#16
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Quote:
https://www.youtube.com/watch?v=xhIppawJxng HE |
#17
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Interesting, I would find it harder to mute with a pick (or get that muted harmonic for a lack of a better term), I've been finger style for most of my time playing guitar (40 years),
H It depends what side of the equation you are coming from, as others have stated, its just a matter of practice and adjustment of technique that will get you there, |
#18
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Then answer to the "crisp" sound you're looking for is right here:
Get down your finger style without them first. Then, hit your favorite music store and pick up a plastic thumb pick and a couple of Dunlop/National 0.013 metal fingerpicks. The 0.013 size can be easily molded to fit the shape of your fingertips. It will take a couple of months, probably, to get used to them. But once you do, there's no going back! Bill |
#19
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I thought of Chet too when I first saw this question. OP - listen to the essurance commercials for an example.
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#20
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try playing a live loud event without the ability to palm mute...to be honest I do both pick, finger style and when playing my bass slap . how do you play with out muting with both hands ? how do you get up in front of big amps and not use palm muting would be my question.
__________________
" A old guitar is all he can afford but when he gets under the lights he makes it sing' |
#21
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I just bumped into the palm muting using fingerstyle accidentally on my own and it makes a world of difference. I don't have it near to being mastered, but already it is making a big difference in my sound.
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#22
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Great thread.
I'm self-taught so, for good and for ill, I fingerpick - all 5 bare fingers - and I palm mute. I also mute in other ways with both hands. Especially comes in handy when working in open tunings. With slide. Or when you're playing live & amplified and you need to get through the song but control a string(s) feeding back!
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It's all one big note. - Frank Zappa Ain't Nobody's Business: https://soundcloud.com/vern-equinox/...usiness-but-my |
#23
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you should look into the string blocking lesson by Michael Angelo batio.. but I warn you .you may never see the guitar the same after a few of his lessons.
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" A old guitar is all he can afford but when he gets under the lights he makes it sing' |
#24
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Sounds like the "staccato" technique . . . one of my favs.
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