#16
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#17
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Quote:
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1941 Kalamazoo KG-11 1962 Espana SL-1 (probably) 2009 Gibson J-45 Rosewood |
#18
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http://www.jessupegoldastini.com/ |
#19
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they might rabbit, they might
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http://www.jessupegoldastini.com/ |
#20
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Or, in terms of the physics, how is it possible that when your eardrum is vibrating at a particular frequency, your brain thinks, "I'll be happier if that were vibrating a certain number of Hz faster, or slower"? It's got to be somehow context dependent; it can't be that certain frequencies are intrinsically more desired, because if you capo the leading note and chord up to what was the desired note and chord, you're still not happy--it still makes you want to go somewhere else!
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1941 Kalamazoo KG-11 1962 Espana SL-1 (probably) 2009 Gibson J-45 Rosewood |
#21
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I am reminded of a colleague's lament from my prior life as a college chemistry professor:
The occasional student would come to his office with a question that revealed a vast "chasm" between where the student was and where she needed to be in order to grasp the answer to her question. The resulting crisis of conscience was whether to attempt the almost certainly futile effort of backfilling a solid crossing over the chasm, likely resulting in tremendous student frustration, disappointment, and resentment, OR, just give her a simplistic--plausible sounding but basically wrong--answer that he knew would result in her leaving his office happy and thinking what a great teacher he was. I have a nagging feeling that my music questions may be of that nature. If so, please don't hesitate to tell me. I'm used to it. I'm remembering in grad school asking my physics-major room mate questions that he could only answer by muttering and slowly shaking his head. (e.g., How comes the moon looks white from far off but like grayish dirt up close--there were some moon rocks on display at Cornell.)
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1941 Kalamazoo KG-11 1962 Espana SL-1 (probably) 2009 Gibson J-45 Rosewood |