#106
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Uncle Joe that sounds great :-)
I finally managed to dig out the recording kit and record some of "After You've gone". I didn't manage to get a recording all the way through and listening back left me more than a little downhearted. It sure sounded better in my head! Made me think that perhaps I've picked something that overstretches my ability (or practice time). It seems a waste to give up on it now though. The main faults are buzzing bar chords. These have been an issue from the start but the recording makes them sound far worse. I'll post the results at some point. |
#107
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Ok, so here is another recording with another 50 minutes of practice. I worked on both pages, but here is just the first page.
I may practice again later tonight, I may just crash, lol. Can't tell for sure at my age now, We moved our youngest into his college dorm yesterday and tonight we have to run a few more things up to him. So maybe that's it for today.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#108
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Thanks Doug.
I'm not much of a singer but I do try on certain songs. 39 has 3 harmony parts and I'm still trying to figure out which one works for me. Quote:
Yes, and I do use it on a few other songs but I know them well enough that I don't have to think about it. It's just automatic. I believe it will fit very well with this song too but I need to concentrate on being able to get through the whole thing without stumbling first. |
#109
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I have always wanted to be able to play and sing this song(nice melody and one of the few songs that fit my vocal range without changing the key). This is the first time I have seen someone do it this way in C with a capo on the second fret rather than in D no capo. Anyway, it sounds good the way he does it, and seems more doable than other versions. Now, I just have to figure out how to play it (he has a video teaching it, but he is an awful teacher). |
#110
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Ok, so I squeezed in another hour of practice, 10 minutes on Gstep Blues and 50 minutes on "Do Anything If You Let Me," primarily on the second page. Sometime this week though I have to get back to my chromatic scales and Mood For A Day so I can get that recorded, video'd and then get on with The Clap (another Steve Howe tune). When I'm finished with "Do Anything if You Let Me" I'll pick another Woody Mann arrangement for here. The Clap might take awhile, but it isn't as unforgiving as playing Mood For A Day on a classical.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#111
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Quote:
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#112
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Hopefully a few of you will post your progress soon.
I switched gears and went back to working on Classical Gas. I should have it done soon, the only problem really is memorizing it. My recording area is not large enough to have all the pages spread out so I'm trying to use Songsterr as a "teleprompter", lol. It might work. It beats laying the pages all out all over the place. Here's just the beginning.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#113
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Quote:
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#114
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__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#115
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As promised 10 days ago here is the recording of "After You've gone".
I'm taking a break from it for now as I have struggled with it too long and was really disappointed with this. It's becoming a chore rather than fun. I am playing some ragtime stuff from a Woody Mann lesson off Homespun at the moment and will probably spend some time reviewing things that I have done before to try and get my mojo back. |
#116
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Quote:
What lesson of Woody's did you get from Homespun? I really like his stuff.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#117
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Hi Barry. Yes a break and going back later is my plan. The Woody Mann course is Art of acoustic blues: Do that guitar rag. Short blues rags that complement the Toby Walker stuff I already have. I've also got the Richard Saslow Ragtime book which is excellent.
I'm thinking of changing the goal slightly from learn a new song to record an old song. Getting comfortable with the recording process iwpuld help me critique my existing repertoire. Hopefully they are not as bad as the above! :-) |
#118
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Don't think of it as "bad" lefty, you just haven't practiced it enough.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#119
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My brother and his GF were in from Colorado a couple weeks ago. We had an all day jam with about a dozen other folks. Even though I didn't feel it was ready I decided to give 39 a go. She was only vaguely familiar with it but with the lyrics printed out his girl joined me. I didn't use the 12 string and there are still a couple mistakes. We were outside and just used the small, handheld Tascam on a tripod so quality leaves a lot to be desired.
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#120
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Quote:
Here is where it's at https://soundcloud.com/user-617058327/stop-this-train |