#46
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Thanks for all the help and guidance.
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'10 Wechter 5712c - Fishman Rare Earth '13 Jaffrey #26 - Malaysian Blackwood! '21 Gretsch 5622 '22 Furch Red Pure G-LR - Barbera Soloist ST-300 Mini + DIY mic preamp |
#47
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I am going to try a K&K in my guitar just to see how I like it, I have a back hatch so I can position it very easily for the experiment. Will probably use tape, however. Three pickups should be interesting. I think I have a experimentation desease?
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom Last edited by Doubleneck; 12-09-2013 at 05:32 PM. |
#48
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The nice thing about having 2 relatively equal pickups (in that you could potentially use either one alone) is that you can chose anything from 100% one to 100% the other, or anything in between. As I dial the mix control between the two, I get a lot of different sounds. So you can use the mix control almost like a tone control. To me the Lyric sounds remarkably like my guitar, while the K&K is a bit muddy and also has a bit of a piezo tone, but it seems to warm up the Lyric and make it sound bigger than the natural Lyric sound, so that's a nice effect.
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#49
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Yeah, that was an interesting accident, I didn't really listen to the K&K alone in the first example, but I was puzzling over why I seemed to not be filling in the low bass the way it did the last time I tried it. Didn't look down at my end pin jack to see that I had the wrong preamp, and the pair was sounding nice, so I just charged ahead. Basically with a very low impedance, intended for a mic, the K&K was razor thin. But it added a nice high end shimmer that probably is perfect for strumming sounds. For fingerstyle, I prefer the warmer sound with the K&K adding in some low end, but I'd probably play with EQ a bit more. You could probably also get the more shimmery sound just with EQ, since clearly the K&K can produce it..
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#50
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#51
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#52
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I come as a amateur to this certainly compared to Doug. And as a flatpicker which maybe has a separate set of needs and maybe ears. But I hear the K&K and I hear the muddiness, it tends to bring. I start with the Lyric which sounds the most like my guitar. When I overlay it with my Magnetic pickup which to me gives me a clarity and transparency with a bass bias. I think it just works better? But again maybe for a flatpicker. It makes me wonder if the K&K is so embedded in people's sound and experience they have a hard time going in a different direction? It so fasinates me that I have to get a K&K just to try it in the mix. Hard for me not to think I am not missing something, and of course listening through a computer has its limitations for sure. And I love the experimentation, a form of entertainment on wintery Ohio days
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom Last edited by Doubleneck; 12-10-2013 at 08:51 AM. |
#53
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Doubleneck, it's always interesting to hear different opinions on a certain set up. I do a lot of flat picking and strumming and I just can't take a magnetic as part of my sound. I know that these pickups are usually the go to pickup for aggressive strumming but to me they are just too electric sounding. It's probably why I hated the Taylor ES system which sounds very magnetic.
I can however see how some would think that the K&K is muddy sounding, especially when it's up against the Lyric. However, I think in this set up it's a good thing because it adds something to the Lyric which is extremely natural but to me can sound somewhat thin. I don't know if this set up will work for me but I have gone back and forth so many times that I really just want to try it out. As Doug mentioned, you can really blend in so many different tones that I can see it being a difficult process at first but once I get the hang of it I could really like this dual source. I am just not sure if I want to wire them together or go through two different jacks. |
#54
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#55
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That's how I did it.
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#56
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I wired the second channel on the Lyric to a 1/8 female jack. Put 1/8 jacks on the Mag. Can put 1/8 jack on a K&K and swop it out pretty easily to experiment.
__________________
Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#57
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Yup, I did the same thing using a TA4 connector... since my mag uses the TA4. So I can disconnect the K&K and then hook up the mag.
__________________
'10 Wechter 5712c - Fishman Rare Earth '13 Jaffrey #26 - Malaysian Blackwood! '21 Gretsch 5622 '22 Furch Red Pure G-LR - Barbera Soloist ST-300 Mini + DIY mic preamp |
#58
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How about this to juice it up. I am doing this to a Doubleneck guitar. Who is to say that a mag may work better on the 12 and the K&K better on the 6. Could have multiple options or like my electric guitar have a switch in the soundhole where I could choose between mag or K&K on each neck? The height of nerdy overkill.
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#59
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__________________
'10 Wechter 5712c - Fishman Rare Earth '13 Jaffrey #26 - Malaysian Blackwood! '21 Gretsch 5622 '22 Furch Red Pure G-LR - Barbera Soloist ST-300 Mini + DIY mic preamp |
#60
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I am confident that I will be trying the K&K + Lyric out (hopefully installing it in January). However, I am really considering putting the Lyric and K&K through one output jack and installing a mag (with the TA4 connector) or a simple Undersaddle through another jack for when I experience feedback.
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