget brand will disappoint you, I'm afraid. BTW, I agree with Nama, bad mics can even make a pro level sound system sound atrocious. Get mid-grade mics, at the very least.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 Last edited by roylor4; 08-19-2017 at 03:35 PM. Reason: additional info |
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I'll dissent from the other replies. I'd go for this system. You'd be hard pressed to get two mains, two monitors, speaker strands, mics and mic cables,.speaker cables and a powered mixer separately for twice the price. The Kustom speakers are decent. This system will get you up and running and you can always upgrade later. I'd probably upgrade the mic cables first, then the mics.
I've started on the low end of pa and when you're just getting started, I see no shame in using low end gear. Then when you learn how to use it and can afford it, you'll sound killer on the better stuff. I've seen people with no knowledge of how to use their high end pro gear sound awful. Also I've seen people who've played awhile use very cheap gear sound great. Down the road you could always sell the starter pa and recoup your money.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#11
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What is your budget? $700?
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"Lift your head and smile at trouble. You'll find happiness someday." |
#12
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The mic cables are the least of the weaknesses in the linked system, but the mics...
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
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I checked out the components and reviews on a few websites for the system the OP mentioned and most of the parts gets rave reviews. Granted, many reviews may be by someone who bought their first pa, but some are by vets. The ones that mentioned the mics only really complained of handling noise. I agree, there are better choices, but to purchase separate quality components would involve thousands rather than hundreds of dollars.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#14
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Probably a phone call to the store selling would get an upgrade to better mics.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#15
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How large is the room?
I will advise 'NO' on that system - it would probably be 'ok' (at best) at low volume in your current situation, but in the long run its not going to sound very good for acoustic instruments or vocals. Note that the 1/4" input jacks on the channels ar emarked 'line in', so an instrument-level signal may not sound good/have much volume. The Kustom speakers are not known for the clarity. If this really is a 1-shot show, then rent a PA system.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |