The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Acoustic Amplification

Reply
 
Thread Tools
  #1  
Old 02-09-2018, 02:39 AM
Jack Orion Jack Orion is offline
Registered User
 
Join Date: Jun 2009
Location: UK
Posts: 814
Default Setup for playing festivals that will give me a good onstage sound?

hey folks,

I have a few festival gigs lined up this year and I'm starting to think about how I can guarantee myself a good sound onstage.

Having performed at festivals in the past with a rock band I know that, often, you're expected to plug in and go and get very little time for soundcheck - that wasn't so bad in the rock band but, as a solo singer/songwriter, my onstage sound can be the difference between a great sounding gig and a terrible one for me!

Obviously I need something that I can setup really quickly and that is easily transportable so I was thinking I would take my AER Compact 60 with me and then use my DI to send a signal to the front of house and a line out to the amp.

I've also been looking at this from radial - http://www.radialeng.com/proms2.php - which would allow me to split my mic signal to the house and to my amp.

This would give me total control of my sound onstage but allow the soundperson to do what they want out front (I'd just get them to turn off the monitors) and I know that the AER sounds good and gives me confidence that I can hear myself well with a pleasing tone.

Add a headstock tuner into the mix and I think I've got a relatively easy setup that will give me consistency from stage to stage...

any thoughts?
Reply With Quote
  #2  
Old 02-09-2018, 06:13 AM
51 Relic 51 Relic is offline
Registered User
 
Join Date: Sep 2014
Location: Whippingham Isle of Wight England
Posts: 1,313
Default

Hi I use the AER Compact 60 great choice and direct into a PA it's a godsend
__________________
Martin OODB JT
Gibson J45
Yamaha LLTA
Yamaha SLG200S
Yamaha NTX1200R
Taylor GSMiniE Rosewood
Joe Brown Uke
AER Compact 60
Marshall AS50D

Now 100% Acoustic and loving it ! No more GAS
Reply With Quote
  #3  
Old 02-09-2018, 06:36 AM
Nymuso Nymuso is offline
Charter Member
 
Join Date: Nov 2017
Posts: 2,149
Default

For a throw-n-go solo performance at a festival, I just ask which vocal mic I'm using and which direct box they want me to plug into. That's if I am one of the openers, and I'm certain there ain't gonna be no festival where I'm the headliner, so I know they want me on and off with no muss or fuss, and I know it will sound great out front. I don't need pristine monitor sound.

However if it's a farmers market type of thing, yeah bring your own amp, dial in your sound and send a line to the kid who is scratching his head looking at the mixer over at the side of the stage.
Reply With Quote
  #4  
Old 02-09-2018, 06:52 AM
Jack Orion Jack Orion is offline
Registered User
 
Join Date: Jun 2009
Location: UK
Posts: 814
Default

Quote:
Originally Posted by Nymuso View Post
For a throw-n-go solo performance at a festival, I just ask which vocal mic I'm using and which direct box they want me to plug into. That's if I am one of the openers, and I'm certain there ain't gonna be no festival where I'm the headliner, so I know they want me on and off with no muss or fuss, and I know it will sound great out front. I don't need pristine monitor sound.

However if it's a farmers market type of thing, yeah bring your own amp, dial in your sound and send a line to the kid who is scratching his head looking at the mixer over at the side of the stage.
I think they will be 'throw and go' performances, which is why I'm thinking about providing my own sound on stage but only for me, the FOH will all be the soundperson - I'm planning to split the signals BEFORE the AER so I have my stage sound separate to the FOH.

It'd just be a case of plugging in four cables and an amp (which I can setup up eq-wise before hand) and then asking for nothing in the monitor and then starting...

I'd love to be a 'walk on and go for it' performer, but I know from experience that a poor onstage sound really throws me and it's worth the extra effort on my part to get a sound that will enhance my performance by provided me the positive feedback that I need from my guitar and vocals...
Reply With Quote
  #5  
Old 02-09-2018, 07:14 AM
Mr. Jelly's Avatar
Mr. Jelly Mr. Jelly is offline
Charter Member
 
Join Date: May 2016
Location: Sioux City, Iowa
Posts: 7,879
Default

For an acoustic guitar driven performance I use K & K minis into a Fishman Spectrum Aura that feeds into my on stage acoustic amp/monitor. The sound people take a lead off the amp. Vox are through the mic and monitors. In this way I'm not at the mercy of the sound people to be comfortable in this environment as I have a consistent environment.
__________________
Waterloo WL-S, K & K mini
Waterloo WL-S Deluxe, K & K mini
Iris OG, 12 fret, slot head, K & K mini

Follow The Yellow Brick Road
Reply With Quote
  #6  
Old 02-09-2018, 08:20 AM
KevWind's Avatar
KevWind KevWind is online now
Charter Member
 
Join Date: Apr 2008
Location: Edge of Wilderness Wyoming
Posts: 19,950
Default

This is what I used

SKB 6 space Rolling rack case
Monster 2500 power conditioner
Langevin DVC (Dual Vocal Combo) Mic pre ,Limiter , EQ and DI
TC Electronics M3000 stereo FX processor.


In the situations where there is already a FOH system and sound guy, I simply used whatever the house monitors were or none at all, given that as a solo stage act :
#1. I can hear sound of my singing and playing acoustically on stage .
#2. the balance between the guitar and vocal that reaches the audience (FOH) is going to be controlled by the sound guy and not by what I might have feeding my own monitor .
#3 since the balance coming from the house monitors is going to be a more accurate (if the sound guy knows what he is doing) representation of what the audience hears, than what I would have in my own pre FOH monitor. If the stage monitor sound is really bad for some reason, then I just have them turn it down or off because in that situation, it always seemed a redundant and useless extra piece of gear to haul around and set up


__________________
Enjoy the Journey.... Kev...

KevWind at Soundcloud

KevWind at YouYube
https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD

System :
Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1

Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4

Last edited by KevWind; 02-09-2018 at 12:49 PM.
Reply With Quote
  #7  
Old 02-09-2018, 11:09 AM
martingitdave martingitdave is offline
Registered User
 
Join Date: Feb 2014
Location: Chicago
Posts: 11,375
Default

The festivals I play wouldn't allow for the setup you are hoping to use. My advice is to get the best pickup for your guitar, and, if necessary a Fishman Platinum Stage preamp. You get a DI box and a mic on a stand. You've usually gotta be ready to plug and go.
__________________
"Lift your head and smile at trouble. You'll find happiness someday."
Reply With Quote
  #8  
Old 02-09-2018, 12:46 PM
Jack Orion Jack Orion is offline
Registered User
 
Join Date: Jun 2009
Location: UK
Posts: 814
Default

Quote:
Originally Posted by martingitdave View Post
The festivals I play wouldn't allow for the setup you are hoping to use. My advice is to get the best pickup for your guitar, and, if necessary a Fishman Platinum Stage preamp. You get a DI box and a mic on a stand. You've usually gotta be ready to plug and go.
I already have great pickups in my guitars (Lr Baggs Anthem SL) and a great preamp/DI (Orchid Preamp) so I can easily do the plug and go thing if needs be...

I'm just getting peoples opinions about how likely this setup would be to work and the gist seems to be 'not that likely' if you've got no time...

'tis a shame as I think it'd be a lot easier than trying to get a decent monitor mix as I'm playing but I guess that's the festival way...
Reply With Quote
  #9  
Old 02-09-2018, 01:24 PM
martingitdave martingitdave is offline
Registered User
 
Join Date: Feb 2014
Location: Chicago
Posts: 11,375
Default

Quote:
Originally Posted by Jack Orion View Post
I already have great pickups in my guitars (Lr Baggs Anthem SL) and a great preamp/DI (Orchid Preamp) so I can easily do the plug and go thing if needs be...



I'm just getting peoples opinions about how likely this setup would be to work and the gist seems to be 'not that likely' if you've got no time...



'tis a shame as I think it'd be a lot easier than trying to get a decent monitor mix as I'm playing but I guess that's the festival way...


I feel your pain brother. :-)
__________________
"Lift your head and smile at trouble. You'll find happiness someday."
Reply With Quote
  #10  
Old 02-09-2018, 01:27 PM
varmonter varmonter is offline
Registered User
 
Join Date: Apr 2014
Location: The heart of Saturday night..
Posts: 3,645
Default

orchid also has a muting di ., is there a mute switch
on their preamp/di that you own? Always nice to mute
if you have to tune .
Reply With Quote
  #11  
Old 02-10-2018, 05:53 AM
BluesKing777 BluesKing777 is offline
Registered User
 
Join Date: May 2012
Posts: 3,540
Default

You could try a vocal/guitar preamp like my Boss VE8....

(Acoustic with effect of choice in one side and vocal with your mic and effect of choice on the other side, get your sound and balance practicing at home....preferably get used to using just mono and one xlr out, turn up to gig, plug in one xlr to stage jnction box, plug in power point?, your mic, your guitar, use in ear monitors or headphones from the back of the Boss VE8 and they just have to turn the volume knob up out front).

Control freak plus?

May be easier to just wing it, plug guitar in and use their mic.....


BluesKing777.
Reply With Quote
  #12  
Old 02-10-2018, 06:26 AM
Jack Orion Jack Orion is offline
Registered User
 
Join Date: Jun 2009
Location: UK
Posts: 814
Default

Quote:
Originally Posted by varmonter View Post
orchid also has a muting di ., is there a mute switch
on their preamp/di that you own? Always nice to mute
if you have to tune .
Yep their acoustic preamp has a mute switch so I can mute whilst tuning...

Quote:
Originally Posted by BluesKing777 View Post
You could try a vocal/guitar preamp like my Boss VE8....

(Acoustic with effect of choice in one side and vocal with your mic and effect of choice on the other side, get your sound and balance practicing at home....preferably get used to using just mono and one xlr out, turn up to gig, plug in one xlr to stage jnction box, plug in power point?, your mic, your guitar, use in ear monitors or headphones from the back of the Boss VE8 and they just have to turn the volume knob up out front).

Control freak plus?

May be easier to just wing it, plug guitar in and use their mic.....


BluesKing777.
Hmm, not sure about that!

Just to clarify I'm not talking about sending a DI from my AER to the front of house to provide my own balance - I'm talking about splitting the signal from the vocal mic and guitar and sending it to both the front of house and my AER like this:

Vocal mic -> Mic splitter -> thru goes to front of house & aux goes to mic channel on AER

Guitar -> DI -> balanced output goes to front of house & line output goes to AER

So I'm sending a 'clean' signal to the FOH which I can't change anything on, but then I'm using sending a signal to my AER which will be setup as a monitor for me only which I can adjust to my own onstage preference without changing the FOH signal and without having to rely on the monitor provided.

My thoughts on why I would do this is that I basically always set my AER up the same, with a few minor tweaks to treble and volume depending on the venue, so I could have it all ready to go settings-wise before I'm on stage and all I have to do is plug four cables in and I'm ready - I don't think that would take much longer than plugging in just the guitar would...

I know it seems a bit control-freak but I'm a fingerstyle guitarist with a pretty soft voice and a lot of my gigs are in very low noise environments so I'm used to being able to hear myself very well - the few gigs I have done in louder environments were not very enjoyable for me and that really affected my performance.

I know I could 'man up' and soldier on with poor onstage sound but, if there's a relatively easy solution that will make the gig more enjoyable for me and therefore allow me to perform at my best then I think it's worth a little extra effort!
Reply With Quote
  #13  
Old 02-10-2018, 06:48 AM
Vancebo Vancebo is offline
Registered User
 
Join Date: Feb 2003
Location: Salem, Or.
Posts: 2,027
Default

I think you have it figured out. If the AER had a DI out for each channel then you don’t need the splitter, right? There are at least a couple of amps that have that feature but they aren’t the mighty little box that is the Compact 60.
__________________
Vancebo
Husband of One, Father of Two
Worship Leader, Music Teacher
Oregon Duck Fan
Guitars by: Collings, Bourgeois, Taylor
Pickups by: Dazzo
Preamps by: Sunnaudio
Amps by: Bose (S1)
Grateful
Reply With Quote
  #14  
Old 02-10-2018, 07:43 AM
varmonter varmonter is offline
Registered User
 
Join Date: Apr 2014
Location: The heart of Saturday night..
Posts: 3,645
Default

Quote:
Originally Posted by Jack Orion View Post
Yep their acoustic preamp has a mute switch so I can mute whilst tuning...



Hmm, not sure about that!

Just to clarify I'm not talking about sending a DI from my AER to the front of house to provide my own balance - I'm talking about splitting the signal from the vocal mic and guitar and sending it to both the front of house and my AER like this:

Vocal mic -> Mic splitter -> thru goes to front of house & aux goes to mic channel on AER

Guitar -> DI -> balanced output goes to front of house & line output goes to AER

So I'm sending a 'clean' signal to the FOH which I can't change anything on, but then I'm using sending a signal to my AER which will be setup as a monitor for me only which I can adjust to my own onstage preference without changing the FOH signal and without having to rely on the monitor provided.

My thoughts on why I would do this is that I basically always set my AER up the same, with a few minor tweaks to treble and volume depending on the venue, so I could have it all ready to go settings-wise before I'm on stage and all I have to do is plug four cables in and I'm ready - I don't think that would take much longer than plugging in just the guitar would...

I know it seems a bit control-freak but I'm a fingerstyle guitarist with a pretty soft voice and a lot of my gigs are in very low noise environments so I'm used to being able to hear myself very well - the few gigs I have done in louder environments were not very enjoyable for me and that really affected my performance.

I know I could 'man up' and soldier on with poor onstage sound but, if there's a relatively easy solution that will make the gig more enjoyable for me and therefore allow me to perform at my best then I think it's worth a little extra effort!
This is what i do with the orchid muting di but just for guitar.
di out to FOH amp out to aer. I never could
get a decent vocal sound out of my aer but YMMV.
But this makes perfect sense as the FOH would have two
signals to work with instead of the one combined with the di out on the aer.
Reply With Quote
  #15  
Old 02-10-2018, 03:08 PM
jimmorgan jimmorgan is offline
Registered User
 
Join Date: May 2008
Location: Clemson, SC
Posts: 88
Default

I've played a number of festivals and seen folks using amps as monitors on stage. Even in strictly acoustic bluegrass festivals it's common for upright players to bring a small amp to hear themselves. I think as long as you can hook it up and get going in the time given, I don't see how it would be a problem.
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Acoustic Amplification






All times are GMT -6. The time now is 12:26 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=