#46
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Kinda prefer the rosewood tone specially on an old guitar, and I agree that rosewood can get pretty dull with a rise in humidity.
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#47
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I can't speak for Martin guitars much although I've played a D-28 and it was quite nice. But I think when it comes to Larrivees the Indian Rosewood is of such a high grade that it is a step above the khaya or African mahogany that Larrivee offers. I like my Larrivee P-05, which is sitka over khaya b/s, but I almost wished I had waited to get the P-09 rosewood model, as the P-09 seems to take a heavier pick attack when that's desired. The P-05 is still a fine guitar, though, so it is working out. It just has to be played differently than my Larrivee L-04, which is like an L-03R except with gloss top, upgraded tuners and MOP inlaid logo. I can really wail on the L-04 when I want to. I noticed players of the rosewood b/s P-09s can employ a heavier attack, too. The P-05 is good for mellow playing and it has a sweet voice.
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2015 Larrivee L-04 2016 Larrivee P-05 2015 Norman B20 1987 MIJ Fender Telecaster |
#48
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If I remember right, rosewood(s) tend to be quite oily woods, and therefore harder to work with? This might have a lot more to do with manufacturing cost than the cost of wood materials.
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#49
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I love them both but here are some interesting thoughts from Martin guitar clinician Diane Ponzio and why she chose Mahogany for her signature model.
“Recently, I learned firsthand that dwindling natural resources and increased demand from other industries has cast a threatening shadow over the future supply of genuine mahogany.” “I am convinced that genuine mahogany will one day approximate the rarity of Brazilian rosewood. Mahogany instruments sound much brighter than their rosewood counterparts, and the clarity is rich and distinct. It is for these reasons that I chose genuine mahogany for the back and sides.” Don't forget this is a person not only with access to the entire Martin range but also gets to travel the world demonstrating them.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird Last edited by Brucebubs; 06-29-2016 at 07:14 PM. |
#50
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Quote:
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#51
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Quote:
(1) Tone: Mahogany is "much brighter than rosewood"?? If anything, the opposite is true. I like mahogany, but never heard this. Has anyone bought a J-45 w/ Mahogany because of its brightness (even compared to a rosewood J45)? Tone Pt. 2: Because 'genuine mahogany' was traditionally a cheaper tone wood, do we even know if (solid) mahogany from other regions is inferior? Seems like it hasn't really been tested because genuine mahogany has been relatively cheap. (2) Scarcity/Value: It does seem like 'genuine Mahogany' is getting relatively scarce, but why then aren't companies capitalizing on this? There's a million marketing schemes, but this seems like a legit incentive. While I can kind of see a company with the offerings that Martin has not wanting to cannabalize itself, why aren't smaller companies advertising 'get it while you can'? Why is Martin using genuine mahogany on less expensive standard models but whatever other kind of Mahogany on slightly more expensive models like the CEO-7? Scarcity/Value Pt. 2: Even if 'genuine Mahogany' itself becomes as scarce as Brazillian Rosewood for new guitars, there's thousands upon thousands of excellent condition used mahogany guitars around (that were bought cheaper than their rosewood counterparts), it's really a stretch to make any comparison to Brazillian Rosewood. |