#91
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How are you liking the Barefoot buttons ? Do the attach securely (no wobble) ?
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#92
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Where do you get those large buttons for your footswitches? Looks great!
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#93
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#94
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My all purpose pedal board
Space in the upper left corner is for my Acoustic DI that I don't have the money for right now!
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#95
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Or https://goo.gl/images/8DJY9G Or even https://goo.gl/images/G5DDVi to tighten up the pedals on the bottom row. It will give you more room for the looper.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#96
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The Pangaea is an impulse response loader, I have it loaded with Martin, Gibson and Taylor IR's from 3 Sigma Audio, it's working really good with my guitar (Godin A6 Ultra). Here is some info about it- http://amtelectronicsusa.com/productpagepangea.html And the 3 Sigma acoustic guitar impulse responses- http://www.3sigmaaudio.com/items/cat...ustic-guitars/ The Mosquite Blender is a clean blendable bypass looper. I only have the G3 in it's loop for bypassing and clean blending the effects. Here's a good video about it from Brett Kingman- https://www.youtube.com/watch?v=RQkJqLMnHG8 Quote:
No problems/wobbles so far. Quote:
I think someone already posted the link, but they are Barefoot Buttons- http://barefootbuttons.com/ Last edited by ccouch7; 10-17-2017 at 11:02 PM. |
#97
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Guitar + Bass
Yet another iteration. : )
Had to get creative as our band frequently now performs without a bass player. Solution: Take the low notes from the chords I'm playing and create a bass player from them! Hence the second board on the right. I split my signal using a JHS splitter (bottom left on second picture). The Boss OC3 has a range control to only drop the frequencies I want (E-D on the bottom 2 strings) and I take out all dry signal so I'm just left with the roots of my chords. The SubnUp mini is for another octave down when I really want to rumble the house. Bass board is activated via the mute switch so I can kick it on or off wherever I want in a song/set. Guitar Chain: Guitar(s) > Tonebone Pz-Pre > MXR Studio Compressor > Sentry Noise Gate > JHS Buffered Splitter > Tapesty Bloomery Volume Pedal (active) > Strymon Dig Delay > Strymon BlueSky Reverb > Neunaber Immerse Reverb > Ditto Looper > Tonebone > PA/amp The Strymon Tap Favorite switch set up as a favorite switch for the DIG. Bass Chain: Guitar(s) > Tonebone Pz-Pre > MXR Studio Compressor > Sentry Noise Gate > JHS Buffered Splitter > JHS Mute > MXR Dyna Comp > Boss OC-3 Super Octave > SubnUp Mini > MXR M81 Bass Preamp > PA/amp Tuner: Boss TU-3s. Fed via the tuner out of the PZ-Pre. Power: Cioks DC-10 + 9V DC adapter daisy chain for bass board Board: Pedaltrain Classic Jr. and Pedaltrain Nano+ |
#98
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I love that MXR bass pre. When I play bass, it's the only pedal I bring.
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#99
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#100
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My acoustic board.
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#101
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My acoustic board went from this:
... to this: L O V E I T ! ! Mono or stereo, presets galore, PEQ, Reverb, modulation, notch, dual source, routing, effects loop, looper, expression pedal... the list goes on and on and on. I've been a pedal head for a long time, but this is a game changer for me. Oh, and I also sold my acoustic combo amp and got a FRFR... a Line6 L2t. Amazingly flexible. It can be a FRFR PA, acoustic amp or monitor... and it sounds awesome.
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'10 Wechter 5712c - Fishman Rare Earth '13 Jaffrey #26 - Malaysian Blackwood! '21 Gretsch 5622 '22 Furch Red Pure G-LR - Barbera Soloist ST-300 Mini + DIY mic preamp |
#102
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Wow that is super cool! I'm gonna PM you and pick your brain if I may to ask about acoustic tone and adjust ability. I have a fishman Plat Pro EQ preamp on my pedal board and its super easy to change EQ settings on the fly depending on the venue. (i.e. if I need more of less bass, scoop the mids, maybe add a little sparkle etc) What about feedback notch filitering? Will the Helix offer that too?
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#103
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I had a Fishman Plat Pro once... nice unit but so limiting compared to a Helix. Looking at the manual just now, there are 5 EQ models: simple, low/high cut, parametric, 10 band, Cali Q. I use the low/high cut on the sound hole humbucker of my dual source rig to cut the low out. Also use the PEQ on my K&K. The PEQ can be setup as a notch with a high Q value. Also, I forgot to mention it has a couple compressors I like. And it does IR... which I haven't gotten into, but is all the rage here on AGF. Feel free to PM me...
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'10 Wechter 5712c - Fishman Rare Earth '13 Jaffrey #26 - Malaysian Blackwood! '21 Gretsch 5622 '22 Furch Red Pure G-LR - Barbera Soloist ST-300 Mini + DIY mic preamp |
#104
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What's the brand of the patch cable are you using? |
#105
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I don't have a picture but I do use a Tonedexter:
Martin OM->Tonedexter->A/B box Telecaster->Vox MV50 mini amp->A/B box [A/B box t]}->TC Helicon Play Acoustic (Bodyrez zeroed out)->Mackie 802 mixer->Fishman SA220 PA I get reverb for the guitars and voice from the Play Acoustic, voice compression, EQ and occasional harmonies from the Play acoustic and amp modeling for the Telecaster from the little Vox amp. There is an external foot switch coming off the Play Acoustic for boost and harmonies. I can tweek EQ and individual volume on the mixer as well as add an additional mike for a second singer, if I have one.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |