#1
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Recording classical guitar - examples and more..
Dear all
My name is Per Lindhof. For some years I have done a lot of experimentation in recording classical guitar at home. I have made a youtube channel with lots of examples - good and bad. Feel free to comment and listen: https://www.youtube.com/channel/UCXX...fvkP5GTis5utvA My latest example is mid-side recording which I find very useful for classical guitar, as it gives a nicely centered image with some depth. Here is an example: https://www.youtube.com/watch?v=CoSSWDIkJ1Q I hope, you find it useful. Kind regards Per Lindhof - Denmark |
#2
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thanks - i watched this one and enjoyed it.
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#3
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i noticed a big improvement, more sparkle, do you have any idea what he did?
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#4
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Hi
Well he did a LOT. Mostly eq around the mid range but also a lot of other quite detailed changes around the reverb, high end etc. I do have the details in another thread in danish, but my point is, that I had to work with the room and set up a lot more. If the basic recording isn't nice a lot of the mastering is more a repair job than improvements. If you listen to my mid-side recording I guess that I really improved it without needing mastering. Mid-side: https://www.youtube.com/watch?v=CoSSWDIkJ1Q Regards Per |
#5
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Thanks Per for the recording tips, very informative!
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#6
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Quote:
Last edited by mc1; 03-07-2015 at 07:54 AM. Reason: tpyo |
#7
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I had the same thoughts about mid-side and the (poor) room ambience in my studio.
But actually it's the other way around. The mono mic captures the guitar directly on axis in the position where I want it to be (in an AB set up I feel that most of the time one mic has a good position and tho other is forced to be somewhere less ideal due to the set up - and if both are not ideal the sound will suffer). The direct mono mid mic gives more guitar and less room. As for the side mic it actually only captures a signal of around 25% of the intensity of the mid mic which adds a touch of ambience and stereo depth to the signal more than the sound of the room. Quite ideal as I see it. Regards Per |