#1
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a string experiment
my factory-recommended string (on my Taylor short scale GC 700-series (GC7) is 12-53 80/20's
I like a lighter string so I run 11-52's and adjusted my action for the lower tension. I'm also a creature of habit........for example, I;ve driven the same model of car three times in a row....not make, but the same MODEL. ......so, yeah, I find something I like and stick with it. Anyway, I've tried different strings but never liked them and always came back to my 11-52's So, I've been playing a lot of drop-D stuff and the lower tension reduces a little of the bottom end on that string, so I made up my own set and stepped up to a .053 on the E, making a non-existent 11-53 set. Now, the interesting thing is that the extra low end this provides is a bit overpowering but it also balances some of that Taylor high end that some people aren't fond of.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#2
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I'm the same. Switched from lights to custom lights for a few months now.
Just changed strings to lights again and I really didn't like the tension, especially on the high e and b. So much so that I've tuned down half and step...the guitar really sounds alive now. Probably a mix of new strings and the low humidity (35%ish). I also haven't noticed a change in volume from the switch to custom lights, so it's like I added comfort and playability and lost nothing in exchange |
#3
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Nice idea. I liked Elixirs med/light nano PB's on the Taylor Koa I had for a few years. That Taylor neck is so fast and the 11's were good for soloing and vibrato.
Another string aid the guitar design I have done recently by using TI Plectrum AC112's on my Goodall for balance. They sport a fat .059 low E too. Yet the core, and feel, is flexible. Here is the spec: Thomastik-Infeld Plectrum Acoustic Guitar Strings are soft sounding and have low tension on the bottom end. The plain strings are made of brass coated steel. The wound strings have a silk inlay combined with a highly flexible steel core. A, D, and G strings are polished bronze flatwound, while the low E is polished bronze roundwound. Gauges: .012 - .015 - .024 - .033 - .044 - .059. My next string I am going to sample which was recommended to me: Martin MSP-4150 SP 92/8 Phosphor Bronze Light/Medi (12.5-55 Gauge range) ($7 -free shipping -eBay) |
#4
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I changed strings on my Eastman OO using 11-52 Dean Markleys, which I had lying around. Ruined the tone. Especially on the G string, which sounds weird and tinny now. I have a set of Newtone 12s, which are what came on this guitar, and I'm putting those on in a day or two. Some guitars are super sensitive to strings, and I'm thinking this Eastman is one of those kind.
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#5
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well I'm not liking the results of this experiement.
Something weird happened: As soon as I started tuning up the new strings I was really worried at how dead everything sounded. Like really really bad dead sounding. All the strings just went "thud" when I plucked them. Up to pitch they were better but not right. So I let it sit overnight played a little this morning but I ain't loving it. The heavier E string is certainly louder but the feel and ba;ance are not what I'm used to. I also wonder if I got a pack of dud strings, and maybe my truss rod tweak (1/8 turn for the extra string tension) all added up to change things in a way I dont like. So.....I'm preparing myself to restring my restrung guitar tonight. Fortunately working in my shop, a seasonal beer, Christmas music on is therapy for me so I enjoy that time. But I really wanna play my guitar tonight.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#6
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I have also been experimenting with the string sizes like Fazool. Now I'm wondering if any one has tried mixing PB's and 80/20's to see what happens.
Maybe a couple PB's on the bottom end (E A) and the rest the 80/20's ? |
#7
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Quote:
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RM ----------------------------------------------------- Taylor 856, Taylor GC7, Martin 00-28, Breedlove Oregon Concertina, Breedlove Jeff Bridges Signature, Guild JF55-12, Guild D212, Larrivee OM3, Eastman E20 OM, Farida OT22w, Cordoba Fusion 12 Orchestra, Blueridge BR-361, Pono 0-15 mango, Journey OF-660, Tanglewood TWJP parlor (Nashville tuned), Paul Reed Smith SE Custom. |
#8
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Quote:
I just now finished up returning to my Custom Lights. I think I had a set of duds. Even disregarding the larger 6th string, the other strings thudded and my Taylor lost all its sparkle. I went back to another identical new set, readjusted my truss rod (only 1/8 turn looser for the barely lower tension), then went to a 052 6th and its back to my wonderful sparkly guitar again. I'm such a creature of habit - it's probably all in my head
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |