#16
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Epiphone Casino. Can do all the things you mentioned. In the middle position with volume knobs rolled back to about 7, can do a faux acoustic sound too.
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#17
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The idea that the electric guitar's timbre is mostly playing technique/amp/effects/recording tricks is one I endorse, despite owning too many electric guitars. There a small element that is pickups, a smaller element that is scale length and bridge hardware, and a small element that is body type. The cleaner and lower gain the amplification/recording chain is, the more those minority reports make an audible difference.
For home playing a modern modeling amp will get you in the timbre ballpark (is that Shea Stadium?). There are a lot of them out there, and they tend to go cheap used as well. The built in effects on these are not as flexible as the "real thing" but they will do a lot of the time. Beatles records don't generally need a lot fancy guitar effects (other than doing the Leslie cabinet lead part of While My Guitar Gently Weeps). Also I remember little use of whammy bars on their records, so you don't need that like you would if you wanted to do Jimi or Surf records from the 60s. Playing comfort seems to be another concern of yours as well. I can't judge the value of that for you. IMHO dept: All that said, I've owned and played a metric ton of electric guitars, and a Telephone with a Neck Humbler I like the vintage black 1960's Bell models with the large C shaped neck humbler mounted on the horn that lets you use both hands to play Beatles licks. Wait, that was auto correct--a Telecaster with a neck humbucker, or better yet, a three pickup Telecaster with a neck humbucker is the most flexible timbre machine around, but I don't think Fender currently makes one, and it's "Fender scale." The Gretsch that Steve DeRosa linked to would be an interesting choice. Some of those early records have that Gretsch and Rickenbacker sound, and a Gretsch can sound somewhat Rick-like to me as well. A semi-hollowbody like an Epiphone 335 Pro would cover a lot of middle and late territory. The Epi 335 Pro has splitable humbuckers that can grab a bit of the Casino vibe. Finally, it hasn't been said yet, but I think the real reason some (many?) of us electric players seek out certain models is because we (like some actors) "find the character in the costume and makeup." We feel more like the Beatles when we play a Gretsch or Casino or short scale Rick or a Hofner violin bass, and when play Beatles tunes that's what we want to feel.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#18
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since the amp is about 40% or more of your sound, you should be able to dial in almost any beatlesque sound you need with a wide variety of guitars.
play music!
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#19
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I'm responding before reading the rest of the thread beyond the initial post. In my opinion, an Epiphone casino will get you there. I'm a fan of the Japanese elitist model if you can find one used. Tremendous versatility from clear cleans, to jangle, to gritty taxman distortion. The Casino and its P-90's cover a lot of ground.
Last edited by Brick is Red; 07-15-2017 at 11:57 AM. |
#20
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Thanks for all the feedback guys! The Casino is getting a lot of love - I will have to try some of them out. If I can find a telephone with a neck humbler I'll definitely try one of those as well.
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Hatcher Woodsman, Collings 0002H, Stella Grand Concert |
#21
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To the OP:I'm a huge Beatles fan and after playing their songs acoustically for many years I found myself, like you, wanting an electric to attempt some of their 'electric' songs. I looked all around and tried many guitars, including a lot of the Gretschs mentioned here and settled on a very gently used Epiphone Casino Elitist and I couldn't be happier. I've had the guitar about 2 months and I've been so busy I have not had a chance to get an amp and I'm just playing it through a Vox AC30 Amplug headphone amp but the ability to play along to iTunes and Youtube with the guitar through the headphones is a total blast. The Elitist models are made in Japan and far superior in fit, finish, and playability (IMHO) to the Chinese made Casinos but they are pretty pricey. The non-Elitist Casinos are nice as well and you should be able to find a used one for $350-400 and brand new for $600 thru Sweetwater or any Guitar Center. Rob |
#22
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#23
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Not a traditional choice for cover bands, but with the right amp and pedals a Strat goes a long way. If I could have only 1 amp and guitar for the rest of my life with no pedals, Strat and Bassman would be in the top 3 choices to narrow down from.
If you want to "look right", think Gretsch or Epi. John was never actually that fond of the Gretsch models if you listen to a bunch of interviews.
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#24
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Found this poor fella on eBay for $350. The setup and electronics were junk. Put Lollar P-90s in it, along with a 50s style ES-335 harness, Farben bridge and Kluson tuners. So now, I have about $900 in it. I've bought, sold and traded a lot of guitars, but never this one. A keeper, especially for Beatles tunes.
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#25
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#26
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Actually, these are two of the higher-profile late-Beatles electric guitars: the "Rocky" '61 Strat (minus paint job) was in George's possession by late '65, and the cherry-red LP (initially thought to be a refin but believed by several authorities to be original) was given to him by Eric Clapton around the time of the White Album sessions. This should clear up some of the (magical) mystery: http://www.guitartonetalk.com/2012/1...n-the-beatles/
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#27
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His son Dani says that the rule around the house when he was growing was that if he wanted to play electric guitar it was Strat into Bassman. Period. No pedals. I tend to agree with child rearing like that!
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#28
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I'm a guitar-cable-amp guy myself, strongly influenced by George's pre-Revolver work; I doubt he'd have any objections to my old standby setup since '64, a Gretsch hollowbody plugged straight into a class-A tube amp - and I understand Dhani has some of his dad's old stuff lying around...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#29
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I was in a Beatles cover band for a long time, years, and I have many of the guitar models that they used. A lot of them have been mentioned here already. The best advice I could give you is this: find a guitar you really like and buy that. Don't think strictly about Beatles songs unless that's all you plan to play for the rest of your life. You can play anything on a good guitar.
I still play the Beatles guitars I used in that band, btw, because I like them and they are good guitars for almost everything I play: Gretsch, Rickenbacker, Telecaster, Strat, SG, Casino, J-160, Les Paul. |
#30
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Regarding the PRS SE guitars, the only bad thing that I've been hearing about them, and it's only a certain portion of players, is that they're an absolutely great guitar if you change out the pickups. Others like them as-is and you may be one of the lucky ones. I like my Cu22 and find it to be a very enjoyable guitar to play but like I said, I've heard the SE's are completely pro gear too.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |