#31
|
|||
|
|||
Quote:
At the Open mic. So I usually bring My kk pure xlr. And 2 cords. If they dont Have 48v then I'm in trouble. But I haven't run into that yet. The ad2 gets lots of love here and can be had for 99 new. No xlr out ..not sure If the 1/4 in output is balanced or not. I would assume not. So dont you also need a di to plug it into?? Last edited by varmonter; 11-27-2019 at 06:27 AM. |
#32
|
||||
|
||||
One open mic I go to has an ancient Peavey powered mixer. Says 12V phantom power. Honest. And, I probably wouldn't want to trust that any host can lay hands on a spare (or functional) XLR cable at the point you wander up to the stage, either. Bless the hosts, but the vast majority of these are pretty much running on fumes, and even some that leverage the house PA are rarely set up for an instrument XLR input. (Some do have passive DIs, and one even has one Baggs Para, though it is the only one.)
__________________
"I know in the morning that it's gonna be good, when I stick out my elbows and they don't bump wood." - Bill Kirchen |
#33
|
|||
|
|||
Quote:
Run into the "no phantom power yet." But if that was to happen I can plug Direct in as I'm not using a piezo. It wont Sound as good but it will do in a pinch. I can put a 9v battery in my pre. But prefer not to. |
#34
|
|||
|
|||
So you have your guitar going into a preamp (which one?) and then
you have another XLR cord going from preamp to a XLR input channel on the main mixer? Quote:
__________________
Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#35
|
|||
|
|||
What about the Zoom AC2? A little more compact and portable. The AC3
looks great but a little too big and more $$$ than I want to spend for a temporary Open Mic solution.
__________________
Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#36
|
|||
|
|||
Doesn't an EQ like the Para need to be fiddled with for every new room and sound system? I though about an EQ box like the Para or a Boss G7 or the newer Baggs Align EQ, but with Open mics there's no time to fiddle with knobs.
__________________
Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#37
|
|||
|
|||
Quote:
Horses for courses I guess.
__________________
1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup 2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup 2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup 2022 Yamaha SLG200S Silent Guitar |
#38
|
|||
|
|||
Quote:
https://kksound.com/products/purexlrpreamp.php My pickup is the baggs m80. 1 mgohm Impedance .so a good match. It's small And just before I go on I plug my guitar And cords into the pre.walk up on stage And plug in. ( I turn the vol off on the pre So no pops.) if i have to adjust the mixer I generally cut the mids at 700. Boost the treble up a hair and run the bass flat. The preamp then at my feet can make any minor tweaks as i play. |
#39
|
|||
|
|||
FWIW, I do tech work and sometimes mix for a venue with one of the most popular open mics in LA. As the weekly event has gotten more popular, efficiency in getting the acts on and off has become a much bigger priority. To that end, they have now banned all backing tracks, all BYO amps, and all floor pedals. Including ToneDexters and Auras and the like. If it hangs off your belt and outputs a 1/4" like a guitar, you're still okay. Maybe something to think about.
|
#40
|
||||
|
||||
Quote:
__________________
Martin 000-28EC, Taylor 12fret Cedar/Mahogany, Taylor GC8, Carvin AC275, Takamine TC135SC, Yamaha APX5na |
#41
|
|||
|
|||
Quote:
I know what it's like to have a busy open Mic and have to wait for someone to Fix a pedalboard or set up a key board. Some folks think it's an audition for a possible gig. I've seen bands haul their Amps and a drum kit. It all takes time to set up and tear down. Usually the allotted 15min is Eaten up in set up teardown and now Their playing In someone else's time slot. So I get it. But my open mic rig is No slower than sitting down and plugging in. I'm sure this LA venue is Just laying down the restriction because They have to draw that line ..albeit a harsh line. |
#42
|
|||
|
|||
Before I went with a QSC Touchmix, I used a RNP 2 channel pre-amp; one for my acoustic and the other for my mic. Amazing difference in tonal quality for both. Makes my voice almost good, which is pretty amazing! You do have to plug it in, but I've yet to use any any good pre amp you don't have to plug into power.
Now I use a QSC Touchmix which allows me to tailor the eq of each of my guitars and save that eq as well as save the eq to each place I play at. It's the most adjustable eq and pre I've ever used and it sounds great. So, now I've kind of moved to that.
__________________
2001 Goodall RGCC 2004 Goodall RPC-14 2022 Emerald X20 Hyvibe 2021 Emerald X7 Select 2020 Emerald X10 Woody Select 3-way 2016 Emerald X20 Artisan 2002 Gibson J185EC JJ Cale 2009 Gibson EC-20 1974 Alvarez Dreadnought 2013 Woody Tahitian hybrid Uke 2008 Zager 3/4 Size Some camp fire guitars, classical's, & electric's |
#43
|
|||
|
|||
Quote:
I have K&K Minis in all my guitars. Bought the ToneDeq based on reviews and have been very happy. The best compliment I’ve gotten recently is a good friend-who knows sound-came to a gig and said my guitar sounded outstanding. I was really happy to hear that and have to give most of the credit tot he ToneDeq. |
#44
|
|||
|
|||
Quote:
And the owner did sit down with the crew and hosts to talk about it before the hammer came down. And we did explain things like, well, some of those guitar "pedals," especially for acoustics, aren't really in the same category as, say, an Ibanez Tube Screamer. And his question was something along the lines of, "Can a person outfit their acoustic guitar so it will sound up-to-open-mic-standards without a ToneDexter or whatever?" Answer was yes. "And if it doesn't sound good you can stick a mic on it?" Also yes. "Then here we are. No pedals." Hard to argue, really. |
#45
|
|||
|
|||
Well I guess if I had to play at the ‘no pedals’ night, the only choice would be to take my Maton EBG808. Even though I prefer to have some ‘comfort’ gadgets, I might be able to get by without...maybe. The Maton AP5-Pro pickup system is superb on its own, but I like to have a nice Pro EQ or such... Usually the biggest problem plugging the Maton direct to a PA is the endless questions from the other poor people of Paris who played straight piezo quackers for their allotted tunes....you know: “Wow man, how did you get THAT sound?” That much is too much sometimes and ALMOST enough to leave the Maton at home and quietly plug in one of my guitars with the...gulp...Element quacker.
So what am I saying? Guitars like my Maton EBG808 are ‘ready for battle’ and while I mention this one, there are plenty of other pickup systems that don’t need help at the coalface. Something with an Anthem in it will do it nicely, thanks. The Martins with built in Aura.... The Taylor ES2 is very nice. I am sure there are others. The other alternative would be to bypass the piezo by buying a Baggs M1A or M80 and hanging it out the soundhole for the 3 songs. They have the inbuilt preamp to help in plugging direct. While I would prefer my Pro EQ, it could be done without and there will be no piezo quack, guaranteed! (but you guitar may sound ‘electric’ a little bit.) Which brings us back to your first question. Using your Epi with a piezo. I would try the Boss AD2. I have never tried one but I have the Boss VE8 and that has some of the same functions, probably the same electronics???, with the biggie of interest to you being the ‘acoustic resonance’ knob. I have not played anywhere using it but experimented with it at home ‘to see what it does’ and let me tell you, a 1/4 turn is some help to a piezo. Battery operated, hmm, tick, resonance knob, tick....try it! (Don’t let the fellas above see you - put it your coat pocket!) BluesKing777. |