#1
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Volume loss on tone control
When I turn down the tone on my Seymour Duncan SSL6 pickup I loose tons of volume. I installed a .022capacitor just for that bridge pickup on my Partscaster.
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___________________________________________ 1933 Gibson L-00 2007 Taylor 110 2013 Taylor GS Mini 2018 Eastman E10M 1977 Sigma DR-9 2012 Republic Miniolian 2016 Recording King ROS-G9M |
#2
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Got a pic of the wiring?
Sent from my SM-G920V using Tapatalk
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird |
#3
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Loosing volume is even worse. If your guitar has only one pickup, one volume control and one tone control this is how the wiring should look: If it's a Strat with two singles, one humbucker, one volume and two tone controls it should look like this:
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp Last edited by Gypsyblue; 08-13-2015 at 10:13 AM. |
#4
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I did a dual capacitor wiring on my strat, the values really are .047 and .022 bridge
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___________________________________________ 1933 Gibson L-00 2007 Taylor 110 2013 Taylor GS Mini 2018 Eastman E10M 1977 Sigma DR-9 2012 Republic Miniolian 2016 Recording King ROS-G9M |
#5
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Compare the way your guitar is actually wired with this:
Check out this article: http://www.premierguitar.com/article...Tone_Split_Mod Is that what you're after?
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp |
#6
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I wired it so the neck and middle share a tone, and the bridge gets its own tone control. I got the wiring from Breja Toneworks on Youtube at
https://www.youtube.com/watch?v=j4LFXzX8qgo
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___________________________________________ 1933 Gibson L-00 2007 Taylor 110 2013 Taylor GS Mini 2018 Eastman E10M 1977 Sigma DR-9 2012 Republic Miniolian 2016 Recording King ROS-G9M |
#7
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That looks good but now the question is, is that the way you actually wired it up?
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#8
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Gonna have to go through your guitar, Bob, and compare each and every connection to the diagram until you find out where you went wrong. It's there. Just gotta find it. I'm wondering if you have a new style, sealed 5 way switch with all of the terminals running in a row? One sort of like this: The diagram shows an old style CRL made switch. One more like this: I like these old style switches better. Much easier to see what's going on with those old style CRL made switches.
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp Last edited by Gypsyblue; 08-13-2015 at 02:00 PM. |
#9
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An aggressive tone filter will naturally cause a loss in volume at higher frequencies. If the tone pot is behaving more like a volume control you have a different problem entirely.
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www.MendocinoGuitarFestival.com |
#10
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Installed a new Fender 5 way switch and new CTS pots when I rewired everything. Are there pots just for volume and pots just for tone? I will re-examine my wiring and see if its right. By the way, those Rose pickups are fantastic, installed a Robusta in the neck position and man does she have some bluesy mojo, thanks to the forums suggestion.
http://rosepickups.com/
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___________________________________________ 1933 Gibson L-00 2007 Taylor 110 2013 Taylor GS Mini 2018 Eastman E10M 1977 Sigma DR-9 2012 Republic Miniolian 2016 Recording King ROS-G9M |
#11
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Quote:
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Taylor 512...Taylor 710B...Blueridge BR163...Blueridge BR183a...all with K&K's & used w/RedEye preamps Seagull CW w/Baggs M1 pickup...National Vintage Steel Tricone...SWR California Blonde Amp |
#12
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Check the values on the caps. Higher cap values produce more loss of volume because more of the high frequencies are filtered out by the tone pot.
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Rodger Knox, PE 1917 Martin 0-28 1956 Gibson J-50 et al |