#1
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Acoustic Guitar Best for Live Performance
I was going to start another, "How much would your guitar pay for an owner like you?" but had a serious question at hand.
There are acoustic guitars that say they are built best for live performance or studio recording. I guess these guitars hold their own and don't get lost in the mix and have a short sustain. But it begs the question, "Wouldn't electric guitars get the job done?" Why try to make an acoustic guitar that woukd perform or be heard clearly for live? Is it not going to get mic'd up or have a pickup in it thus rendering its sound like an electric guitar? Is there really an advantage (s) to an acoustic guitar that touts that it performs great live or on stage? |
#2
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There is a significant difference between an amplified acoustic guitar and an electric going through an amp. The pickups and construction of the guitars account for mush of that.
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Fingerpicking Acoustic Blues/Rag/Folk/Slide Lessons https://www.tobywalkerslessons.com/ |
#3
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Some acoustic guitars are marketed to be particularly well suited to be played on stage. Some of those guitars would not sound all that great in your living room. Sometimes, an electric guitar is the right instrument for the song and sometimes an acoustic is the one. Just like in carpentry - use the right tool for the job.
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"We got both kinds of music, we got country and western" ~ from The Blues Brothers |
#4
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Solo acoustic guitar videos: This Boy is Damaged - Little Watercolor Pictures of Locomotives - Ragamuffin |
#5
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My preference is nylon, plugged, as a soloist. The metallic ring of steel strings grates on me these days and ever more so when people amplify them with Piezo-based systems. I'd rather not hear that din at all. The online toobs of Stephen Stills' Martins are an example of that. Nylon carries the tone without the metallic ring and even with a Piezo-based system it's a greatly improved sound over steel strings. Of course, I'm my own worst enema when it comes to the sound of a guitar. The audience probably couldn't be less moved by my preferences.
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#6
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I will just come out and say it. If I am performing live 89.9% of the time hooked up to a PA but not getting the acoustic sound, then I might as well just get an electric guitar after dumping my current one. Because I cannot hear the difference between my acoustic electric and an electric guitar. Even the audience is with me. Is this a failure on the part of the sound engineer plus poor PA system? Probably. My electric guitarist plays a nice Gibson LP. Is my point getting across? I went acoustic electric cus I wanted that warm cuddly fuzzy acoustic sound to be heard thru the PA. That clearly isn't happening. I have a youtube video of my guitar amplified. If you would like to hear it, then PM me and you be the judge. Then again, I am playing thru an acoustic guitar amp (whatever that is!).
And for the 9.9% times that I do play unplugged, then I will just play some affordable acoustic guitar. |
#7
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#8
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#9
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IMO, when a guitar is marketed for amplified performance, I think they are using the pickup and marketing that sound without as much regard for acoustic qualities.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#10
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plugged
I haven't played an acoustic/electric so cannot answer to that. The gist of what I have read concerning them unplugged is folks don't much care for (most of) them unless they are electrified.
A regular acoustic, miked or plugged in, is not likely to get confused with an electric, not that there are borders which can be blurred. They sound altogether different to me. If you want the very best "acoustic" sound when amplified, use a mike. But there are plenty of quality pickups that will also do them justice.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#11
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Post that Youtube your can link it here, more than happy to apologize if I should........
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#12
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You're your own worst ... what?
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#13
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Guitar: Taylor 614CE Amplifier: Ultrasound DS4 https://youtu.be/IBD2cgMZs1g Also, what are you disagreeing with? |
#14
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Live guitars.. hmmm...
As someone that's been playing a Tak for several years as my gigging guitar I can't disagree that there are live players and quality acoustics. They can of course over lap some, but... I have a custom made guitar that eats the Tak acoustically. It has a K&K in it, so can plug in, but for most gigs the Tak wins. I recently went for a new Maton, traded the Tak and got the Nashville 808c. Acoustically a little softer than the Tak, smaller body, not as much projection but still pretty decent. Plugged in..wow.. the AP5Pro is brilliant and adds over and above what the Tak did. The mic/ pickup blend is fantastic. Never been a big Maton fan and was rather conservative in the..guitars should be 'natural' this one is I guess a Tobacco burst, so gasp... I've lost it or sumfin... shrug it's a progression, what works... As always it is horses for courses or guitars maybe. Kris
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Keep it Simple |
#15
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Perhaps a tad too much reverb in your amp?
Heck I don't know... I get a pretty good acoustic sound live.... with k&k as well as Baggs soundhole. If you are playing Moon River at home, don't plug in? If you are playing Moon River out, maybe don't play Moon River! Kidding aside... listen to GlenWillow in show and tell. He has great finger style technique as do you. He is a great guy to give you advice.
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i got tired of updating my guitars. |