#16
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Quote:
No comparison. A TROM is far more dynamic. Much more going on in all the registers.
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Martin 00-18G; Waterloo WL-S; Furch: V1 OOM-SR, Green G-SR, Blue OM-CM; Tahoe Guitar Co.: OM (Adi/Hog), 000-12 (Carp/FG Mahog), 00-12 (Carp/Sinker Mahog), 00-14 (Adi/Ovangkol); In the night you hide from the madman You're longing to be But it all comes out on the inside Eventually |
#17
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Same in my experiences. .
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#18
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To quote ODDMANOUT: "I am the current owner of this fine guitar. It is a wonderful instrument...the finest blend of mahogany and rosewood tonal characteristics and all the signature Goodall complexity. This guitar in particular doesn't have the same type of bass as a TROM, but this is because of the palo escrito. i.e. it wasn't "meant" to. If this guitar were EIR, it would have that "BIG" bass."
A litle off topic, but I too find that Palo Escrito is like the best of rosewood & mahogany. I think it pairs very nicely with cedar & redwood. Goodall is one of the first builders outside of Mexico that brought this wonderful tonewood to my attention. I tend to favor his Palo Escrito Crossovers.
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Lady Toni Gibson Hummingbird True Vintage CV Precision Basses (2) |
#19
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Quote:
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Lady Toni Gibson Hummingbird True Vintage CV Precision Basses (2) |
#20
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Same here. Different ballpark.
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