#1
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Stings Comment
I have a guest performer recital this weekend so I put on new strings today. All I had on hand were d'Addario "Nylon" strings so I put them on. Anyway, after using d'Addario Dynacore strings (titanium trebs) for a long time and then trying their new carbon strings, the regular nylon are a let down. I get what I will call a "ukulele" tone from the nylon trebs. Not critisizing the brand--because I love d'addario Dynacore and Carbons-- but I may have to stop using regular nylons of all brands from here on out.
I may be done with regular nylon strings.
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Classical 2013 Alhambra 9P cedar 1976 Alvarez/Yairi CY140 2005 Alvarez AC60SC 2005 Alvarez MC90C **************** Steel 2002 Martin OMC18VLJ signature 2003 Mauel McCloud Custom |
#2
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I've used nylon, carbon, and titanium strings. Never bonded with titaniums. I find carbon to have more clarity and sustain than nylon, but nylon has more richness and warmth. I do find that I have to work a little harder in the right hand to get the best from nylon. I used carbon for many years, but I've gradually come back to nylon again. What goes around comes around, I guess.
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#3
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I do reserve the right to change my mind in the future. LOL!
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Classical 2013 Alhambra 9P cedar 1976 Alvarez/Yairi CY140 2005 Alvarez AC60SC 2005 Alvarez MC90C **************** Steel 2002 Martin OMC18VLJ signature 2003 Mauel McCloud Custom |
#4
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+1 for the clarity of carbons. I'm a big fan of Oasis carbons.
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Alvarez MD60BG Alvarez MD70EBG Alvarez AP-66SHB Yamaha FSX-5 Yamaha LS-TA Yamaha CG-TA Epiphone EJ-200SCE Breedlove Wildwood Organic Concert Hohner Essential Roots SOSB Epiphone Houndog Roundneck Dobro Model 29 Taylor 214ce-N Cordoba C9 Spruce 1972 Pablo De La Cruz Classical ? Eusebio Huipe Cedar/PE Flamenco Godin Multiac Duet Ambiance Cordoba Stage |
#5
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*sigh*........
Well, now I guess I have go try out a set of carbon strings...... |
#6
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I have two classical guitars that both sound best with D'Addario carbons. My two vintage Martin nylon/gut string models seem to prefer Oasis carbons. YMMV!
Dave |