#16
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I had a hunch you might turn that up. Yes, that was the feature. I’ll try to bookmark it now. I invite others to offer their impressions of the sE8. The mics were recorded in groups of four or fewer: not matched pairs, but a few competing mics on the same guitar performance. I spent quite a while listening, and to my ears the sE8 and the Schoeps seemed to have been used together. In any event, I understand you can’t detect the nuances with a compressed audio file. But I can hear some stark differences among the mics. I have to admit I was coming at it from the perspective of looking to see if I thought the sE8 sounded cheap. I didn’t, so I bought a pair. I think they have given my recordings a step up from the Rode NT-1A pair, which I now use for vocals. I’d love to hear what others think after listening to the Sweetwater feature on a good system.
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1952 Martin 0-18 1977 Gurian S3R3H with Nashville strings 2018 Martin HD-28E, Fishman Aura VT Enhance 2019 Martin D-18, LR Baggs Element VTC 2021 Gibson 50s J-45 Original, LR Baggs Element VTC ___________ 1981 Ovation Magnum III bass 2012 Höfner Ignition violin ("Beatle") bass |
#17
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Before I got it, I was working on recording a part with my Iris JB. I kept getting an annoying metallic sound, using a Joly modded MXL 603. I was able to EQ it out around 700k. I re-recorded the part with the 930. No EQ needed other than normal cutting in the low end. Great mic. Very smooth top end. Does a great job of rejecting noise from the room. Very important in my case, as my recording space is in my garage. Road noise and a fridge that makes all kinds of weird sounds.
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Roger |
#18
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D.H. Last edited by Dave Hicks; 02-04-2024 at 10:04 AM. |
#19
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The 3-Zigma CHI mics from ADK are very nice. They have swapable capsules; a number of small diameter as well as large diameter. I've used their cardioid and free field omni sdc capsules as well as their 47 style ldc. They are in your price range, but also watch for sales direct from the company.
I’ve also used the Line Audio mics, but the 3-Zigma have higher sensitivity and are lower noise.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi Last edited by ChuckS; 02-04-2024 at 10:05 AM. |
#20
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Another vote for the sE Electronics - I've been using an SE5 (which is probably more like the newer SE8 that has been mentioned already.
I went through a ton of mics over the last 20 years and that one has been the "one and only" for probably 4 years now.
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"One small heart, and a great big soul that's driving" |
#21
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I've posted an example of a recording I did with my SE8 mics here - about 16in from guitar placed as near-coincident, 70deg / 10in apart.
https://www.acousticguitarforum.com/...58#post7403258 |
#22
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What you hear from a mic is pretty subjective, obviously, since we all hear things differently. I have an se8, and I’m on the fence about it, even though the reviews I saw were good. I have an AKG-P170 and I like that one, even though I was not bowled over by the reviews. Go figure. The one I use most often is a Shure SM81. It’s not as sensitive as the other two, and it doesn’t have its own sound, like a lot of mics do. But it’s super clean, doesn’t color the tone at all, and what you put in is exactly what comes out. The 81s have been around a long time for a reason. I like to pair it with an LDC on the same track for some contrast in the mix.
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#23
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I think the issue you’re going to run into is that at sub-$500 you tend to have a bright capsule to deal with.
Seeing as how you have a mic already, maybe you could just use an EQ to tame the top end & save yourself some cash? Since you ask for a favorite, my preferred SDC for acoustic guitars is a km86. Definitely not under 500.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#24
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I use a pair of Warm Audio WA-84 mics. They are within your price range, and I've been very happy with them. These days when I do a mixdown, I use a tape recorder simulation plug-in on the output stereo channel and that does a lot to round off any hard digital edges regardless of which mics are used.
- Glenn
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My You Tube Channel |
#25
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My favorite SDC is my Microtech Gefell M295. It has a slightly wider cardioid pattern that lets it be a little wider but still focused.
I also have a matched pair of the sE5s that have been mentioned a time or two in this thread. I would probably let them go at a very good price if someone were interested.
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‘97 Taylor 555 12 string ‘17 Martin HD 28 ‘19 Martin CEO 9 ‘20 Gibson 1960 Hummingbird reissue ‘16 Gibson Hummingbird Avant Guard (gigging guitar) Note to self: Never play a guitar you aren’t willing to buy. |
#26
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The Line Audio CM4. Ruler flat with a neutral sound. It replaced the SE8 which felt a bit harsh in the highs.
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#27
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Yup this mic sounds great with acoustic guitar for some reason. I find it not very flattering (at least to my voice) on vocals. |
#28
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Microtech Gefell M 295 and M300 microphones are what I have used for recordings and they are great.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#29
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Yeah, I don't think it's design was for vocals. I Haven't tried it, but I have other, mics for that job, as long as the job isn't to "flatter" MY voice. That's a tough ask.
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Roger |
#30
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |