#16
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Pics / past / present / future
Yes Tony I will be one very happy guitar player.
The pics allow one to follow the build process first hand and they help with the decision making process. They will also be a permanent memory long after I am no longer able to play ( hopefully many years from now lol lol ). The coffee table book that I am making of my build and Marks other builds will certainly add to the resale value at some point down the road. ( am I sounding too practical ) The next set of pictures should be very exciting to see. dgd |
#17
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Let's Make A Rosette
Here are some pictures of the rosette being put together and a few of the back braces getting the first rough carve:
Tomorrow I'll be working on the sound board bracing Thanks for viewing! Mark
__________________
Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#18
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Greta 13 Fret
Mark, as you assured me you nailed the rosette.
I asked Mark for a rosette that was flowing and not angular. Something bold but not overpowering. Classic but not flashy. Something to complement the head stock and at same time make a statement on its own. I think there were several other criteria. lol lol I think this rosette was well thought out and superbly executed. Thanks Mark. dgd Last edited by gstring; 08-08-2013 at 04:51 PM. |
#19
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Congrats, Daniel and Mark. The guitar is looking good!
Kindly, Danny |
#20
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+1 on the rosette--very elegant and classy...
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2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) 2023 Kinnaird FS (Italian/Koa) |
#21
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Nice rosette! I like it.
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#22
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Greta 13 Fret
I zoomed in on the last set of pics and if I am not mistaken the ''Float Wood'' Sitka is flawless and could set a new standard for referencing bookmatched.
I will ask Mark to comment a little on how he is voicing the top. daniel |
#23
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Bracing and more
Thanks for the nice comments!
Here are a couple more pics of the rosette a with the sound hole being cut out and a better look at how it fits together: Quote:
They are Sitka and the light colored ones are Swiss. I have been happy with the result I get when I use Sitka X braces and Swiss for the lattice and finger braces. Both the Swiss and the Sitka were made from single billets that were split out to help control run out. Each set consists of sister sticks. I've marked the weight of each. Notice how much of a weight difference there is between sister pieces cut from the same board? The Swiss varies by more than 10% in weight. Do you think it would be a good thing to match the heaviest one with the lightest one? I'm thinking probably not. They will weigh the same for consistency. I could book match the braces but, what if the heaviest one is right next to the lightest one? That's just one thing. What if one brace bends like a wet noodle but happens to weigh the same as the stiffest one in the bunch? I check that too. Here are some braces profiled: Spending the time up front minimizing run out and keeping them well quartered really pays off when it's time to do the final carving. They will cut like butter and the chisel won't take a nose dive because of miss-aligned grain. I prefer to use carefully selected non-laminated braces. I don't think I'm allowed to express my concerns about laminated braces because the last time I did I was accused of "unfounded speculation" by one of our more bristly luthiers, no explanation on why I was wrong mind you. To this day I'm still wondering what "unfounded speculation" means. If it was well founded, would it still be speculation? So, I don't use laminated braces Thanks for viewing! Mark
__________________
Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#24
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Speaking of voicing. I sent you a message mark wanting to ask you a question about it. Not sure if you got it.
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#25
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Quote:
Yea, I did get your message. Give me a call sometime during the week.
__________________
Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright Last edited by Mark Hatcher; 08-11-2013 at 09:28 AM. |
#26
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Okay, could you send me your number? I neve got it from you when we met up.
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#27
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Mark, I've told you before...you make the coolest looking braces out there. They are like delicate little I-beams. Fantastic.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#28
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Thanks Jon!
__________________
Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#29
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Love the bracing profile! Fantastic work all around!
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#30
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This is really cool documentation. I love the pics! Could you say some more about the lattice braced back? What's the goal there? I'm not used to seeing that, but it's intriguing.
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