#1
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Martin 000-18 or OM-28???
I have a Gibson J45 (actually also have a hummingbird that I am trying to sell). I'm looking for a small body compliment. I mainly strum with some finger picking as well.
I have played the 000-18 and really like it. But, I'm thinking that adding rosewood would give me a better difference in tone. Also, I'm thinking that having a "short scale" - J45 and a "long scale" OM-28 would give better variety in playing experience than two short scale. I haven't been able to play an OM-28 or OM-21 so I would appreciate any thoughts that might help make the decision. |
#2
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I have both a OM-28 and 000-18, both excellent guitars but prefer the OM-28, the long scale gives a little more power for strumming, it rings clear as a bell and very balanced. You need to try to get a test drive on one, would be a great pair to the j-45.
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#3
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Unless you drop tune quite a bit, go with the 000-18. You probably like the sound of mahogany, and the short scale should still be longer than your Gibsons. I keep my 000-28 in DADGAD and have no issues and love the slinkier feel and softer tone.
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#4
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*** There is a beautiful 2017 OM-28 in AGF Classifieds for $2,100 by member "mattd" : http://www.acousticguitarforum.com/f...d.php?t=500583
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NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 Last edited by noledog; 02-19-2018 at 04:47 PM. |
#5
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I'd say go with the -21 or -28. They have a certain smoothness to their tone your others wouldn't have. Would differentiate better.
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#6
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JP, I agree that getting the rosewood back and sides of the the OM-21 or OM-28 will be the most suitable choice for the use you plan to put the guitar to. Like you, I use a pick as a rhythm guitarist for most of my guitarplaying. The rosewood adds more bass response than the mahogany back and sides of the 000-18 can provide.
For years my only stage guitar was my 000-42. It's a powerful guitar, and what makes it even more practical is that its perfectly balanced tonal response is incredibly easy to mic: I just tell the person running the sound board to just run it flat. As opposed to using a rosewood dreadnought onstage, which I used to do prior to getting the Triple O. With the dread I always had to hope that whoever was running the board had enough taste and skill to dial down the minimal amount of bass response but not too much. Had the guitar been run flat, though, with no EQ adjustments, the result would be howling feedback, with the bass response acting like a supervillain in a Marvel movie, mercilessly mowing down all before it..... That problem simply doesn't exist with OM's and 14 fret Triple O's. It does exist, however, with 12 fret Triple O's, I discovered to my chagrin the first time I used my new custom-ordered Wayne Henderson 12 fret Triple O onstage. That's because of the 12 fret Triple O's dreadnought-like bass response. But OM's and 14 fret Triple O's are the perfect steel string acoustic guitar for miking and recording. Getting back to your original question, having owned quite a few OM's and 14 fret Triple O's out of various tonewoods, for your use I believe that having rosewood backs and sides are the way to go for the way you play. Hope this helps. Wade Hampton Miller |
#7
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I've owned lots of both variants. I've never played a guitar that plays, sounds, records, amplifies better than my 000-18. As much as I love a great OM-28, there really is no comparison to a great 000-18.
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#8
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NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 Last edited by noledog; 02-19-2018 at 06:12 PM. |
#9
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I have a J-45 and OM-28. The -28 would be a bigger contrast, but like others have said, if you prefer mahogany, the 000-18 may be to your liking better. I prefer rosewood over mahogany in general, but I like having different tonewoods rather than all the same. YMMV.
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- Chris Santa Cruz H, Martin D28A 1937, 000-28AA 1937, 000-15M, Fairbanks F-20NL, Walker Wise River |
#10
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Nice job Eric...as always...good stuff! Both the 000-18 and OM-28 are great guitars. As others have said OM-28 to me is a little more versatile. Standard scale so a better strummer IMO but also gives you a different set of tone wood for a different voicing that's no as fundamental as mahogany. I've owned both but kept the OM-28. Play them both and decide. No right or wrong...just different. Beast of luck!
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Jim Dogs Welcome......People Tolerated! |
#11
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NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 |
#12
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Thanks for the responses. Definitely helpful. Pretty divided responses and still a tough decision, but I think the variety of long scale and rosewood to complement my short scale Gibson is the direction I'm leaning.
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#13
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Quote:
whm |
#14
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Eric - beautiful rendition of a great song! And sorry for the loss of your mate. Thanks for the reminding of this song - heading over to find the chords and add this to the list.
To the OP, if you like the variety and don't mind long scales then the OM-28 is a no-brainer. And the OM-28 by all accounts is an incredible guitar. A work-horse for sure. I took an OM-35 in trade one time and if not for the long scale I might have kept it. But I'm a fingerstyle guy anyway and much prefer short scales. But if I was going to add another wood guitar to my shortlist, I'd likely grab a 000 in rosewood just for a different flavor. |
#15
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Quote:
__________________
NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 |