#46
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That echoes my 2002 RGCC experience. It was by far the most responsive and dynamic guitar I’ve ever played. You could play it so softly and still it would ring out — extremely satisfying.
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#47
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Everything seems easier to play on the goodall lol. The goodall deserves its own niche alongside other grrat guitars made by luthiers and small shops in a collection.
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In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... |
#48
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Goodalls are amazing. I've never played a guitar in the next tier up like maybe an Olson, Traugatt, or Somogyi, for instance, but I can't imagine they sound noticeably better than a Goodall.
Maybe they do, but I wouldn't surprise me if they didn't.
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Guild CO-2 Guild JF30-12 Guild D55 Goodall Grand Concert Cutaway Walnut/Italian Spruce Santa Cruz Brazilian VJ Taylor 8 String Baritone Blueberry - Grand Concert Magnum Opus J450 Eastman AJ815 Parker PA-24 Babicz Jumbo Identity Walden G730 Silvercreek T170 Charvell 150 SC Takimine G406s |
#49
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If you go to a dealer that has Goodall guitars then compare similar models to Santa Cruz, Bourgeois, Collings, Huss and Dalton and Froggy Bottom. You quickly see why Goodall guitars are so popular and why people pay a premium for them. They compete well with 5 figure guitars.
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Crazy guitar nut in search of the best sounding guitars built today and yesterday. High End Guitar Review Videos. www.youtube.com/user/rockinb23 |
#50
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Goodalls are fantastic guitars. I would imagine prices are increasing because output is less than in the Hawaii years. They don’t work for my playing style, however, as there is simply too much overtone content. I owned a Standard for 2 or 3 years.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) Last edited by justonwo; 01-16-2018 at 11:28 AM. |
#51
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Quote:
LOL - know what you mean I think I'm auditioning a Goodall vicariously from this thread. I like it though, keep em coming. Dan |
#52
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I've been lusting for the Martin 000-30 Authentic since it was released, though I've never played one. In rare moments of clarity I realize it would do well to equal my similarly appointed Goodall 000 12 fret.
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Goodall, Martin, Wingert |
#53
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I’ve played dozens of Goodalls and owned three – each of the ones that I owned was individual in woods, size and sound, so if you do want to sample Goodalls, please try a few. While there is a characteristic Goodall sound, the overtones in particular can vary considerably from guitar to guitar.
All of mine were Hawaiian and they easily stand comparison for build quality against the several single luthier guitars I own. I had one problem with one guitar (actually with the Waverley tuners). Even though I had bought it used, Jean Goodall was most helpful. My playing changed and I gradually sold the Goodalls to transition to other builders, particularly Baranik and Willams, whoa are represented in the AGF Classifieds and give a modern sound but with less overtones. That said, I still miss my Italian/Ziricote Goodall CJ (now with another AGF member!) Dave if you are in North Cal, why not visit the Goodalls (and Mike Baranik if you venture south of SF)? Col |
#54
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Quote:
I found this to be the same case for myself as I've had a few Goodalls but none currently. The strong overtone content could get in the way of individual notes and even some strumming for my style of play. Loved my Goodall's tho and will not rule out obtaining another at some time in the future. |
#55
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Good guitars
I saw a vid of a Goodall guitar build, from wood selection to presentation photo. Goodall and son were solely building the guitars aside from spraying the finish, which was being done by an expert just down the road.
Very impressive. Father and son seemed to have a real knack for things, honoring tradition yet employing their unique vision. Exquisite hands-on craftsmanship with a genuine focus on the player. The end results are distinctly original acoustic guitars, that apparently play silky and sound golden. I'd love to play one some time. |
#56
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I've only played a Goodall one time, when I visited Dusty Springs in Seattle, but it was the most beautiful sounding guitar I've ever heard.
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#57
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I love Goodall guitars. Definitely a notch above Bourgeois, and the others in the list from the OP. I like a lush guitar but when I was in the market for a Goodall I didn’t want something too lush ~ already had enough of those. Boy did I find a nice one. Port Orford cedar and olive wood CG model. Olive is somewhere in the walnut tone wood ball park and POC is maybe a warmer version of adirondac . Anyways you can surely find one that is lush or more controlled in the harmonic content but I can’t imagine you’d be unimpressed with the guitar.
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Dale Ryan Nightingale Cedar/EIR Collings DS1G German/Mahog Goodall CG POC/Olive Ted Thompson Jumbo Sitka/EIR Northwood Dread - Engleman/Braz |
#58
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I have a grand concert (italian/bubinga) and it is just a joy to play. It's comfortable (the neck is perfect in my opinion), beautiful to look at, and there is something interesting about the tone that is hard to describe but just makes me want to keep playing it. What more could you want?
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Jeff C Martin | Maton | Goodall | Froggy | Alvarez |
#59
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i still dream about that guitar... |
#60
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Just throwing in my two cents on something. I've obviously had a lot come through the shop - well over 100, but I've never counted. I haven't noticed a difference between Hawaii and California models! Except, ya know, price
And on that note, the used market price "renaissance" of the last couple years seems to be leveling out now. You used to be able to buy a rosewood/mahogany model for $2800 to $3200, and now that same guitar goes for more like $3500 to $4000, and the more exotic wood or rare models go for $4K and up. Of course, I still see people asking $5000 for "normal" rosewood models, so what do I know. |