#31
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I was not calling HER trash.
I think you know what the idiom means---We all have different tastes. |
#32
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One thing I've learnt, never put someone else down. |
#33
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I'm new here . Do we do "+1" ? |
#34
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You could always encourage your friend to enter one of the many 'hidden talent' reality shows that are on television at the moment.
If he's as bad as you say then they'll be the ones to tell him, not you. Face saved, still friends.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#35
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Not sure how to solve your problem, but I don't understand how some people have no sense of how they sound to others. Don't they listen to ANY music? |
#36
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Hey! Is that you, Jerry? I didn't know you felt that way.
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~Dave ~Music self-played is happiness self-made Last edited by Scootch; 09-01-2014 at 07:53 PM. |
#37
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Animal House Response
Dude,
Don't be a wuss. Look him square in the eye and say "man that's some extreme suckage". Then grab his guitar out of his hands and do the Bluto with it against the closest wall. Then tell him that as far as jamming together you wouldn't pi$$ in his mouth if his neck was on fire.Guaranteed problem solved.
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Paully Yamaha FG700S Dread Epiphone Joe Pass Hollowbody Electric Epiphone Les Paul Special 1 p90's Squier Stratocaster SE Yamaha Thr 5 v.2 Amp Behringer Ultracoustic AT-108 Amp Bugera V5 Infinium Amp Bugera 112 TS Cab Peavey PVi 100 Microphone Tascam DR05 Digital Recorder Cubase AI 6 |
#38
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Well, I'm reminded of the Lionel Hutz line: "There's the truth, and then there's the truth."
That probably only makes sense to people who have seen that episode. Okay. So what do you do? You have to decide what your goal is: is it to just not play with him, or is it to nudge him towards working harder and becoming better? The first is much easier than the latter. This happens all the time. Two people jam once. One of them isn't feeling it. You mumble something about "not feeling that much of a musical connection," wish them luck and move on. It's like going on a date and deciding you don't want a second one. You don't tell her she breath stinks or she's not smart enough or she kisses like a gagging goldfish, you just say you weren't really feeling it, say you had a nice time, and move along. I mean, this happened to me recently with a singer. She has no sense of timing and always thought I was slowing down. (I'm self-conscious enough that I worried that she was right, so I pulled out the metronome. I was playing fine). We also didn't really connect on what kind of music we wanted to do. Two sessions, and we just sort of stopped trying to arrange a third. But that one was mutual. Too bad because she's got great pipes but that's not enough. The second is harder, and is opening a bigger can of worms. On one hand, it's not your job. But there are ways to phrase this nicely, even still: "I've been working with a metronome a lot and it's really helped me. I recommend it - I can't believe how helpful it was." "There's something raw and powerful in your voice, but I can hear the way it sounds kinda untrained, too. I bet a few lessons would help get you to a place that kicked ***." There are some white lies in there, but they nudge the person in the right direction, and maybe they get it. And if they don't, it's not your problem. |
#39
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Guild D25 (1973) Guild GAD m120e (2013) Taylor 324 (2014) |
#40
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I'm astounded, literally, at the three positive reviews. A friend of mine, Randy Handley, who is a great Nashville based songwriter and bluesman said my voice made the song "believable". I figured he was just being a good friend. Thanks all of you. You've given me a desire to explore singing with my new, medically induced voice again! (And I DO intend to keep writing).
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#41
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I agree....take turns with a couple other singers and he has a pretty good band.
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#42
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I had this very same issue with the person I play with. No skills and no timing and no voice. He started some lessons (a few years ago) but the instructor failed to return after a few lessons. I told him that I would show him what little that I know. It was a tough go in the beginning, but he slowly improved.
"Good things come to those who wait." He got to be quite decent and he is usually a dream to play with. He seems to know exactly what I am going to do when making small changes to the many tunes we play. I can change the exit to any song and he never misses it. Timing and beat, whatever, like he can read my mind. Now I can't find anyone that plays as well with me.....Played with some VERY skilled players, but few that mesh nearly as well. |
#43
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Blessings, Kip... My site: Personal Blog Yamaha LL16R-12 L Series A.R.E. Yamaha FG-75 Fender CF 60 CE Ibanez AF75TDG Epiphone Les Paul Std PlusPRO Eastman MB515 Mando Yamaha YPT230 Keyboard |
#44
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honesty is not all it's cracked up to be. Next thing you know you will be telling parents their babies are ugly. It's just an acquaintance, smile and wave.
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A couple of Halcyons and a Canadian made Larrivee "Wish I had more time to hear your reasons, but I have to go get a beer." 00-28 |
#45
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When his career takes off, won't this will be an amusing footnote!
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Taylor 512ce 12-fret (cedar/mahogany grand concert) Seagull Artist Studio (spruce/rosewood dreadnought) |