#1
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The Golden Age of Budget Guitars
I had the local GC acoustic room to myself this morning - I was completely blown away by the consistent quality of low-end guitars - there are some amazing deals for under $300.00 - I played an Alvarez for $190.00 that was equal or better in tone and build quality than many in the high-end room.
This truly is the Golden Age of budget guitars. |
#2
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Wow! Good thing you're a charter member. I'd be flamed off the site for blasphemy of that magnitude....
That having been said, you're 100% correct with that assessment. Taking pride in your work, doesn't depend on the wages you receive for doing it. Sadly, I think being highly paid, can lead to apathy and an excess of self esteem. Twenty years ago, a large percentage of instruments built in Asia were crap. The issue with them I most often saw was, the neck angles were set way too high, resulting in sky high, and unrepairable, actions. Fast forward to today, Asia builds many multiples of the numbers of guitars built in the US. And, as they say, "practice makes perfect". I get the biggest kick out of "Mexi-Taylors", versus, "USA Taylors". El Cajon CA, is about 20 miles from the Mexican border. As it turns out a majority of SoCal's population is of Hispanic heritage. Bob Taylor has cleverly separated his lines into price categories, resolved by that border, which is an artificial, Geo-political contrivance. When in fact, there is very little of a cultural boundary in existence. If we're going to use "Mexi-Taylors" as a label for MIM Taylors, perhaps we should label Bob's workers at El Cajon, "Mexi-Fornians". As a template for competition with Asian imports, we in the US should look toward Godin Enterprises, and how they've managed to hold the line on cost, and still deliver a quality, mid priced product. |
#3
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Martin-Taylor-L'arrivee-Halcyon-Guild-Bedell-Manuel Rodriguez-D'Angelico-Ibanez-Fender |
#4
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Of course, many if not all of these guitars are made in China. However you may feel about the principles of such things, the fact is that these manufacturers are getting better and better with QC. I still see some little problems with a lot of these guitars, but rarely anything insurmountable.
Just like with many earlier Japanese guitars that were laughably bad in the beginning...once they got some traction and got some skilled people in the game, they began turning out world-class guitars. I remember when I first started out on the guitar...you could either get pure crap, or Gibson/Martin/Fender, et al and nothing at all in between. Its a miracle I ever stuck with it, given the awful guitars I learned on.
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Larrivee L-10 Custom Larrivee DV-10K Larrivee L-03 Taylor 412K ('96) Yamaha LL16-12 (SOLD) PRS 'Studio' (SOLD) Rickenbacker 660-12 (SOLD) Fender USA Deluxe Strat Fender USA Roadhouse Strat Fender MIM/USA Partscaster Fender MIM Nashville Tele Kelsey Custom Hardtail Strat Fender MIM P-Bass |
#5
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I just got a Recording King, all solid parlor, RP-10, for $300. I bought it as I was going on a two week roadtrip. Had to do a couple of tweaks on purchase, but it's a great little guitar. I'm back now but it still gets a lot of play. More than my $2K OM....
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National Resophonic NRP 12 Fret Loar LH-700-VS Archtop Eastman E8-OM Herrmann Weissenborn Recording King RP-10 Recording King RG-35-SN Lapsteel Maton 425 12-string ESP 400 series telecaster Eastman T485 Deering Americana Banjo My Youtube |
#6
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Sad really. But the ones coming up behind us, they understand. For now, this board will vote otherwise. So sad. |
#7
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I've played a Yamaha FG700S (199 new) that played and sounded very good I just got a Brazos guitar, from the 1980's made in Korea I paid 36 dollars for it, and 14 for shipping with new strings I just put on, it sounds very good! |
#8
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great build quality |
#9
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Japanese workers, in the same way as American workers, advanced their cause drawing ever higher wages. Their dominance in the electronics industry is legendary. However, going back as far as four decades ago, their companies were no longer able to produce their full lines on the Japanese mainland. You would see something like a flagship audio receiver with, "Made in Japan", proudly stamped on the box. When you got to the 20 watt a side promo piece, it's box would say, "Made in Singapore", or elsewhere. The Japanese can no longer afford to have their full line guitar product made at home either. So, Ibanez acoustics now come mostly from either China or Indonesia. These chains of events are typical of an "industrial revolution", no matter where the geographical location may be. Everybody busts their hump for low wages, as the shift from agrarian to industrial society takes place. But keep in mind, China is the last potential massive labor pool on the planet. Where's next in the search for affordable instruments...? |
#10
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Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine |
#11
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You must be going back quite a long way, surely, at least as far as guitars were concerned. I was 16 back in '75, a time when Yamaha acoustics were definitely displayed with pride by some lucky boys at my school. Kay was regarded as cheap, but Yamaha equaled classy, at least it did in England.
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#12
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#13
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Got to say...I love my Mexi-Martin.
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Martin 00018 |
#14
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Everything was cheaply, and shoddily made copies of US made product. Ya gotta give them a ton of credit, they caught quick, and in a big, big way. I sure you know that today's FG-700s aren't coming out of Japan. Here, take the tour of the Yamaha factory in China: |
#15
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Agreed. My main guitar is a 400 dollar all solid recording king. I've played it against quite a few Martin's, Gibson's, Taylor's, and a few small shop builds. You have to climb to near 10x the price before I started noticing improvements with any regularity. I also have to admit I hand picked this one as the best of quite a few. Also to make the most fair comparison I prefer it to the Martin d18 it is based on as the sound is more gruff like that of a good ol j45 while stiff carrying some of the Martinesque traits I like.
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