#1
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Thoughts? Emerald out in sun ~ 20 minutes (80 degrees)
Just a question. The lower bout of my Artisan x20 was exposed to the sun for about 10-20 minutes today. Outside temperature was 80 degrees F. When I picked it up to play it was significantly out of tune and the action had gotten very low.
I tuned it up and had to adjust the truss rod to get the action back to 3/32nds at the 12th fret low E so it wouldn't buzz. I also noticed a very slight rise in the lower bout off of the bottom of the bridge (where it's shape dips down to a point). I can't remember if it's always that way or not. I just noticed it as I was trying to figure out what happened... but that might be the normal shape of the lower bout surface. Just curious if this makes sense? Any thoughts appreciated. Thanks.
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“All we have to decide is what to do with the time that is given us.” ― J.R.R. Tolkien, The Fellowship of the Ring |
#2
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Did you make the adjustments right away, or did you first allow the guitar acclimatize? Sort of an oxymoron for a CF, but maybe not in this case. This may be one that Sean at Emerald should help you with. You may want to take some pics, including to post them here. I hope your guitar is fine.
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Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#3
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I did let it acclimatize first. It seems fine now that I've adjusted the truss rod but still scratching my head. I emailed Sean - they are on vacation until the middle of August so I imagine it'll be a while before I hear back.
Thanks for your thoughts.
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“All we have to decide is what to do with the time that is given us.” ― J.R.R. Tolkien, The Fellowship of the Ring |
#4
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This really surprises me. I've had three Emeralds that I've played in 110 degrees and never had a problem. But, it's a dry heat.
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#5
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I think strings out in direct sunlight (1) would get hotter than air temperature and (2) be affected (stretch?) due to extreme heat increase.
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#6
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Quote:
While these guitars are relatively impervious to moderate temp and humidity changes, I wouldn't be surprised if extreme temperature changes might have some effect on them, especially if applied to just a portion of the entire instrument. Last edited by DHart; 07-30-2017 at 10:00 PM. |
#7
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I was playing a wooden guitar once at my piano bench. The guitar kept going out of tune. Over and over. I kept re-tuning and at one point touched the lower bout and it was ice cold.
This house had floor vents, and one of the vents was blowing on the bottom of the guitar that hung over the piano bench. I would postulate that the issue was that only the lower bout (of the Emerald) had heated up from the sun. If the entire guitar was in the sun then it would have expanded uniformly.
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#8
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I appreciate the feedback. Is is now several hours later back in the house. It has kept in tune (following my initial truss rod adjustment and re-tuning). Still not sure what happened but I am content now.
Just one remaining question - if an owner of an Emerald can answer. I can't for the life of me remember if there has always been a very slight bowing of the lower bout just below the bridge - at the point where the lower edge of the bridge goes into that point in the middle. The glare is the area I'm talking about. I really can't capture the actual swell in the picture. It is pretty minimal. Just wondering if that's normal.
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“All we have to decide is what to do with the time that is given us.” ― J.R.R. Tolkien, The Fellowship of the Ring |
#9
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Quote:
I remember that several of us took straight edges and compared them a couple of years ago, and Alistair assured us that he designed them that way for top vibration...So yep...that's the way they are designed !!! Just a guess about the temperature question. I "Froze" my X-20 one night to 19 degrees Fahrenheit, and brought it into the house at normal temperature with no ill effects...I suspect that the heat would have no effect on the tone, so it must be the strings??? However my X-20 has no truss rod though, so that might be a consideration...
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Current Acoustics: Emerald X-20 OS Opus Wechter Pathmaker Wechter Nashville Tuned Wechter Dobro Washburn Nylon Electric: Line 6 Variax Keyboards: Korg SV-1 88 key reverse PA: QSC K8 x 2 Amps: Custom Peavey Studio Pro (Superman) Fishman Loudbox Mini |
#10
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is it one of the earlier X20s ?
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Emerald 2016 X7 2017 X20 2018 X30 And four all laminate wood acoustic guitars |
#11
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In all this time the neck & intonation have not changed at all...Gotta love that Carbon Fiber!!!
__________________
Current Acoustics: Emerald X-20 OS Opus Wechter Pathmaker Wechter Nashville Tuned Wechter Dobro Washburn Nylon Electric: Line 6 Variax Keyboards: Korg SV-1 88 key reverse PA: QSC K8 x 2 Amps: Custom Peavey Studio Pro (Superman) Fishman Loudbox Mini |
#12
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Yes, Claytone's must be an earlier model. Emerald began building all their guitars with truss rods a few years ago.
__________________
Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#13
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Quote:
If there would be any movement at all, I think it would have happened on his 18 string beauty...
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Current Acoustics: Emerald X-20 OS Opus Wechter Pathmaker Wechter Nashville Tuned Wechter Dobro Washburn Nylon Electric: Line 6 Variax Keyboards: Korg SV-1 88 key reverse PA: QSC K8 x 2 Amps: Custom Peavey Studio Pro (Superman) Fishman Loudbox Mini |
#14
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Quote:
Maybe I should let Steve reply about his Chimaera...but I won't. His is a 2012 model and doesn't have truss rods. In fact, Steve's was one of the earliest, barely beyond a prototype. I was so smitten with his, and still before the Chimaera was a production guitar, I ordered one fall 2012 and received it early 2013. The guitar has improved in various ways, but without question, the first version was the best balanced in terms of weight where the necks were hollow without truss rods and and Alistair was still using ultra-lightweight Gotoh Stealth tuners. He stopped using them because of failures...likely not robust enough given their max. 44 lbs. of tension.
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Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#15
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Quote:
__________________
“All we have to decide is what to do with the time that is given us.” ― J.R.R. Tolkien, The Fellowship of the Ring |