#106
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I'm really looking forward to hearing comparisons and opions of the new XT from you guys who have owned or used the original Harmony-G. I've seen the YouTube video where someone has done a comparison of the new features of the XT compared to the original, but it didn't really do any audio comparisons, either of the new "studio quality" effects or voice algorithms.
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#107
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My intro to Digitech was many moons ago -- and thru the electric guitar world. A long time ago I A/B'd a Digitech effects pedal vs an identical Boss pedal and liked the Boss better. I made the (unfair) conclusion that every Boss pedal would beat every Digitech pedal so I never A/B'd another effects pedal. I just bought the Boss. When it came to the harmonizers, I did not A/B them; however I did scan a lot of reviews of people who did. At last count, it seemed that the TCH units were preferred over the Digitech units 2 or 3 to 1. That was good enough for me. Did my Boss bias carry over to TCH (i.e, did I find what I was looking to find)? Perhaps. If there was no TCH, would I be happy with the Digitech? Probably. Have I spent too much time posting on this forum with Xmas around the corner and my kid in BB tournaments all this week? Hell, yes. geokie8
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2000 Taylor 615 1982 Taylor 515 2009 Gibson SJ-200 20th Anniversary |
#108
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I played through my bandmate's TC Hamony G XT last night at his acoustic gig. He bought his after hearing me use my Digitech VL4. I have been coveting the small size of the GXT, but really wanted to try one out before laying out the cash as I have the VL4 dialed in nicely.
First, I will say that the GXT did wonderful things for the straight voice. The effects sounded great and very useable. If I didn't already have the VL4, the GXT would be worth it for just that. But, I was not impressed with it's harmony tracking at all. I tried some tunes with a single higher harmony voice and it was mostly ok, but the machine generated some strange harmony notes from time to time. Then I tried a couple of CSN tunes with one higher and one lower harmony. Man, I heard some very strange harmonies that just did not follow the chords I was playing. My digitech does a much better job in this regard. My bandmate actually brought it up and thought that mine did a better job when he heard it. I think I'll just stick with the big VL4 (though I hate it's hugeness and the placement of the pedal switches) and work on some of the effects settings that I really haven't used. Quote:
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#109
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If you haven't done this yet...Visit the TC website..watch the videos and read some articles..
I did this for a while before I puchased my Voice Live 2 and I don't regret it. http://www.tc-helicon.com/
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Guitars- some of them 2000 855 2002 815ce 2007 Warwick corvette bass (Double Buck) 4 string 2009 Custom Coco/addi jumbo "Maranatha" 2010 412 Spring LTD Amps- some of them Peavey 100watt acoustic amp (very clean sounding) Roland JC-120 head with 4x12 matching cabinet Praise and Worship dude http://s25.photobucket.com/albums/c6...44369/Guitars/ |
#110
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Firstly, what a great thread. Im just in the process of putting togethre my live set up so this thread has been a godsend.
Ive ordered a GX-T as from what ive read and heard it perfectly fits my needs - i also received advice that that GX-T has a pitch corrector installed, which is great. One question - I also have a Fishman Aura Spectrum DI. Can i aussume that it will not be a problem using both the Spectrum DI and the GX-T together ? cheers.
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The Big Fat Lady 02' Gibson J-150 The Squares 11' Hummingbird TV, 08' Dove The Slopeys 11' Gibson SJ (Aaron Lewis) The Pickers 43' Gibson LG-2, 09' Furch OM 32SM (custom) , 02' Martin J-40 The Beater 99' Cort Earth 100 What we do on weekends: http://www.reverbnation.com/doubleshotprague |
#111
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You can either (1) run your guitar through the Aura first, and then into the G-XT, or (2) run your guitar first into the G-XT, then from its "guitar thru" into the Aura. ..
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Sursum corda Tógaigí bhúr gcroíthe in airde David Páirc Thoir Thuaidh |
#112
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If ever there were a reason to get a harmonizer, that's it. Minimizing the number of people involved in a project cuts way down on the arguments. |
#113
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Harmonizers for Non-strummers ?
I just got an intriguing answer from the folks at TC Electronic concerning a query I submitted about the efficacy of their harmonizers when used by those who play mostly fingerpicking rather than strum. I gave JT songs as an example. I'll mention that their response was very prompt.
My query: "Most of my solo work is singing over fingerpicked tunes such as those by James Taylor. I rarely, if ever, strum. I've never seen a demo of a unit such as yours, from any vendor, that shows anything but singing with a strummed guitar. Does it work just as well with fingerpicking or are the harmonies produced unpredictable?" The response: "Hello Paul, Thank you for contacting TC Electronic. To generate harmonies the VL2 needs a chord (or at the very least a root and 3rd) to determine key and scale information and generate harmonies - Harmonies would be unpredictable with fingerpicking although you could program in key/scale information as well instead of having it respond to your guitar playing - Best Regards, Eric User Support-Product Specialist TC Group Americas" Has anyone ever tried what is suggested here? Has anyone tried one of these units, TC or otherwise, with a picked background?
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1967 Aria Classical 1974 Guild D50 2009 Kenny Hill New World Player Classical 2009 Hoffman SJ 2011 Hoffman SJ 12 https://paulashley.weebly.com/ https://www.youtube.com/c/PaulAshley https://www.reverbnation.com/paulashley |
#114
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I actually have a Harmony G XT, and there's no doubt it's less likely to be flat (if I'm not flat, that is) than my partner, but it's just not the same. We're all different, but I personally like experiencing the whole thing with someone else rather than alone. Maybe it's my own cowardice, but that's how I feel personally. In the long run, though, if you're splitting the paycheck, the Helicon will save you money in the long run. |
#115
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2005 Gibson J45 Rosewood 2017 Gibson J45 Hog 12 fret 2019 Gibson J45 Rosewood Modern Cut-Away |
#116
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After 2 months of reading reviews and forums I have decided to buy the TC's VoiceLive 2 to enhance our show for backing vocals with the band. (will be here Wed)..
Is anyone using this with a whole band and if so how well does it sound and how well do you like it. Ken
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---------------- Composite Acoustic 6LE-V Fender Pink Paisley Tele Fender 52 RI Tele Fender 50th Anniversary Tele Gibson 2009 Les Paul Traditional Gibson 2012 Les Paul 70's Tribute Nord Electro 3 73 Yamaha Moxf Dr.Z Stang Ray [Head] Dr.Z Carmen Ghia [Head] ZWreck cab Dr.Z 1x12 Cab --------------------------- Sheldon Road |
#117
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Hi Ken ~ I have had a VL2 for about a week and used it live yesterday. I lead worship at a church of 500 and had three female BGV's. I used the harmonies minimally but I did use the doubler for one song (God You Reign-Lincoln Brewster). The FX are a little tricky to dial in to suit....I set them up at home but until you are singing in the actual room and through the mains it's kind of unpredictable.
I tried to minimize the harmonies/doubling as I didn't want them to be a distraction but to add ambiance to a section of a song.Most people at my church have never heard a voice doubled B4 (maybe listening to one of me is enough for them :+). When the spice becomes the flavour,it's too much. |
#118
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Thanks for the reply Foss!!!
That is a great tip because some venues are way different than others...
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---------------- Composite Acoustic 6LE-V Fender Pink Paisley Tele Fender 52 RI Tele Fender 50th Anniversary Tele Gibson 2009 Les Paul Traditional Gibson 2012 Les Paul 70's Tribute Nord Electro 3 73 Yamaha Moxf Dr.Z Stang Ray [Head] Dr.Z Carmen Ghia [Head] ZWreck cab Dr.Z 1x12 Cab --------------------------- Sheldon Road |