#16
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Getting sonorous lows from a nylon string guitar is no great challenge, but getting a lively treble response, especially on an inexpensive factory-made instrument, is not particularly easy. But the John Pearse folk nylon strings are designed precisely for that. To anyone struggling with getting a good sound out of a nylon string guitar, they're worth trying: Thomastik-John Pearse® Folk Fingerpicking Strings Hope this helps. Wade Hampton Miller |
#17
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Yep, love these TI JP's.
All 6 strings are wound - no plains!
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#18
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#19
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I know that I liked the set I put on my nylon string guitar immediately, but with nylon strings it often seems to take them a while to settle down, stretch in and find their voice. whm |
#20
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I used silk and steel when I first started playing, mostly fingerstyle, and liked the feel and delicate tone. But as I started playing out, and in ensembles and bands, I found them totally overwhelmed in that setting -- too quiet, too retiring, too little headroom. I haven't used 'em in years, and while I think I would like them for playing on my own, alone, they're just not "present" enough for me most of the time.
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#21
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Yeah, that's completely understandable. I've only ever put silk and steel or John Pearse phosphor bronze and silk strings on my own guitars a few times, and never for extended periods.
But my sister, who has a powerful voice and who uses guitar only for (exceedingly) simple accompaniment parts, they're perfect. For a number of years, when my father was still living, I'd go down there once a year and we'd drive from one side of Missouri to the other. Where part of my familial duties were to change my sister's guitar strings. I knew if I didn't, the same set of strings would be on there next year! And her best guitar was a sweet little Henderson 12 fret Double O that deserved better than that... Hey, she doesn't gig out on guitar any more, and hasn't for a long time. Probably the last time she got paid to gig out on guitar was a few gigs she played with me back in 1982, right before I moved to Alaska. She's always made her real money in music singing opera and as a paid soloist in houses of worship, whether Episcopalian, Roman Catholic, Christian Scientist and even her local Reform Jewish synagogue, where she sings for the High Holy Days and is, she tells me, their favorite shiksa! ANYway, when matched with the right player and the right guitar being used for the right situation, these silk hybrid strings are superb choice. But I agree with you that they aren't as versatile or as projective as regular steel strings, not by a long shot. Wade Hampton Miller |
#22
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I’m going to try these on my 1893 0-28. It had fairly heavy 80/20’s on it when I bought it years ago. It’s X-braced but they were way too heavy for it. I haven’t found nylon strings that sounded good on it so I’ve been running Martin S&S on it with no problems. That said, I would feel better with nylons.
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Bill Guitars: 1910's Larson/Stetson 1 size guitar 1920 Martin 1-28 1987 Martin Schoenberg Soloist 2006 Froggy Bottom H-12 Deluxe 2016 Froggy Bottom L Deluxe 2021 Blazer and Henkes 000-18 H 2015 Rainsong P12 2017 Probett Rocket III 2006 Sadowsky Semi Hollow 1993 Fender Stratocaster Bass: 1993 Sadowsky NYC 5 String Mandolin: Weber Bitterroot |
#23
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using a flatpack
Does anyone use a flatpack with silk and steel strings? If so, any advice?
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#24
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Short of banging hard on the strings with a thick pick (think bluegrass), there's no reason why a pick can't be used.
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Furch Little Jane Limited 2020 LJ-LC (Czech Rep.) Alpine/Cocobolo Furch Little Jane LJ 10-SR (Czech Rep.) Sitka/EIR Hex Sting P300 (Indonesia) Sitka/Lam.Sapele |
#25
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Interesting going back and reading through this thread.
After contributing I did try GHS Silk & Bronze 12-54 strings and I'm very impressed with them. They play and sound more like a PB string than the soft feel/soft tone of Silk & Steel .. and they're fine with a pick.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#26
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I've been considering Silk and Bronze on my E6 OM which is a brighter sounding guitar. The Retros work nicely but I'm always up for something better.
I flat pick and strum. Does anyone in my situation have any experience with the Silk and Bronze on a brighter guitar? Would they be warmer?
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#27
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GHS Silk & Bronze
Started with GHS S&B on my mandolin & liked them. Started using them on my guitars & I'm mixed. GHS M/L S&B on my OM-21 for sure, but I'm going back to JP PB lights on my D-18.
Frank |
#28
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