#46
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 Last edited by SpruceTop; 10-03-2015 at 08:22 AM. |
#47
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Steve, Ted posted that his customers "look for tone first, playability second, aesthetics third, and so on" how the heck is that dismissive? FYI, Ted is anything but dismissive when it comes to his customers needs. I once watched Ted work with a disabled woman with some serious physical limitations. Ted pulled out guitar after guitar and watched her play, paying close attention to her body position. She wanted a Martin OM, but it was clear the guitar was too unwieldy for her, so Ted brought her some smaller guitars to try. She tried everything from a Cargo to an SCGC Firefly. The Cargo was Ted's personal guitar by the way, he doesn't sell them any more but wanted her to try it anyway figuring she can order one from a CA dealer if that's the one that worked best foe her. I didn't stick around, but although the lady was ready to pop for the Firefly, I was told that in the end Ted felt that the Larrivee Parlor was the best fit for her.
I live very close to Ted's shop so over the years I've been able to try pretty much every carbon guitar made. I purchased several CA's and Rainsongs from Ted, and a friend just picked up a carbon Journey travel guitar from him. If you evr find yourself near LA Guitar Sales you should make it a point to stop in, it is the ultimate acoustic shop, especially if you are a carbom guitar fan. Quote:
Last edited by Guest316; 10-03-2015 at 12:18 PM. Reason: Edited out deleted comment. |
#48
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I'm not a fan of the off-set sound hole. That's one of the reasons I picked the Rainsong model that I did. I just like the traditional look.
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Frances |
#49
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There were multiple people raising concerns about their personal experience with guitars that they actually own. Ted was saying it's a non issue. Right or wrong, that's the definition of dismissive. Also, just because Rainsong isn't doing something, doesn't mean nobody wants it. You could have said a couple years ago "obviously nobody wants an offset soundhole because Rainsong isn't making them. Obviously if there was demand, they would make them". Or "obviously nobody wants a CF guitar that isn't black, because if they did, Rainsong would make them". They've obviously tried to innovate where possible. A forearm bevel just happens to be something that would be very difficult to add given Rainsong's current manufacturing process. That doesn't mean nobody wants it, or it's a non-issue, it just means Rainsong isn't in a position to do anything about it.
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Rainsong Shorty SG-FLE Yamaha CPX-15W Rhoney Lil Stinker Rhoney Oceana Warmoth Jazzcaster |
#50
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I like the offset soundhole designs on pretty-much every CF brand I've seen, which tend to reflect the lines of the space they occupy. Not so with Rainsong. I agree with you on this, Chunky. To incorporate a circular soundhole to the lines of the upper bout just looks weird and is a real turn-off for me personally.
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Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#51
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Having said that, you really drive home a valid point here and I find myself agreeing whole-heartedly with this portion of your statement. The real rub here is the divide of best interests- those of a business and it's devotion to the profit margin, and those of the customer and their search for a supreme product. Ted's use of "non-issue" is coming from his keen business sensibilities, and is speaking of how these interests are satisfied for both parties. Some companies can afford to take customer concerns or ideas and work them through R&D, while others don't have that luxury. In fact, my guitar (the Shorty) is the result of such ideas, and came from both Ted seeing the market for such a guitar, and Ashvin's keen sensibility to spot a great idea and test it. In this case, the idea apparently paid off for RainSong. I'm speaking completely out of ignorance here, but in my opinion, there is only some demand for offset soundholes in the market but also one that would be a relatively inexpensive modification to RainSong's current designs (WS top with a hole cut in a different spot). If they don't sell enough to justify production, those guitars will disappear. The Shorty was even more of a risk- relocation of the bridge and the design of a shorter neck, all still relatively inexpensive when looking at the RainSong OM.
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Don't chase tone. Make tone. |
#52
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I understand where the "non issue" is coming from but nothing is a non issue on a guitar discussion forum?
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#53
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I agree. I think it's partially just a difference of tone/meaning in the term "non issue". It's hard to perceive tone in text.
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Rainsong Shorty SG-FLE Yamaha CPX-15W Rhoney Lil Stinker Rhoney Oceana Warmoth Jazzcaster |
#54
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Bickering closes threads.
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