#16
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I'm with Tom...
Following also, but (up until now) I haven't commented. Being a new builder myself, I haven't felt worthy of offering an opinion when you've asked for suggestions. Nonetheless, I am watching your progress and I am enjoying this build. The only thing that I'm disappointed in, is that you haven't given us the slightest little peak of your first build yet. Thank you for taking the time to give us updates. Joel
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‘17 Two Hands Guitar Co. 000/Concert, Sitka/Brazilian Imbuia ‘17 Two Hands Guitar Co. 0000/Auditorium, Sitka/Indonesian RW ‘93 Taylor 712 (I spent 20 years trying to convince the owner to sell me this guitar) ‘95 Taylor Limited Edition GAWS (I traded my Gibson J-200 for this guitar in ‘95) TWO HANDS GUITARS |
#17
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I as well have been reading I am in the prep stages of my first build and love this section of AGF. With that being said I am looking forward for more posts as you guitar progresses.
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#18
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I honestly wasn't looking for pity comments! But seriously... I absolutely am not expecting tonnes of comments, but do appreciate knowing that its of any interest to more than just me!
Mark Lew: I had never heard a 'live' acoustic guitar made with Bubinga. And its really hard to judge the sound based on recordings... though there are certainly some lovely sounding clips and videos out there of Bubinga acoustics. And I won't lie... I fell in love with the look of the set first and foremost. I of course ran it by the luthier I'm working with and he said he loved the wood though he had only built with it a handful of times. He also said that the best sounding parlour guitar he ever made had Bubinga back & sides. So I decided to roll the dice. Wood choice aside, this will be my first 'small' guitar... so the sound and feel will fill a gap regardless of the qualities the Bubinga itself brings to the mix. Wood Knot: Feel free to offer your suggestions! Outside of the forum I'm getting suggestions from coworkers, some of which have never ever played a guitar. There is no expertise level required to offer an opinion!
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Acoustics 2001 Seagull S6 2006 Taylor GS6 2011 Fender CC-140S 2017 ZorroElite OM+ Cocobolo/Sitka (almost!) 2017/18 ZorroElite 00 Bubinga/Sinker Redwood(in progress) Electrics 2013 Gibson SG Standard 2009 Schecter Lady Luck C-1 |
#19
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Quote:
Unfortunately... since I'm now splitting my time between the two there is no way for me to predict when it'll be done. It definitely won't be March as I had hoped, and at this rate probably not April either. The finishing is probably almost done... wet sanding on Monday was with 1500 grit... and I think its just polishing after that. After that... have to make/attach bridge... dress frets etc. I know if I wasn't working on this other one that all would just take a few weeks. Dividing time? Ugh... I don't even want to think about it!
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Acoustics 2001 Seagull S6 2006 Taylor GS6 2011 Fender CC-140S 2017 ZorroElite OM+ Cocobolo/Sitka (almost!) 2017/18 ZorroElite 00 Bubinga/Sinker Redwood(in progress) Electrics 2013 Gibson SG Standard 2009 Schecter Lady Luck C-1 |
#20
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Okay... have spent most of the time spent since last post working guitar number 1. So only minor progress to report on this one. However, I have decided to just share some images of the first guitar in this thread rather than create a separate one. The last thing we need is 2 different threads with very slow updates!
So first... for this guitar... kerf and braces are now glued in. Now... for the first guitar, the one that is ever so slowly nearing completion... Here is the skinny: OM with slightly larger lower bout - (about 15.5") 12 fret, long scale. Back/sides: Cocobolo Top: Sitka Binding: Blackwood Mahogany with roasted curly maple center strip neck. Macassar ebony fretboard/headstock plate. Starting back: Rosette: Neck (prefinish) The headstock is my own design. It isn't my favourite, but I can at least say I designed it myself. I haven't decided whether I will use it on guitar #2 or not. I think it might be too big/chunky for the small guitar. It's hard to make out in this picture, but I was able to do a pretty good job of matching the grain from the headstock plate to the fretboard. So it always looks like the grain runs from the top of the headstock down the full length of the fingerboard. And a first glimpse at the body and neck after tonights hand polishing:
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Acoustics 2001 Seagull S6 2006 Taylor GS6 2011 Fender CC-140S 2017 ZorroElite OM+ Cocobolo/Sitka (almost!) 2017/18 ZorroElite 00 Bubinga/Sinker Redwood(in progress) Electrics 2013 Gibson SG Standard 2009 Schecter Lady Luck C-1 |
#21
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Wow, that's looking excellent.
I think it's going to be stunning.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#22
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That's FANTASTIC, Z-man! I love the headstock and the multi-ply neck. Hard to believe it's your first build! Cocobolo is one of my favorite woods, and yours looks great. Nice figure and symmetry to it. Keep up the great work, and keep us all up to date on your progress! Thanks. mtl
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2005 Larrivee D-03E Sitka/Mahogany 2014 Santa Cruz OM/PW Sitka/Rosewood 2015 Breedlove Masterclass Concert Engleman/Myrtle 2018 Larrivee Custom OM-10 Rosewood/Alpine Moon Spruce/Torch inlay 2018 Taylor 524ce LTD NAMM Show all-walnut |
#23
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Thanks! I agree even though I'm biased!
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Acoustics 2001 Seagull S6 2006 Taylor GS6 2011 Fender CC-140S 2017 ZorroElite OM+ Cocobolo/Sitka (almost!) 2017/18 ZorroElite 00 Bubinga/Sinker Redwood(in progress) Electrics 2013 Gibson SG Standard 2009 Schecter Lady Luck C-1 |
#24
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Make no mistake... if I attempted to do this on my own I'd never have made it past the 'shopping for supplies' phase! And that's what is amazing about this experience (and why I started a second even before the first one was done). The luthier we work with makes sure we end up with a great guitar.
He has absolutely saved me from disaster on more than a few occasions. Other times, it's similar to working with a personal trainer... pushing you to make something better than you might otherwise be satisfied with. This was especially evident during the finishing/polishing phases. It almost became predictable... I'd be feeling pretty good about how a step had turned out, I'd take it to him to inspect, and in about 3 seconds he'd point out all of the things that needed further attention. But its effective... all of the guitars by all of the other students look amazing even if they aren't all to my taste!
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Acoustics 2001 Seagull S6 2006 Taylor GS6 2011 Fender CC-140S 2017 ZorroElite OM+ Cocobolo/Sitka (almost!) 2017/18 ZorroElite 00 Bubinga/Sinker Redwood(in progress) Electrics 2013 Gibson SG Standard 2009 Schecter Lady Luck C-1 |
#25
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The rings of blue you used on the rosette and binding is a brilliant touch.
The color is absolutely perfect. Really tasteful.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#26
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Quote:
That worry went away immediately upon sanding down the backstrip (which was the first place it went in). I loved it immediately... and the finish just made me love it more.
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Acoustics 2001 Seagull S6 2006 Taylor GS6 2011 Fender CC-140S 2017 ZorroElite OM+ Cocobolo/Sitka (almost!) 2017/18 ZorroElite 00 Bubinga/Sinker Redwood(in progress) Electrics 2013 Gibson SG Standard 2009 Schecter Lady Luck C-1 |
#27
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Back to the current guitar, but a short night tonight.
Back bracing is all glued on, will likely carve them to shape next week. Good progress on the rosette. This is how I left off... the white is the Teflon spacer. It'll be replaced with black MOP.
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Acoustics 2001 Seagull S6 2006 Taylor GS6 2011 Fender CC-140S 2017 ZorroElite OM+ Cocobolo/Sitka (almost!) 2017/18 ZorroElite 00 Bubinga/Sinker Redwood(in progress) Electrics 2013 Gibson SG Standard 2009 Schecter Lady Luck C-1 |
#28
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Wow, I can't decide which of he two rosettes I like more! That spalted maple really pops on the redwood top. It seems like lots of builders are currently using it as an accent on darker woods, with great results. You are lookin' good, my friend! I'm anxious to see how it all comes together with the bubinga, and then your verdict on the sound. Thanks for sharing with us.
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2005 Larrivee D-03E Sitka/Mahogany 2014 Santa Cruz OM/PW Sitka/Rosewood 2015 Breedlove Masterclass Concert Engleman/Myrtle 2018 Larrivee Custom OM-10 Rosewood/Alpine Moon Spruce/Torch inlay 2018 Taylor 524ce LTD NAMM Show all-walnut |
#29
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Thanks Mark! I'm looking forward to getting the black MOP in there and hopefully I still like it as much as I do right now.
I didn't do any inlay on the first guitar at all... so this will be my first time. Fingers crossed!
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Acoustics 2001 Seagull S6 2006 Taylor GS6 2011 Fender CC-140S 2017 ZorroElite OM+ Cocobolo/Sitka (almost!) 2017/18 ZorroElite 00 Bubinga/Sinker Redwood(in progress) Electrics 2013 Gibson SG Standard 2009 Schecter Lady Luck C-1 |
#30
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Well... it seems like forever since I updated this. Crazy time traveling the world for work. But finally have a small amount of progress to share!
The back braces are carved/sanded to shape, and the back is attached to the sides. And the braces are glued to the top... lots of work still to do to shape them. The first guitar is still not done... but super close. I just made the bridge for it the other night finally. Painful how much I want to bring this home... just a few steps to go.
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Acoustics 2001 Seagull S6 2006 Taylor GS6 2011 Fender CC-140S 2017 ZorroElite OM+ Cocobolo/Sitka (almost!) 2017/18 ZorroElite 00 Bubinga/Sinker Redwood(in progress) Electrics 2013 Gibson SG Standard 2009 Schecter Lady Luck C-1 |