#31
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To the OP, there's no shame in a Blueridge. They exist for those of us who play bluegrass but can't afford a Martin (like me) or don't want to ding one up. |
#32
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+1 used/vintage Guild D-35. Jmo: prefer '78 Guild to '88 D-28p Martin for bluegrass.
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'05 Larrivée 0M-03 Custom (bear claw/hog), '13 Kronbauer TDK 285 MJ Custom (koa), '94 Froggy Bottom Custom (koa) dread', '08 Seagull Artist (EIR), '19 Gnome Blues Custom (EIR/T13? redwood), '78 S. Yairi 726 (hog), '84 K Yairi AR377, 1905 Vega parlor (hog), 60's Stella,'94 Saudi Tele', '79 Epi Genesis "Your sound is in your hands ... ... more than it is the amp or the guitar you use." - SRV |
#33
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Todd makes a good point. I tried a number of Martin substitutes for gig and festival guitars. Ultimately, they all left me a little cold. In fairness, most of them sound good, or even great, in a solo situation. But, if you need to be heard in an aggressive group, you'll typically need a lighter built guitar like a Martin or Collings. With the cost of the Blueridge BR-160A or BR-180A, or the Eastman E20D, being fairly low, it won't break the bank to give it a try. I suspect you'll be missing your Collings after the first festival.
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"Lift your head and smile at trouble. You'll find happiness someday." |
#34
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My main guitar is a beat up 20 year old Sigma SDR-28. I have no problem with it in a Bluegrass jam. I was in Guitar Center the other day and they had a cheap solid top Yamaha for less than $150 that was a cannon and had great tone. I would have bought it but wouldn't have been able to afford the resulting hospital bill if I had gotten caught trying to sneak it into the house.
I have played a variety of guitars in jams over the years, many, if not most of them sub $500 guitars, and have never really had a problem. I've also been in jams where people had very high dollar instruments that were almost inaudible. I really don't think it's the guitar as much as it is the player. I play LOUD. However, I will acknowledge that Loud does not necessarily equate with Good, |
#35
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I find it comical that the "If it ain't a Martin, it ain't bluegrass" mentality is still so prevalent around bluegrass festivals and jams! There are so many great guitars(dreads) out there, that DO cut it in jams! I played a '72 Yamaha at SPBGMA a few years ago that was an amazing guitar and the owner said it cost him $400! I'm starting to see more Taylors being played every time I go to a festival and my 810 will hang all day long! I am in no way saying that Martins aren't good guitars. If I ever found a Martin that had a neck that played as good as a Taylor, I'd buy one, but every one I've ever played didn't feel good while playing it! You don't have to have a high-end boutique guitar or a Martin to pick bluegrass! I've been playing bluegrass for 13-14 years and my biggest turn off at every festival I go to is instrument snobs who look down on anyone not playing a Martin or something high dollar! I've had so many snide comments made to me because I don't play one, and I just don't get it! I love a good sounding and playing acoustic guitar, whether it's a $7,000 Bourgeois or $600 Taylor 110!!
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#36
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There have been a lot of great suggestions so far. Here's one I'd like to throw out because it's a heck of a bargain. The Martin Custom D that they make exclusively for Guitar Center. 100% solid wood, made in Nazareth and it sounds like an American Martin should sound like. $1199.00 new with a Martin hardshell case. Or you can regularly find new ones for about the same price as a good quality Pac-Rim offering. Here's a link to a used one one eBay.
http://www.ebay.com/itm/Martin-Custo...EAAOSwjRpZWmAB
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#37
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Excellent suggestion. And, gig ready.
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#38
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I'm into acoustic guitars, MM & PRS, my kids, Technics decks, Titleist, Reggae music, KY Bourbon, fine rum and chrome pans from Trini. |