#1
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Pickup Recommendations
After owning a number of Rainsongs over the years, I've found that the HDR1100N2 Hybrid best suits my needs. Now I'm thinking I'd like to have a pickup installed in mine, but I want a passive type with no controls or battery needs. Has anyone tried a K&K Pure Mini in a CF guitar? Any other pickup recommendations? Thanks in advance.
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#2
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I have a K&K pure mini in my shorty.
Sound quality is good, but only if you have an external preamp. Otherwise it gets "woofy".
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#3
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Baggs M80, Fishman Neo D or I'm presently using a Blackstack
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Emerald X7 Warmoth Swamp Ash Tele wi/Glazer B bender Epiphone '58 V w/Lawrence L90s |
#4
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This is really a great question even though it has been asked so many times on this forum. My experience is with Fishman only- I don't love it but I don't hate it either. Doug Young has done great work answering this question and you can search him on this forum.
Bottom line is that most great sounding live tone is usually a mix of 2 signals. I would Google a ton of samples and listen with a good pair of headphones. Got a favorite player who has amazing live tone? What does he/she use? I love Andy McKee and he has K&K systems running through a DTAR Solstice. I actually really like DTAR products but they are currently undergoing some restructuring on their products and business approach with Seymour Duncan. The DTAR Wavelength is the best piezoelectric UST I've heard.
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Don't chase tone. Make tone. |
#5
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I have a passive K&K mini in my L13 and it is very nice. Put a K&K Trinity Pro in a new to me wood guitar last month. Mini and Mic blended. It really is the way to go. I think the mic makes a huge difference giving it some air.
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#6
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I've been going through the same thing with my Shorty. I've used K&K in my acoustic basses in the past, but the sensitivity to top noise bothers me.
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Ken Emerald Balor 5 string, Taylor GS-Mini Bass, RainSong SGA-FLE, WS1000 Classic N1 and WS3000 N1, Republic Resolian Style 804, Royall Teardrop Tenor Reso A few electrics, a bunch of basses Wandering the continent - CA > IL > NH > TX (for good, hopefully) |
#7
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Thanks for the suggestions, everyone. A sound hole pickup may be a good way to go, especially if I want to keep costs down and have a totally removable "installation". So I'll do some more research based on the suggestions given here before deciding what to do. Thanks again!
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#8
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Certainly worth a try. They do have some of that "neck pickup" vibe to them but not overbearing. There is a guy in a local trio I saw a few days ago who plays a Baggs M80 in a small bodied Taylor and he sounded just fine. Played a gig last night with my CA with the Blackstack through my Benz and an EV SX300. About a foot or so behind them and had no problems with feedback even though I was running my Sansamp hot enough to get just an ever so slight break up whenever I wanted it for certain things. This was outdoors at a busy beach bar and grill---spring break!! I like the elastic, loose feel of mags. Just a good natural feel to them.
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Emerald X7 Warmoth Swamp Ash Tele wi/Glazer B bender Epiphone '58 V w/Lawrence L90s |
#9
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K&K in a CF guitar
I have a K&K Pure Mini in my Emerald T20 Baritone, and it sounds great. I use a Red-Eye preamp.
Best regards, John
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John Allen Frink Bourgeois OM CB/HS Collings OM1T, OM1MhVN, OM3MhVN RainSong CH-OM-N2 Santa Cruz OM, H13 |
#10
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JJB Prestige #330 with RedEye Pre-amp. Play at festivals, libraries, coffee shops, farmer's markets, churches, etc. with no issues.
(BTW the boost feature on the RedEye doesn't sound good with this rig! Leave it in standard mode and the sound guys love you!)
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RW Skaggs, the tinman : Acorn House Custom by Chris Kenney:Tinman "Heart Guitar" SJ McKnight Mini-Mac V; Madagascar RW, Italian/Carpathian top; exquisite! John Helton Custom OM; Honduran Mahogany Burl "the Growler" Rainsong H-DR1100N2 Journey travel guitar in Nashville high tuning "The music lives in the musician; not the instrument." |
#11
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To update this thread - - after I decided to have a pickup permanently installed in my Rainsong Dreadnought rather than going the soundhole pickup route, I bought a K&K Pure Mini from Shoreline Music (an AGF sponsor). I then had it installed in my HDR1100N2 at my local music store (Russo Music in Trenton, NJ). Matt, the tech at Russo, did a clean, professional job, and I'm very happy with the plugged-in sound. The pickup has plenty of output to use with my Loudbox Mini even without a pre-amp, and the sound is quite natural.
Last edited by Martz911; 06-02-2015 at 01:59 PM. |