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#61
02-12-2017, 08:01 PM
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Ryosuke Kobayashi
Quote:
Thank you very much David-san. I quite like this multiple bindings. I probably add to the options of my guitars. Ryo 
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#62
02-13-2017, 09:31 PM
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Installed bindings and purflings
Getting "Yanase Cedar Project" going little by little...
Binding job is done.   Thank you very much for viewing.
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#63
02-13-2017, 10:46 PM
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すばらしいです！こんな作り方見たことないです！次の写真を楽しみにしてます。
Wow, I've never seen a guitar made this way before! Looking forward to the next pictures.
__________________
Furch Little Jane Limited 2020 LJ-LC (Czech Rep.) Alpine/Cocobolo Furch Little Jane LJ 10-SR (Czech Rep.) Sitka/EIR Hex Sting P300 (Indonesia) Sitka/Lam.Sapele
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#64
02-14-2017, 08:22 AM
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Whatta heavenly project. Awesome!
__________________
Nylon string are softer, but harder to play  Alhambra 11P
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#65
02-14-2017, 08:59 AM
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Beautiful, clean work, Ryo--congratulations!
And...congratulations on your sponsorship. Thank you kind sir! Steve
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#66
02-14-2017, 06:02 PM
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That, sir, is a work of art! If I owned it, I'd be too scared to even pick it up! Congratulations on the birth of such a beautify "baby"
__________________
Maton CE60D Ibanez Blazer Washburn Taurus T25NMK
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#68
02-14-2017, 08:03 PM
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Beautiful!
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#69
02-15-2017, 11:27 AM
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Thank you for sharing your beautiful work. What I especially love about your vision is that while your designs are complex and highly decorative, the effects themselves are not stark or assertive and harmonize rather than overpowering the viewer. For instance, your 12th fret "block" (the one with the angled, light lines) fulfills its function wonderfully -- it's visible enough -- but doesn't scream "look at me!!!" the way some flamboyant inlays do. Your work has inspiring integrity and a remarkable aesthetic. Much success to you, sir!
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#70
03-29-2017, 05:46 AM
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Making the neck
Thank you very much for your replies and kind words guys.
I started making the neck.            
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#71
03-29-2017, 05:53 AM
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That is remarkable artisanry. Amazingly complex and visually alluring. And the chip carving around the rosette is fantastic. Talk about about a courageous move by the maker....one slip up and that thing is ruined!
__________________
My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment
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#72
03-29-2017, 07:41 AM
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Simply stunning ... and inspiring build in every way!
__________________
David Wren
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#73
03-29-2017, 06:40 PM
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Quote:
This whole build is exquisite!! I don't understand how I have missed it!
__________________
1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup 2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup 2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup 2022 Yamaha SLG200S Silent Guitar
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#74
03-30-2017, 10:29 AM
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Ryosuke Kobayashi
Quote:
I have designed the chip carving pattern since 2008 and have tweaked a lot. What I always try to do is to make complex design look not so busy. Here's my early design. 
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#75
03-30-2017, 10:33 AM
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Ryosuke Kobayashi
Quote:
Oh, is it ok to call you "Dave?" I'm not sure you remember it or not but I've met you a couple of times when I was doing an apprenticeship under Sergei. It's an honor to have a comment from such a great maker like you. I hope I can see you again in the near the future... Thank you!!
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