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Bagamp Horror story conclusion is ALL GOOD
Folks as you know I received my bagamp last week
To my horror there were a couple of decent size puncture holes in it I called Jack at BA and he said to send him a couple of pictures which I did He immediately sent another unit on the way to me in Toronto and covered shipping and customs duty So the amp arrived last night in one piece I put it through its paces with the Harmony G which I finally got the Phantom power engaged on it It sounded pretty good I then unplugged the Harmony G and set up my Allen and Heath mixer WOW - what a difference It was clearer immediately Vocals sound fantastic through it as well as my acoustic with a K and K I EQ'd a bit of the guitar signal and ran the Vocal channel flat with condenser engaged for my microphone I am really really impressed This is my favourite amp so far after Bose, Schertler, Ultrasound, AER, Acoustic Image,Genz Benz, Fishmans So there you have it At $700 it is a great buy i think BY the way Jack told me to keep the original damaged one so I actually get to keep an extra carry case, an extra power chord and an extra speaker stand A nice ending I would think Towzer |
#2
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I have a couple of questions. What model mixer? What condenser mic? I'm a bit concerned about the Harmony G. What do you mean "I then unplugged the Harmony G and set up my Allen and Heath mixer WOW - what a difference". Is there a problem going through the Harmony G? I am expecting that to be one of my next investments. Thanks!
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |
#3
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Hi Bob
The Harmony G sounded OK through the Bagamp The Allen and Heath ZED12fx i use is a step up i believe in the preamp department The sound was so clear once i hooked up my guitar, eq'd it a bit, and then plugged in my superb mic I use the Shure KSM9 mic which by the way i am selling because im sticking with my dynamic mic ( BEYER OPUS ) So yes the Bagamp with the mixer and condenser sounds really really good to my ears anyway And yes I have gone through a lot of amps the past 2 yrs The BAGAMP for me who plays solo is perfect The best one I have used Remember tone is subjective and this is my opinion only I get zero endorsements from Bagamp nor do I wish to have one but I can honestly say if you have $700 lying around and your looking for an acoustic amp dont look any further If your close to any of the dealers that Bagamp has I encourage you to go and plug in and test drive for yourself Towzer |
#4
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Was sounding like the BA was in 8th place... but you do mean 1st maybe ?? Glad you like it and good to know how it works with the mixer and really good to hear how Jack handled it all.
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#5
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Some high-end outboard preamps state in their manual that if you are going into a mixer, go thru the I/O insert rather than the mic or line input to avoid the channel's preamp. Why pay so much money for a high-end preamp that's going to be degraded by the mixer's preamp which is (probably) of a lesser quality? In this case, the preamps of the ZED are fairly highly touted and it wouldn't surprise me at all if they are superior to the TC unit. Of course, if you want to use a harmonizer, there may be some trade-offs you'll have to make. One of them may be a (hopefully slightly) lesser quality of your signal path in order to gain the (hopefully higher) aesthetic of the harmonies. So all of this shouldn't keep anyone from buying the Harmony G -- unless they find they aren't really using it as intended. Then its value is probably questionable. Added note: The Harmony G also has some vocal effects that many may find improve their overall vocal sound (compression, doubling, and de-essing, in addition to some preset eq'ing). Once again, these might help to offset any perceived signal degradation. geokie8
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2000 Taylor 615 1982 Taylor 515 2009 Gibson SJ-200 20th Anniversary Last edited by geokie8; 12-23-2009 at 06:14 PM. Reason: Inaccurate statement contributing to mass confusion |
#6
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Towzer, I'm glad it worked out so well for you. And its good to know that Jack jumped all over this once you told him you had a problem.
I agree with your assessment: "The BAGAMP for me who plays solo is perfectI put my Genz Benz up for sale today. I used to think it was the perfect amp until I got my BA.
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Music page: www.soundclick.com/jimfay -- Videos: http://www.youtube.com/JimFayVideos |
#7
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Yes it would be ranked number one for me compared to all the other amps I have gone through/thanks |
#8
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Hi Towzer,
Does the BagAmp have a peak light on the input channel which would let you know that you're overdriving the channel? If not, you may be overdriving the channel with the HarmonyG. My SoloAmp does have a peak light, and the HarmonyG's output signal is so hot that I need to engage the SoloAmp channel's 10db pad and keep the channel's gain knob down around 9 o'clock to prevent frequent peaking. Remember what Jack said (in the other thread) about the BagAmp having a protective circuit which will help with an overly hot input signal, but you're still going to get a less than ideal result. Here's the quote: Quote:
I recently recorded a twenty-two song CD project using the HarmonyG as my mic preamp, so I obviously think its a pretty decent preamp. I did have to carefully set the input level on my recorder to prevent it from being overdriven by the HarmonyG. In addition to the level being hot to begin with, I found that the level jumps up a bit when the harmonies are engaged, especially since I don't use the HarmonyG's "tone" feature (the auto engineer which applies compression and EQ). Gary |
#9
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |
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geokie8
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2000 Taylor 615 1982 Taylor 515 2009 Gibson SJ-200 20th Anniversary |
#12
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It doesn't make sense to me to cut back that much on a newly developed piece of equipment for 2010.
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |
#13
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Any product is the result of a series of compromises and it is easy to second guess the decisions made by the designers of the product, especially when one has little idea of what adding this or that feature entails technically, logistically or financially.
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#14
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I dunno, when you look at all the stuff the BagAmp left out, in comparison to the SoloAmp, especially if adding them is going to raise the price to more than the SoloAmp, the BagAmp seems to me to be penny-wise and pound-foolish, even if one agrees there may be a (very subjective) audible difference.... In any case, the SA sounds GREAT to me (equal to the A-Ref, which I also own).
And the audio difference is still controversial until a lot more SoloAmp owners that have had a chance to audition the BagAmp weigh in.... Omitting the clip light and reverb (a delay wouldn't cut it for me, anyway), a 3 band EQ, etc... well, compare the lists of features... To me, the SoloAmp seems to be a MUCH more professional design, and I felt it was really important to have all the features included in the basic unit.... YMMV, and I am delighted that BagAmp owners are happy with their purchases, but prospective customers (especially newbies) should be aware of the differences in features up front, and what that entails (BagAmp marketing isn't going to advertise that they left them out.....:-) (I KNOW why I don't want Aloha Chris's setup - I'm too, uh, elderly to schlep all that stuff around, no matter how good it sounds.....:-)
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#15
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Herb, I like reading all you have to say but this one doesn't cut it.
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |