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#47
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The reason you cannot perfect building a guitar in a factory is that every piece of wood is unique... that is the mystique of it... a luthier has to respond to the what the wood is telling him, and that is not bs
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#48
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The amount of time it takes to get familiar with that piece of wood is not economical in a factory or small shop with small shop pricing. I think sometimes you have the formula very close in a small shop and get lucky with a few that really stand out and we have some of the famous historic Martin's at cetera
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#49
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Yep...judging by your username, I'm gonna guess you like Santa Cruz. Richard Hoover said guitar factories can build 2 guitars exactly to the same dimensions...but they won't sound the same...so there is more tonal variation from one guitar to the next. A luthier can build 2 guitars that can achieve the same (or similar) tone by manipulating the top thickness and braces etc...so you get more tonal consistency.
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'17 Waterloo Scissortail '17 David Newton 00 Rosewood '11 Homemade Strat Ibanez AS73 w/ Lollar P90s |
#50
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You're right, I don't care what anybody plays, it's their money and not my business. Whether perceived value, uniqueness value, headstock name value, or cheap as heck value, we are all different with different guitar needs and budgets. My perception going on 55 years of playing is Martin's finest are as good as anything "to me", I have no problem at all with someone else having different perceptions..........
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#51
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My first custom build is about to begin so I'll let you know in about four months how it compares to other guitars I have owned. I once had a custom Santa Cruz so that will be my benchmark.
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#52
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#53
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This too makes sense. Personally, I wouldn't commission a guitar from a builder that I hadn't at least tried the "brand" before. I'm not talking about buying a used guitar you've never tried (which I've done), I'm talking about having one built for you. One of the things luthiers strive for is consistency while capturing a signature tone, and if you've never experienced a guitar of his/hers before, then there's a higher chance for disappointment (even though there are a few builders who's guitars are so cool that you'd perhaps take a chance.... Casimi!). If there's one in your area, the best way to find out if a builder is right for you is to go out and support a guitar festival! Sent from my iPhone using Tapatalk |
#54
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There's a lot out there to try!
Martin guys talk of the Golden Era of guitar making and perhaps we've lived through decades of years where manufactured guitars did not live up to this previously defined standard of excellence! Just compare buildings made today to those of the Art-Deco era, or the hand-made essence of a 1930s automobile to what was made, say during the 80's. There is just no comparison at all.
What at least half of us on this forum understand is that we are presently in a modern golden era of luthier-y and man if you haven't tried a modern luthier built guitar, whether or not the design is modern or vintage sounding, you are truly missing out. You were most likely not born yet and playing guitar in the 30's or 40's, but if you are playing guitar today, don't just keep playing Martin copies of what they used to build. Please don't continue missing out on what is being crafted today! People say that we have lost our craftsmen in America and over the last 5 decades in our history this is mostly true. Today we have hundreds of craftsmen (luthiers) making the best guitars ever made, right here, right now. I've never commissioned a build, nor have I even bought a new guitar. There is so much right here in our classifieds! For $3-4K used you can get the most amazing guitar in whatever style you prefer. The ones that are more money are only more expensive due to long-term reputation. Take somebody like Jimmy Edmonds for example, he can make you a new BRW custom (Martin-like) build for $6K today and it will be a wonderful instrument. He is more reasonable than most and there are so many others (just one example). I cannot afford close to $6K on a build, but somehow I have acquired amazing guitars that make me smile wide each and every time I pick one up! Thanks for reading. JD |
#55
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never played one that was less than stellar.
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1972 Yamaha FG200 My 1st guitar 2003 Yamaha LL500 2007 Larrivee JCL 40th Anniversary Edition 1998 Larrivee OM05-MT All Mahogany 1998 Larrivee D09 Brazilian “Flying Eagle” 1998 Larrivee D10 Brazilian "Flying Eagle" 1990 Goodall Rosewood Standard https://soundcloud.com/247hoopsfan |
#56
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I would have bought a Goodall a long time ago except for the price.
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#57
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Pretty great deals can be found used. Here is one: http://www.boutiqueguitarshop.com/in....html#open1043 I have never dealt with BGS, but he is a sponsor on AGF and seems like a stand up guy.
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1972 Yamaha FG200 My 1st guitar 2003 Yamaha LL500 2007 Larrivee JCL 40th Anniversary Edition 1998 Larrivee OM05-MT All Mahogany 1998 Larrivee D09 Brazilian “Flying Eagle” 1998 Larrivee D10 Brazilian "Flying Eagle" 1990 Goodall Rosewood Standard https://soundcloud.com/247hoopsfan |
#58
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#59
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I'd be afraid of ordering a guitar and end up getting a guitar that I paid $2,500 for and it sounds no better than a $1,200 guitar that I have. This is why I'm asking, what are you buying? Does it cost more because only a few guys in a shop are building it and the cost of running the shop raises the price due to the lower volume sold so therefore the higher price? (economy of scale) On the other hand, are you getting a $3,500 equivalent of a mass produced guitar for $2,500 because the few guys that build it actually spend more time time looking at an individual guitar and can spend more time on the details of each individual guitar?
What makes one guitar sound better than another? Is it the builder or the woods, top thickness, bracing... What makes a guitar better than another (build wise) - good solid joints glued correctly. The correct neck angle. The attention to the aesthetics, bindings, rosettes. !!
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: Last edited by TBman; 05-20-2017 at 09:42 AM. |
#60
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the word is, "Cache!"
(I am just a sporting amateur; however.) In guitars, I don't quite get the custom market and remain very happy with my Taylor 914, Martin OM-28A and my '30 L1 Gibson. In mandolins, I do get the custom, "Bench-made" market. Factory jobs are rarely superior, unless you go to Collins or the rare Gibson, which are quite expensive! I know builders that can do more for less, so I go custom. f-d
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'30 L-1, '73 FG-180, '98 914-C, '06 000-15S, '08 000-28NB, '11 GA3-12, '14 OM28A |