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THIS! It's that simple.
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.[SIZE="2"] - Sean Debut album Time Will Tell now available on all the usual platforms -- visit SeanLewisMusic |
#32
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For how much can you buy that Cremona in France? |
#33
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You guys aren't reading our posts!
I probably could have titled the thread better and then people wouldn't just read the title and keep posting this same thing. I have said several times that no one could create something that could be all things to all people. That isn't the point all. I'll see if I can go back and change the title. Matt |
#34
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The previous versions Acus one for 8 Simon (Steel strings Guitar): 888€ at Thomann https://www.thomann.de/fr/acus_one_8_simon.htm Acus one for strings 8 Stage: 769€ in Paris http://www.pourlesmusiciens.com/acus...iche-technique So I would say the Cremona would be 1200€ list price around and 800-900€ in shops. The standard Acus one 8 (without the wedge position) is now 769€ everywhere. (and 550€ average second-hand price)
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#35
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I've decided that the solo musician amp problem is a world wide conspiracy.
The equipment companies have determined the exact result of releasing their perfect one-size-fits-all solution. We'd all buy one and stop. The manufacturers get together once a year in a smoke filled back room at Namm and decide which features each company will leave out this season. The magazine publishers and AGF are in on the deal. Their circulation is driven purely by the gear reviews. AGF would cease to exist if every amplification question was answered by "Get the new JBL Model XYZ. It's perfect. Literally." We got dangerously close 2 years ago when K&K infiltrated UMGF and erased all memories of other pickup options from the minds of the old people there. Phew, glad we dodged that bullet. Anywho... I hope this explains why all the equipment is missing a key feature. If it didn't our whole equipment obsessed world would cease to exist, and we'd all just be playing music. I shudder to think of it. *shakes* Sent from my iPhone using Tapatalk Pro
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"Lift your head and smile at trouble. You'll find happiness someday." |
#36
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#37
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With the AER C60 you can mount it on a stand with the (albeit flimsy) mic stand mount, you can use the optional velcro tilt stand, or sit it on a table/chair/counter. It has two channels, XLR/.25" combo jack for the second channel channel, 3 band EQ for each channel, a master volume, XLR DI out, 0.25" line out, and loud enough to fill a small venue. And most importantly it's small, light and portable. I can see enhancements that some people may want at the detriment of other specs, like more power (adding more weight and size), more channels (adding more size), wider line-array style horizontal dispersion pattern (bigger size/shape maybe, different coverage that still may not suit all). One thing that could be improved easily on the AER C60 is a more robust stand mount or stand mount adapter. Although this probably wouldn't affect very many users. Last edited by pipedwho; 05-20-2017 at 04:56 PM. |
#38
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AER clearly realized this and made the Slope 60. But since they left off the stand mount the Slope 60 can only be used on the floor or set on something. Add a feature, take one away! As a side note there is an adapter that screws into the Compact 60 that lets you put it on a conventional speaker stand. That is way more solid than the mic stand mount. Matt Last edited by open-road-matt; 05-20-2017 at 07:57 PM. |
#39
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Anyone used the Shertler Tim??? Its a sub with two smaller speakers on poles or on top of the sub. Versatile. Compact. Lightweight. High quality. affordable ($1100). As good as any other Shertler product such as the Unico, etc. Stand mountable. Bi-amped. Line out XLR. Two XLR in's. 10" Woofer. Independent XLR outputs for each channel which is huge and unique....imagine taking the vocal channel to one chain/amp and the guitar lead to a separate chain with effects perhaps and then another amp. Lots of stuff there but do-able.
Just wondering if anyone has experience with this exact system. There is the Tom version but its too heavy and too powerful. This one is 300watts for the sub and 150 for the satellites.
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Martin D-28 '67 Cole Clark Fat Lady 2 Taylor Doyle Dykes Custom Alvarez Fender Strat '69 Gibson 1942 Banner LG-2 Vintage Sunburst Gibson SJ-200 Taylor Myrtlewood 12 string Emerald X20 Godin Montreal w/piezo |
#40
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That looks great. If you like Shertler, you might take a peak at the Acus PA units. http://www.acus-sound.it/en/products...50-detail.html Sent from my iPhone using Tapatalk Pro
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"Lift your head and smile at trouble. You'll find happiness someday." |
#41
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__________________
Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#42
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I have to get myself one of those speaker stand adapters, that looks much more solid than using the mic stand mount directly. |
#43
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I probably should have kept the Compact 60 and I agree that it is very versatile. I have maybe done a poor job of expressing myself in this thread. It's not about how I could take an existing product and prop it up with plywood, drill some holes in it, add a mixer, buy an amp stand and so on. It's about why things are left off that could make good products great products. Matt |
#44
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Probably the guy who tested it only used a very hot output guitar like Taylor es2 or did not even test it in a guitar! The 600 ohms mic impedance on the original JAM 150 was crazy. Cuki
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#45
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The answer to your question lies internally within your specific expectations. vs the external reality of mfg. and market demographics. There are a several main reasons things are left off: There are not needed to sell the product to sufficient numbers of the target demographic. They would increase the cost beyond what the target price point is. Every included feature adds costs and may be perceived as adding unnecessary expense by some of the customer base thus potentially limiting the target market, where by being left off (and if ) it can easily added by the customer post sale , can actually increase market potential.
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |