#16
|
|||
|
|||
Daniel Champagne is one of my favorites in the genre. I love the creativity and the way he wrings everything possible out of that guitar, not to mention he plays with his whole body and still manages to detune in the middle.
__________________
"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#17
|
||||
|
||||
[QUOTE=dkstott;5353566]
Quote:
__________________
Solo acoustic guitar videos: This Boy is Damaged - Little Watercolor Pictures of Locomotives - Ragamuffin |
#18
|
|||
|
|||
Quote:
According to videos and articles on Jon Gomm, he uses 3 different pickups on his Lowden: undersaddle pickup, inside the body microphone, and magnetic. I've understood that the microphone picks up his percussive hits on the guitar body. Then he runs everything into a pedalboard with separate EQs and what not. https://www.youtube.com/watch?v=f4ECPsHpI_Q Rodrigo y Gabriela play rock on nylon string guitars, and Gabriela is the rhythm section. Looks like she has several piezos in her guitars to catch the flamenco style percussion stuff. They have been playing Yamaha guitars: https://www.youtube.com/watch?v=qmdJyjDfek4
__________________
Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#19
|
|||
|
|||
Yes, if you're into this, it's worth getting a flamenco guitar. I was just traveling in Spain and visited many. They really are quite different with very thin tops.
__________________
"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#20
|
|||
|
|||
There's a number of really talented people who use the technique in varying degrees, and I do enjoy a bit of it every now and then...
But I couldn't listen to it on a daily basis, and I'm not really sure I could get thru a lengthy live performance or even a full CD of the style... Most of the Candyrat artists of that nature tend to fall into my category of "a little bit of that goes a long way..." |
#21
|
|||
|
|||
There is a technique I'm currently learning that takes this a little further.
Slap the bass strings with the thumb, but at the same time play a note on the higher strings with the back of the nail. This means you can still keep the melody going while introducing that 2 4 slap with the thumb. It's not easy. Perfecting use of the back of the nail while slapping the bass strings with the thumb is a bit of a fine art. I'm getting there though. Another couple of weeks and I hope to have it down pretty well. From there I'd also like to start thumping the wrist on the body for a kick bass sound. I really think this percussive use can bring so much extra flavour to solo arrangement when used tastefully. |
#22
|
|||
|
|||
I believe the correct term as I heard it from michael hedges himself is wakkita wakkita guitar
|