#1
|
|||
|
|||
External Microphone for Live Use
I'm starting up a new Celtic band with myself playing guitar, tenor banjo and mandolin. I'm not sure that we'll be going totally acoustic, but that may be an option. I'm looking for a good small diaphragm condenser mic for my instruments, some have pickups while others don't. My budget is around $300.
The Audix ADX 51 is one I've looked at. I used Shure SM 81's and Neumann KM 84's back in my live sound days, but I don't know a lot about current offerings. |
#2
|
|||
|
|||
After doing monitors for a touring Irish 9-piece power folk/ceilidh band a number of years ago, I bought a half dozen of the Shure KSM137's they were using on all their instruments. I can recommend them as a good choice for your application.
I would use them ahead of the 81's and 184's for sure.
__________________
Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |
#3
|
|||
|
|||
I'll second the motion on the KSM137. I was playing mandolin in a venue and wearing IEMs. I stepped up to the mic with the mandolin and thought "This is exactly the sound and feel I want." Asked the tech what the mic was and went home and ordered one that night.
|
#4
|
|||
|
|||
Quote:
__________________
David D. Berkowitz |
#5
|
|||
|
|||
Quote:
|
#6
|
|||
|
|||
Quote:
I find 184's "brassy" on strings and voices. Sorry, I can't define "brassy" any better than to say the first and second overtones are hyped and hard. Hurts my ears. Fortunately, I get to choose unless someone is carrying their own mics. I get a lot of DPA's brought in, though.
__________________
Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |