#16
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Well I dropped it off with my local shop, who recommended a Luthier they work with, hoping to get a call next week with estimate for repair.
I've also e-mailed Martin as they indicate they do repairs in Nazareth again, and would be a simple enough thing to drop off when I'm up North next month.
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BBS Martin D35 Johnny Cash #563 Martin HD28-2R Taylor 810 Tanglewood Java Parlor Gibson Flying V Faded Fender Stratocaster (MIM) |
#17
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This is just one guy's opinion, but.....
That looks like a really nice guitar, not to mention being an heirloom. I'd be inclined to have Martin replace the entire neck. It doesn't seem that the guitar is vintage enough that a new neck would affect it's value; I'd think a repaired headstock would affect value more than a new neck would. Expect Martin to have a backlog of repairs, but based on my recent experience, the repair will be flawless. I recently had a guitar there for a neck re-set and it was so perfectly executed that I wondered if they'd actually done anything. |
#18
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Quote:
Since this is an "heirloom" I don't intend to part with the cosmetic and "resale" value are quite a bit less important to me than just getting it playable again. The local guy indicated he's done several D28's (Said he wasn't sure why but every broken headstock he's done was a D28 of some sort). $200 to put it back together and hide damage as much as possible $250 to put on a new faceplate, but he indicated finding a correct decal could be a challenge $450 for new neck (this seems really cheap?) Martin quoted $1,200 for a new neck Since I'm seeing people pay $1800 or so for this model guitar, the $1,200 repair seems out of range, besides not having $1,200 right now... If $ were no object I'd love to have it done in Nazareth, but for $1200 I'll deal with it. Right now the plan is the repair guy is going for the $200 option... if he feels that the best he can get it back is still going to be ugly, we'll go with the new faceplate. I figure someday it will probably need a neck reset and that will probably be the time to go ahead and do a new neck. Obviously I'd rather this have never happened, but since it did happen, I really don't mind it having a little scar. In a few years I'll have a nice lesson to teach my son, with the visual reminder..
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BBS Martin D35 Johnny Cash #563 Martin HD28-2R Taylor 810 Tanglewood Java Parlor Gibson Flying V Faded Fender Stratocaster (MIM) |
#19
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It should be structurally fine so you won't have to worry about that.
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#20
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Nice guitar....Hope the repair comes out well
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Early Ovation classical 2001 Taylor 355 2002 Taylor 308 BB 2004 Taylor 214 2011 Taylor GC4 1964 Fender Stratocaster 1965 Fender Jazz Bass Fender Twin Reverb |
#21
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I hate to say this, but I think I'd consider someone with more experience. With as many headstocks as get broken, if he's only fixed D28's he may not have done very many. Did he say why he thinks D28's are more prone to breaking?(Cause I don't think they are) Could you get another local quote before you commit?
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Bryan |
#22
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Perhaps a D28, being less expensive than, say, a D45, is more likely to get left on a stand and therefore more likely to get knocked off.
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#23
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Is this the voice of experience talking?
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(2006) Larrivee OM-03R, (2009) Martin D-16GT, (1998) Fender Am Std Ash Stratocaster, (2013) McKnight McUke, (1989) Kramer Striker ST600, a couple of DIY builds (2013, 2023) |
#24
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I had some previous repair work done by a Martin authorized service person... some of the binding on the back had come loose, not a terrible thing but I wanted to get it re-glued. He charged $150 for a simple glue (did not refinish) and honestly I think it looks worse than before it was repaired, but at least it's not falling off. As far as D28 being more fragile, he didn't think that at all, just made an observation that every broken headstock he had was a D28.
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BBS Martin D35 Johnny Cash #563 Martin HD28-2R Taylor 810 Tanglewood Java Parlor Gibson Flying V Faded Fender Stratocaster (MIM) |
#25
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bnjp makes a reasonable point but it depends on his collective experience as well. I've done over a hundred of these repairs and often times they are not as hard as most people thing however a clean break like that one can be considerably more intricate. I think they are typical on Les Pauls and other Gibson guitars because of the neck angle and weight of the guitar. LEs Pauls and SG's for example have a pronounced back angle to the neck based on the violin family. The neck angles back and below the plane of the body which makes for a nice comfortable playing experience but the first thing to hit the ground will be the very tip of the head stock and that's a small point taking a lot of impact.
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#26
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Bryan |
#27
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Steve
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Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE |