#16
|
|||
|
|||
I like my Beyerdynamic TG-V50D better than my Shure 58, or my Blue encore 300, and it's less than $100!
http://amzn.to/2s3mOBM
__________________
------------------------------------------- Gibson / Flatiron 1996 Prototype "Bruce's Guitar" Gibson 2005 J185ec Gibson 1963 LG0 Gibson 2013 J45 Gibson 2013 LG2 American Eagle Martin 1993 D1 And many more...... Tom Palm Bay, FL |
#17
|
|||
|
|||
Quote:
__________________
Couple of CF guitars, Couple of wood guitars Bunch of other stuff. |
#18
|
|||
|
|||
Well thank you all for the suggestions. Online reviews are not as good as coming here where I always get good honest opinions from experienced people I trust. I don't think I could go wrong with any of the suggestions here.
__________________
Couple of CF guitars, Couple of wood guitars Bunch of other stuff. |
#19
|
|||
|
|||
Sennheiser 935
I love my 935! Unless you are a very experienced performer I would shy away from the 945. The 945 is a super cardioid. Which makes it a little touchy about not being directly in front of it. If you play and sing and move around a bit it might cause you some trouble. The 935, not so much.
__________________
1995 Collings D2H Larrivee SD-60 12 String 2014 Martin D-18 Sunburst 2014 American Standard Telecaster (Maple Board)Mystic Blue 2008 Fender American Standard Telecaster (Rosewood Board) 1994 Fender 40th Anniversary Stratocaster Caribbean Mist 2011 Martin JC-16RE 50TH Anniversary 2004 Martin J-15 2011 Gibson ES-335 Cherry Red 1993 Continental TriCone |
#20
|
|||
|
|||
I would agree - I use a TC Helicon MP75 and love it....!
|
#21
|
|||
|
|||
Audio Technica AT2010
__________________
Goodall Grand Concert Italian spruce/EIR Taylor GS-mini mahogany In process of construction: 0-12 (own build) |
#22
|
|||
|
|||
Another vote for the 935.
__________________
Gibson J45tv / LG2 AE / Dove Ltd. Trans Ebony / AJ Martin D18 (custom shop) / HD35 / 00-16DBM Taylor DN3 / Baby Guild GAD25 Yamaha FG413S / FG200 / FG800 |
#23
|
|||
|
|||
I've in a similar situation - need to upgrade from a SM58, but not for me. The woman singer I work with uses an SM58 that sounds pretty muddy and muffled compared to the Heil 22 I use. She's a bit oblivious to this but since her voice is the most important part of our sound the muddy sounding mic is really annoying me.
I'd like to steer her towards something else that she can tell is better and crisper. Is the e935 or e 945 that much better? How do these it compare to a Heil PR35 or a Telefunken M80?
__________________
My current high use instruments: Santa Cruz D P/W M custom Gibson J-45 Custom Koa Weber Yellowstone Custom |
#24
|
|||
|
|||
Quote:
The e935 and e945 are way better than the SM58 (imho) yes, and a step up from the Beta 58 too: smoother and easier to eq, more like a condenser mic's frequency response but with the sturdiness of a dynamic. In my opinion the Sennheisers work really well on female voices. Whether she would benefit most from a cardioid or supercardioid depends partly on where she likes monitors (e935 directly behind, e945 off to the side) and how must other stuff is on stage (e945 rejects a bit more at the sides but has a slightly longer reach immediately in front). It's been a while since I mixed an artist with a Telefunken, I remember liking it a lot at the time. I love the Heil PR35 but wouldn't recommend it in your/her case - it has a huge low end response which is rarely needed in a vocal mic. Although the range and quality of the mic is exceptional the bass response would not really be ideal for a female voice that needs a clearer mic. There is a built in low-cut switch which helps and if this is the mic you go for you are probably going to want to push it in with a pencil or something as soon as you get it and then forget about it!
__________________
Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden
|
#25
|
|||
|
|||
Quote:
Too hot? Turn the gain down slightly, I think she should find the e935 a great partner for female voice.
__________________
Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden
|
#26
|
|||
|
|||
I did a mic shootout a few months ago using the same PA and different mics. The e935 was the winner and was a good bit cheaper than a few of the other options I tested. I really like it.
__________________
"Lift your head and smile at trouble. You'll find happiness someday." |
#27
|
|||
|
|||
One thing to keep in mind is that the Bose L1 Compact's XLR mic has a custom curve that was designed to compensate for the weaknesses of a dynamic microphone. When the Bose engineers did this, they used an Audio OEM3 as their reference microphone, and if you buy the L1 Compact kit from Bose, this is the mic they include. This is also a reference mic that is used in the Bose T1 mixer profiles.
Having said that, I find the OM3 a little too bassy with my vocals, even with the compact. |
#28
|
|||
|
|||
Quote:
Some of the other mics we had were the Sennheiser 845, 935, 945, EV ND-767, Heil PR-35 and more that I can't remember without going back and looking at the pics. For years I've been using mostly either my Sennheiser 845 when in Japan or Audio Technica AE-6100. That all changed when I bought another Heil PR-35 a couple months ago and I've been using it four nights a week for the last month or so now. Great, great mic that requires a lot from the singer in mic control, but the payoff is well worth it. A few more mics I have is the Telefunken M-81, Sennheiser 441 and Beyer TG-V90r. |
#29
|
||||
|
||||
It's just a little over your budget, but the RODE NT1-A is a fantastic mic, and a bargain at its price point IMHO...
https://www.sweetwater.com/store/det...SABEgKAQ_D_BwE http://www.rode.com/microphones/nt1-a
__________________
Martin 000-28EC '71 Harmony Buck Owens American Epiphone Inspired by Gibson J-45 Gold Tone PBR-D Paul Beard Signature Model resonator "Lean your body forward slightly to support the guitar against your chest, for the poetry of the music should resound in your heart." -Andrés Segovia |
#30
|
|||
|
|||
Another for the E-935. It comes close to many condenser microphones, without the need for phantom power. Ric
|