#1
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Anyone remember the Fender Pro 185?
I brought home a new project today. The band's rhythm guitarist was given an old "red knob" Pro 185 for a rehearsal rig until he decides on a new gigging amp.
This thing is a 2x12 combo, with at least 160w driving it. It is flippin' LOUD, with headroom for days. It might make a good platform for a pedalboard or modeling unit. It's heavy as a tank, too. Might even outweigh my old HR Deluxe. It has a few gremlins currently. The drive channel occasionally will cut loose and sound extremely bratty and harsh, and there is an occasional percussive "thump" on low notes. I offered to bring it home and see what I can do with it. Project time!
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#2
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Hey Clint, although I really don't remember those amps I do remember reading about the "red knob" Fenders in my Fender Amp book a couple of months ago. That occasional 'thump' on the low notes is actually a feature
Good luck with your troubleshooting. Do you have any indications on what might be causing the issues? |
#3
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Some internet research says these things usually suffer from bad solder joints over time. It's also about 25 years old and could probably use a few new caps, the pots cleaned out, etc. I'm surprised at how well it's held up otherwise. They really didn't want to repeat the horrible experience of their first transistor amps from the CBS era.
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#4
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The "red knob" SS Fenders weren't exactly among their finer products - helped get them off the ground again after the CBS bailout but that's about it; as you said, if you can find what the problems are (from what I've heard, good luck - these things cost more to fix than they're worth on the market) it might make a good pedal platform - kinda like a poor man's JC-120 - and some upgraded speakers (I'd be thinking "American tone" here) might bring it into the realm of long-term usability. Good amp if you need lotsa watts for cheap, though...
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#5
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Quote:
__________________
"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#6
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If you have a set of casters or a dolly - you'll need one or the other for sure - swap out the stock speakers for a pair of Eminence Swamp Thangs; they'll add an extra 10-12 pounds to the overall weight, but they'll also sweeten the tone, lend a Twin-style girth/warmth to the bottom end, and at ~102dB efficiency provide you with more volume than anyone in his/her right mind is likely to use to full capacity - unless you're playing stadiums every night. TMK Eminence recommends them as a replacement in the just-discontinued Fender Frontman 212R, and I understand a lot of the new-generation surf dudes are using these and a long-spring Accutronics 'verb tank to turn theirs into $500 Twin-killers (BTW I'll be doing likewise when I get the time/bucks); should take you deep into headbanger territory with a good stompbox, or clean up nicely through the LP's neck pickup - try that and I think you'll see why they were originally intended as jazz guitars...
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#7
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Personally, I don't know that I'd drop $200 worth of speakers into this thing. That's a nice chunk of money towards a decent used tube amp that would probably sound better than this thing. Not my amp, not my decision though. At least it still has the original casters.
I stuck my clone Marshall BB-1 pedal in front of it, and it went straight to 80's metal crunch. Great for some Scorpions or G'n'R. Not quite ideal for the owner; his sound needs more of a 90's grunge or alt rock sound for what he's playing. I'd like to stick a ProCo Rat in front of it and see what it does.
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |