#16
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I'll take my my Canadian made Seagull using actual wood all day long over something like this.
But to each their own |
#17
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Very good point!
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#18
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That's interesting; I never got to play one of the 'original' Masterbilt series, but the spec looked good and my interest was piqued. I did hear a few scare stories about structural issues, though. They don't seem to have been in the Epiphone catalogue for very long either. Maybe they didn't sell?
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#19
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Andrew, a couple of years ago I spoke with one of the guys at Epiphone headquarters about this. What he told me is that the people on guitar forums like this one recognize what a great deal the Masterbilt series guitars represent, but we're about the only ones. Evidently they've never sold particularly well.
whm |
#20
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I absolutely LOVE my Masterbuilt DR500MCE, but I did have to go through several in the store before I found a good one. It makes no sense as regular Epiphone are of consistent quality.
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#21
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More recently, maybe, but several years ago, Epiphones' quality consistency was anything but.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#22
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Quote:
The acoustic dreads and OM's could vary a LOT from "meh" to "oh yeah, baby". It's my belief that the heaviness of the dual source system had a drastic and noticeable dampening effect on their resonance. The tradeoff was getting a REALLY good sounding (IMO) barn door pickup system. I have picked up several new ones over the last few years while shopping and they were all in the "meh" category for me, at least acoustically.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#23
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Quote:
Not sure about that either. I bought an Epiphone Masterbuilt a couple years ago...can't remember the number but it was their take on a J45. It was a nice guitar, all solid wood. But less than a month in the back split with a nice crack near the neck joint. Moisture is not an issue where I live. They gave me another and it did not play the same at all. Ended up getting a Gibson AJ. So there's a happy ending |
#24
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After I wrote that I was going to call Epiphone today to see what I could learn about this fingerboard material, mz-s replied:
Quote:
"Huh..." He wasn't trying to stonewall me, it sounded as thought this was just the first he'd heard of it. So he got my contact info and told me he'd check into for me. It's pretty late in the day in Nashville right now, so he told me it'll probably be tomorrow before I hear from him. Personally, I doubt we're going to learn anything substantive beyond what we've already surmised from the description: it's a processed wood product of some sort, probably very similar to what GaryH described: Quote:
whm |
#25
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Fingerboard Material Torrefied Composite "Blackwood"; FSC® Certified
. . . Rubberized wood composite fretboards? Fantastic. This should make the previous masterbrik guitars sound downright resonant. http://www.blackwoodlumber.com/
__________________
Some guitars I currently own: 2018 Martin D41 2013 Alejandro Cervantes "Rodriguez Concert Classical" 2015 Martin HD28E Retro 2015 Gretsch 6128 Power Jet 2003 Amalio Burguet F1 concert flamenco 2010 Langejans R-cb classical 2019 Gibson 1958 true historic 2012 PRS Stripped '58 with 5708 pickups 1992 PRS CE24 (all original) Many including Gretsch, Tokai, Yamaha, and Fender. |
#26
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Here's a video showing the superiority of blackwood.
__________________
Some guitars I currently own: 2018 Martin D41 2013 Alejandro Cervantes "Rodriguez Concert Classical" 2015 Martin HD28E Retro 2015 Gretsch 6128 Power Jet 2003 Amalio Burguet F1 concert flamenco 2010 Langejans R-cb classical 2019 Gibson 1958 true historic 2012 PRS Stripped '58 with 5708 pickups 1992 PRS CE24 (all original) Many including Gretsch, Tokai, Yamaha, and Fender. |
#27
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Right. I posted a link to that in one of my posts in this thread yesterday. But we don't actually know if this is the same product as what Epiphone is using for fingerboards - that was one of the questions I was trying to get answered when I called them today.
whm |
#28
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Here's what a good one sounds like. The creme of the line was always the slope dreads, which they continued a number of years ago. Since they they've built them heavier and worser. Here's an AJ-500M:
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#29
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How do you know it's $400? I don't see the price anywhere and I don't think it's even been released yet.
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Guild CO-2 Guild JF30-12 Guild D55 Goodall Grand Concert Cutaway Walnut/Italian Spruce Santa Cruz Brazilian VJ Taylor 8 String Baritone Blueberry - Grand Concert Magnum Opus J450 Eastman AJ815 Parker PA-24 Babicz Jumbo Identity Walden G730 Silvercreek T170 Charvell 150 SC Takimine G406s |
#30
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Quote:
http://www.epiphone.com/News/Feature...AMM-2017!.aspx |